The Project Arts Centre in Dublin is hosting ‘Cube’, a theatrical production that takes you deep into the unsettling world of content moderation. The protagonist, Alan, receives an ominous “Thank You for Making the Internet Safer” message on his screen, a routine occurrence in his everyday work life. From hate speech to horrifying images, his job is to cleanse the internet of these disturbing pieces of content. This macabre play, written by Ross Dungan, is filled with dark instances, one of which dramatically alters the life of Alannah, Alan’s quick-witted co-worker. Their journey towards the truth becomes a thrilling ride, filled with suspense.
This realistic portrayal of the emotional trauma endured by the unsung heroes who sanitize the web, states ‘Content’ in bold letters. Viewers are taken on a journey to the internet’s most sinister corners, a place not meant for the weak-hearted. Alan has an unfailing rock in the form of Jean, who constantly keeps him grounded amidst the web’s chaos. Notably, Jean is, in fact, a kangaroo.
Together, through the power of art, they envision a world that is far more forgiving. Dimension is added to Sara Joyce’s directorial venture with the use of live illustrations and multimedia elements, creating a blend of theatre and dark humour. Sarah Moloney’s real-time doodles injected into the production, along with an innovative use of space, sound and lighting, provides an extraordinarily immersive theatre-going experience. Audiences are left awestruck by the raw and original performance, their attention held from beginning to end. Presentation of 15th Oak’s ‘Cube’ is an exhibition of brilliance that pushes beyond the conventional norms of theatre, yet leaves an unsettling feeling of disruption in its wake.
In a blend of humour and growing discomfort, the drama courageously addresses major online era issues, with Dungan examining the impact on dedicated cleaners of purifying the internet. Alan wrestles with his longing to make a meaningful contribution, which he perceives can only be achieved via his profession; Alannah is intent on relieving her guilt. Both protagonists are seeking contentment.
The play, adeptly exploiting the pun in its title, essentially explores the notion that our screen content increasingly influences our life satisfaction level. It certainly makes one rethink.
The play will continue its run at the Project Arts Centre as a part of the Dublin Theatre Festival until Saturday, October 19th.