The Fusion platform has been set up with a blank arcSite and a deployment number of 146. The programme’s global content is identified by the ID JUBPYFDICNG3NLXJ7JMSG62OAA. No content is allowed for comments, but published copy is permitted. The content code assigned is ‘metered’ with no specific content elements provided.
This was created on September 5, 2024 at 3:34 p.m. It credits an author named Martyn Turner, recorded in the system with the version number 0.5.8. A link to his image is provided.
Since 1971, Turner’s cartoons have featured regularly. His profile can be found under the slug ‘martyn-turner’. Social platforms connected to Turner include email and Twitter, with the handle ‘turnercartoons’. For future reference, any related social links should be recorded in the ‘social links’ section.
Turner’s complete description, including original ID, byline, first and last names and a brief biography is contained in the ‘additional properties’ segment. His detailed biography mentions that his political cartoons have been showcased since 1971.
In 1948, he was born in Wanstead, a location situated towards the east of London. His educational journey commenced at the Bancroft’s School in the close proximity of Woodford and then progressed to Queen’s University Belfast. By around 1970, he embarked on a professional cartooning career with the Sunday News in the very same city. Post-graduation, he became part of the independent cultural and political review, Fortnight, in Belfast and later assumed its editorial responsibilities. His journey took a turn in 1976 when he relocated to Co Kildare and began functioning as a political cartoonist. Despite still creating four caricatures a week, he occasionally indulges in writing. His portfolio boasts 17 published books encompassing a mixture of cartoons and articles.
The image, identified as “turner.6sept.jpg”, has been uploaded manually by the owner, joconnell@. It is a JPEG file and not restricted in its use. The full-size image can be resized following a specific URL and it has been publicly published. The original image can be found through a provided Cloudfront link. Additionally, a thumbnail version of the image can be obtained and resized from a different URL. This image holds an alternate text description, which is “Martyn Turner”. This is all part of the basic promotional item properties, including a unique ID MT2P32MZSRGYBHQGAMF44E4HI4. The object with a template ID of 327 does not have any further properties related to the address. Upon finalisation, the status can be updated as completed and subsequently published.
The cartoon was made by a British artist named Martyn Turner. He was born in 1948 in Wanstead, a suburb of London, and attended Bancroft’s School in neighbouring Woodford before moving to Northern Ireland for university. He attended Queen’s University in Belfast and started his career as a professional cartoonist in approximately 1970, making cartoons for the Sunday News in the city. After completing his studies, he worked for a Belfast-based independent political and cultural magazine called Fortnight, and later became its editor. Martyn Turner moved to County Kildare, Ireland, in 1976.
You can reach Martyn Turner via email at opinion@irishtimes.com, and follow him on Twitter at @turnercartoons.
The author named Turner is a talented cartoonist, known for publishing 17 unique books full of vibrant cartoons and intriguing articles. Going by his Twitter handle @turnercartoons, he continues to brandish his creativity. Turner maintains an online presence, with an image that can be seen at the link provided, even though his Facebook page is not available. The author’s page featuring his works could be found under the link /author/martyn-turner/. His last activity can be traced back to 20th May 2022. Additionally, Turner, who seems to prefer to keep his educational background and awards private, can be contacted via the email ‘opinion@.com’. As of 5th September 2024, the illustration associated with him in the system holds a status of non-licensable, however, it spectacularly reflects his artistic prowess to his followers.
On Friday, September 6th, 2024, an image by Turner was published. The image was hosted on the cloud service, Cloudfront, and was 3402 pixels wide. The image was embedded in the Cartoons section of the Opinions page on irishtimes.com, a significant news source run by staff writers. This content did not require a subscription or payment to view, as it fell under the “free” paywall status. The Cartoon section, where Turner’s image appears, provides quality reportage including distinctive cartoons by Martyn Turner. This content was curated by staff member joconnell@irishtimes.com. However, no sponsored content or affiliate links were linked to this publication.
The cartoon section on the Irish Times website is categorically organised and accessible via the opinion tab, with a unique alias identifier “opinion/cartoon.” This section offers comic pieces, featuring works from Martyn Turner and more, brought forward by this well-established brand known for its quality journalism. The cartoon section is free of paywall restrictions, making it accessible to all. This component of the Irish Times website is kept updated and maintained under version 0.5.8. Furthermore, it holds a distinctive order number 2004 across sections on hamburger menus, app hamburger, composer relevant sections, and section page subnavs.
Examine the cartoons found in The Irish Times. This content comes in the ‘opinion’ section of the publication. The cartoons depict contributions from Martyn Turner and more, presented through the reliable and quality journalism that the brand is known for. No extra charges need to be considered as the content is free. Make sure you check out this exciting ‘cartoon’ division in The Irish Times. It may even be found in the ‘opinion’ subsection of the menu in the app or website.
The “Cartoon” section is a part of “Opinion” on the website “irishtimes”. The Parent of this section is “/opinion” and it can be accessed through various avenues such as the “Hamburger-menu”, “App-Hamburger”, along with other composer-related sections and subnavs. The placement order for these access points is indexed at 2004. This section is listed as active. In another part of the website, the “Opinion” is a separate section with an id “/opinion”. The parent of this section is the normal default route “/”. The section is free from the paywall and is marked by the metadata title “Opinion | ” . It embodies the contemporary debates and outlook from The Irish Times.
Ireland’s iconic brand is known for its high-quality opinions and news reporting. This prominent brand features an ‘Opinion’ segment, predominantly appearing in numerous locations such as hamburger menus, Application Links Navigation, and underneath their website’s masthead.
In addition, relative to this brand is a ‘Cartoon’ site that comes under the ‘Opinion’ section. This site is version 0.5.8 and offers free access content, bypassing the paywall. It includes engaging cartoon creations and illustrations by Martyn Turner, making it a much-visited site by followers of this leading journalism brand.
The “Cartoon” section, designated with the alias ‘/opinion/cartoon’, is related to the ‘Opinion’ category in the hierarchy. On the menu, it’s ordered in 2004th place. Its status is currently active, and it’s included in several aspects such as the default, ‘Hamburger-menu’, ‘App-Hamburger’, ‘composer-relevant-sections’, and ‘section-page-subnavs’ of the parent directory ‘/opinion’.
Additionally featured is the ‘Opinion’ site, identified as ‘/opinion’, with its version stated as ‘0.5.8’. The site’s path directs to ‘/opinion’, with its parent being the root directory. Furthermore, the ‘Opinion’ site is not locked behind a paywall and offers the latest debates and opinions. Its metadata includes title and description.
Ireland’s finest quality brand known for its distinctive perspective and reporting. The “Opinion” portfolio, identified in the navigation hierarchy, carries a varied range of weight depending on where it’s situated – from “default” at 1002 to “hamburger-menu” and “App-Hamburger” at 1006, along with other navigational points. Its immediate parent demarcates to “/”, except in mobile applications where it doesn’t specifically point to any direction. With respect to its ancestors, the “navbar” and “footer” destinations are vacant, whereas other points convolute back to “/”. This section currently remains active.
Going by the “story” classification, the provided data has undergone 10 versions of modifications. Furthermore, the “opinion/cartoon” subdivision under the parent website categorisation is attributed to “irishtimes”. This ‘Cartoon’ subcategory, stemming directly from “/opinion”, harbours an effervescent presence across various navigational points. Its status is decidedly active.
The metadata highlights the enrichment of quality journalism that is dished out: Martyn Turner cartoons and more from The Irish Times – a representation of the distinguished Press. It’s deemed free under the ‘Paywall’ structure, whilst ‘Sponsored Content’ remains unaffiliated and without a lead label. In terms of order hierarchy, pertinent details remain undisclosed.
The ‘ger-menu’, ‘App-Hamburger’, ‘composer-relevant-sections’, and ‘section-page-subnavs’ all fall within the 2004 category. On the website, the corresponding URL is listed as ‘/opinion/cartoon/2024/09/06/martyn-turner/’. As for the workflow, it bears a note, is at status code 6, and its canonical URL remains identical to the website URL previously mentioned. Scheduled operations within its publishing include neither edition publishing nor unpublishing. This is part of ‘it_education_general’ within the gs_channels.
The Fusion global content configuration is sourced from ‘content-api-it’, having its query in the URI and the ‘irishtimes’ arc-site. The modification of this Fusion component last occurred at 1725589819689. It also contains a cached content from the signing service. This possesses an ID, a hash, sha256 type, and another ID under ‘data’. It expires at 1757122999921 and bears the ‘lastMo’.
Using randomised elements, a data structure is generated. Because the data was last updated at 1725515664994, it will not be removed until 1757051665160. This piece of data, marked by the identifier “https://s3.amazonaws.com/arc-authors/c66733a2-df55-4384-8772-13ef1967289a.png”, is encrypted using the “sha256” encryption method. There is also reference to a site service hierarchy, which includes a header-nav-chain feature. In this hierarchy, there is a hamburger menu with multiple data nodes, including ‘Home’, ‘Latest’, and ‘Subscriber’.
The sections under the category ‘Ireland’ include ‘Dublin’, ‘Education’, ‘Housing & Planning’, ‘Social Affairs’, and ‘Stardust’. The subsections found within the ‘Politics’ category encompass ‘Poll’, ‘Oireachtas’, ‘Common Ground’, and ‘Elections & Referendums’. Under the umbrella of ‘Opinion’ are found subsections like ‘Editorials’, ‘An Irish Diary’, ‘Letters’, and ‘Cartoon’. Finally, ‘Business’ has subcategories, notably ‘Budget 2025’, ‘Economy’, and ‘Farming & Food’. These categories and subsections are accessible via the specified URLs.
The new text would have categories like Food, Financial Services, Innovation, Markets, Work, and Commercial Property under its Business section. Its World section would contain sub-sections such as the US Election, Europe, UK, US, Canada, Australia, Africa, Americas, Asia-Pacific and the Middle East. There’s also a Sport category with Gaelic games as a notable inclusion.
The website is divided into several sections including: Sports, which includes various subcategories such as rugby, football, golf, racing, athletics, boxing, cycling, hockey and tennis. The ‘Your Money’ section includes topics like ‘Pricewatch’ and ‘Budget 2025’. There’s also a ‘Crime & Law’ section, with a subset devoted to ‘Courts’. Property is also a main category, incorporating sections on residential and commercial property, along with an interior design section. The ‘Food’ section offers subcategories like ‘Drink’, ‘Recipes’ and ‘Restaurants’. Lastly, ‘Health’ is structured into ‘Your Family’ and ‘Your Fitness’ sub-sections.
The following categories are organised in sections: “Health” includes “Fitness”, “Your Wellness”, and “Get Running”. “Life & Style” encompasses “Fashion”, “Beauty”, “Fine Art & Antiques”, “Gardening”, “People”, and “Travel”. “Culture” comprises “Art”, “Books”, “Film”, “Music”, “Stage”, and “TV & Radio”. “Environment” hosts the “Climate Crisis” section. Lastly, within the “Technology” section there are sub-sections on “Big Tech”, “Consumer Tech”, and “Data & Security”.
In the website’s structure, there are numerous sections split into diverse categories. The Technology section, for instance, comprises of sub-sections on Security and Gaming, whereas Science has a separate branch for Space. Media and Abroad are present as individual sections without any specific compartments, much the same as Obituaries and Transport.
Under the Motors section, a link is dedicated to Car Reviews. The site also provides auditory content, with a Listen link included. Podcasts form a vital section with several channels under their umbrella. These include In the News, Inside Politics, The Women’s Podcast, Inside Business, Ross O’Carroll-Kelly, The Counter Ruck and Web1, each functioning as distinct podcast categories.
The sections comprise of Podcasts, Video, Photography, History with a sub-section named Century, Tuarascáil, Student Hub, Offbeat, Crosswords & Puzzles including links for Crosaire, Simplex, and Sudoku. Lastly, there’s a Sponsored section that involves sub-sections namely Advertising Feature and Special Reports.
The information provided outlines various sections, links and display names associated with a website. The main categories highlighted include “Rewards”, “Competitions” and “Weather Forecast”. Additionally, under the “Subscribe” section, there are links provided for “Why Subscribe?”, “Subscription Bundles”, “Subscriber Rewards”, “Subscription Help Centre”, “Home Delivery” and “Gift Subscriptions”. Lastly, under the “Support” section links for “Contact Us” and “Help” can be found. These categories and links serve different functions on the website, each designed to provide specific services or information to site visitors.
The Irish Times website consists of different sections, each with relevant links. One of these sections is “Support”, which contains links that lead to a support centre and one’s user account settings.
The “About Us” section boasts various details including a link to their advertisement section, a way to get in touch with them, a deep dive into the Irish Times Trust, and insight into their career opportunities.
Further down, a section titled “Product and Services” includes information about their ePaper, crosswords and puzzles area, access to the newspaper archive, and newsletters. Additionally, users can access individual articles through a separate link under this area.
This fresh text is a revision of the existing text, rendered in British English using diverse words and alternative sentence structure.
The current text provides a link to the Irish Times article index (https://www.irishtimes.com/article-index/). It also offers a connection to the discount codes available on the Irish Times website (https://discountcodes.irishtimes.com/). These are part of the products and services section.
In addition, this information shows a service hierarchy status on the Irish Times site when logged in, presenting options such as managing one’s account under ‘My Account’ and digital subscriptions.
The Irish Times provides a variety of special features for its subscribers. If you have any queries, you can find assistance through their support link: https://help.irishtimes.com. Exclusive articles are available just for subscribers. If you’re a fan of crossword puzzles and digital games, they offer Simplex and Crosaire crosswords on their platform too. As a subscriber, exclusive rewards await you which can be discovered at their “Subscriber Rewards” page. The Irish Times also sends out newsletters which you can subscribe to, to receive updates and stories right in your inbox. Their “Subscriber tour” feature allows you to explore the perks of your subscription. Want to dive into the past? They offer an archive of 150 years worth of journalism. Reading on the go is also convenient with their Apple and Android applications. Their partners include MyHome.ie (https://www.myhome.ie), The Gloss (https://www.thegloss.ie), and Recruit Ireland (https://recruitireland.com).
Links for training and recent obituaries can be found on the websites of ‘Irish Times Training’ and ‘RIP.ie’ respectively. Furthermore, Irishtimes uses a data collection system that power an alert bar block, which was last updated in September 2024.
The “alert-bar” section of the website is managed by the owner known under the alias “irishtimes”. The branch labelled “default” has been published, and currently has no specific canonical URL linked. There are no operations scheduled for either publishing or unpublishing an edition. The content has been recently modified, with the current lifespan before expiration calculated to be 1725589915851.
Furthermore, there’s related content associated to the ID “JUBPYFDICNG3NLXJ7JMSG62OAA”, albeit with no specific content elements included. This content, similarly modified recently, has an expiration timeline of 1725590088560.
Lastly, there is a section dedicated to storytelling feeds, with an inclusion specified for “/opinion/cartoon”. It consists of specific content elements tied to the same ID as the related content. The provided canonical URL facilitates access to the publication by Martyn Turner on September 6th. This content is subject to metered restrictions.
An update was made on Martyn Turner on the 6th of September, 2024, at precisely 01:42:00Z. Noteworthy headlines were available with no specific native description. Promotional material, including an image(asset ID: MT2P32MZSRGYBHQGAMF44E4HI4), was provided. The URL for the image was disclosed, presumably available for the public. The information was classified under the “Cartoon” and “Opinion” sections on the respective website. Furthermore, Martyn Turner was also listed under content restrictions described as “metered” on the 4th of September, 2024 edition.
Utilising the details provided in the initial text, frame a fresh version. Please do not convert the initial text’s information, make sure you use British English while responding.
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The text contains information about a feature named “Martyn Turner.” This piece, classified under the categories of “Cartoon” and “Opinion,” was published on the 31st of August, 2024. A promotional image for the feature can be found at a dedicated URL. It appears that this content is accessible on the website under the path “/opinion/cartoon/2024/08/31/martyn-turner/”. In addition to this, a related piece under the same categories and by the same author, has been mentioned and is believed to have been published on the 24th of August, 2024. Access to this content may be limited due to certain restrictions.
The following information pertains to Martyn Turner’s work. There’s a feature story about him that was published on August 24, 2024. The categories assigned to this include ‘Cartoon’ and ‘Opinion’. The URL for accessing it directly is: /opinion/cartoon/2024/08/24/martyn-turner/. Another piece by Martyn Turner, published on August 17th, 2024, has been assigned the content code ‘metered’ under content restrictions. Martyn Turner is given credit for both of these.
The headline “Martyn Turner” was displayed on 17th August 2024 at 03:34, featured as a cartoon piece in the opinion section. It has a promo image of the ID “3YXK67Q2XNDUNNDAHZAOCBN4FU”. This story can be found via the website URL “/opinion/cartoon/2024/08/17/martyn-turner/”.
On 3rd September 2024, another popular opinion piece entitled “If warnings about Atlantic ocean circulation are correct”, talked about the potential impact on Ireland’s friendly living and growing conditions, should the Atlantic ocean circulation forecasts be accurate. This can be accessed through the canonical URL “/opinion/2024/09/03/if-warnings-about-atlantic-ocean-circulation-are-correct-ireland-could-lose-its-benign-living-and-growing-conditions/”.
If projections about the Atlantic Ocean circulation hold true, Irish residents might find themselves migrating due to climate changes. In a separate news, a woman in Dún Laoghaire was severely injured after being assaulted by dogs.
A woman in Dun Laoghaire was viciously attacked by dogs, resulting in substantial injuries. In other news, a person, credited as Ireland’s oldest resident, attributes her life longevity to an unusual source – Poitin. She reportedly drank it to combat the Spanish flu and claims it’s the only instance she’s consumed alcohol. She managed to live solo up until the age of 98.
In the recent final of sitting volleyball, Iran was led by the world’s second tallest man, their not-so-secret weapon. Furthermore, there was an incident where a woman 108 drank alcohol for the first and only time, saving her life from the Spanish Flu. This story was promoted with an image hosted at the noted URL. The audio project ID linked to these events is 8948. These events are recorded and can be accessed via their respective website URLs for a more detailed account.
The original text informs us of two distinct events for the year 2024. Firstly, the world’s second tallest man becomes the key factor in Iran’s campaign to the final stages in the sitting volleyball tournament. Images and more details can be viewed using the given URLs. Secondly, British law enforcement has been dispatched to Dublin in a bid to curb hooliganism at the football match between the Republic of Ireland and England. This news was published on September 5th, 2024 and additional details are available via a specific URL.
In anticipation of the forthcoming football match between the Republic of Ireland and England, British police have arrived in Dublin to monitor potential hooligan activities. The officers will keep an eye out for unruly behaviour to maintain order during the event. The information in this report was found on the ‘crime-law’ web page, under the ID ‘b807ff8a686c4d2ae8e1574cd7ac5654f1ab3fd1ff722feff4d245b1cced4dcd’. This information is subject to modification and was last updated on the date reflected by the timestamp ‘1725589538227’.
The primary sectors of taxonomy identified here include sport, technology, transport, tuarascail, world, your-money, and podcasts. The subtypes entail default, analysis, feature, opinion, showcase, columnist, live-story, podcast, and editors-note, whilst excluding ‘opinion/letters’.
An example given features Martyn Turner, an author who has contributed content, and a broad reference to September 6th. The data size for this information is noted as ten.
The headlines indicate that Martyn Turner and Hunter Biden have been in the spotlight lately, although for different reasons – Biden pleaded guilty to avert a tax trial after a previous conviction concerning a firearm. The White House was prompt to state that Biden won’t receive pardon or sentence commute from his president father. Meanwhile, Martyn Turner made his presence felt in a different arena. In football news, fresh from Celtic’s triumph over Rangers in the Old Firm match, Gavin Cummiskey contributes to the report on the same.
Liam Scales, an ex-Shamrock Rovers defender, is eagerly anticipating the opportunity to play against long-time rivals England at the Aviva Stadium. The big clash is a challenge Scales is ready to tackle head-on.
In other news, Danny Kinahan, the first commissioner for British military veterans in Northern Ireland, has resigned from his post. According to him, veterans in Northern Ireland aren’t provided the same level of protection as those in other regions of the UK.
The first Commissioner for British military veterans in the north has resigned from their position, according to details supplied by the politics section of a certain website. In separate news, despite an early goal from Stephen Kenny’s 18-year-old son, Eoin, Dundalk failed to claim the victory as St Pat’s seized all the points, thanks in part to the decisive efforts of Mason Melia. This happened on September 5th, 2024.
Using the details given in the original text, generate a new text. Maintain the British English style and provide a distinctive style in terms of vocabulary and sentence structure. Refrain from translating the original text verbatim.
Original Text: “/###
From the original text, I need to rewrite the content using British English. I must not directly translate the original text. Instead, I should aim to use different vocabulary and sentence structure in the text.
The chemical composition of specific samples suggests that volcanic activity on the moon persisted until roughly 120 million years ago. Tiny glass bead structures provide evidence that the moon was volcanically active during the era when dinosaurs roamed the Earth.
The band managed to outperform a series of artists, including the renowned Irish singer CMAT in an unspecified contest or performance.
Charli xcx and the Last Dinner Party failed to win the £25,000 cash prize in competition, with Leeds indie band English Teacher triumphantly winning the Mercury prize in 2024 for their debut album. The revelation took place on 5th Sep 2024. On the same day, a court ruling unlocked limitations on the communication between Tate, his brother Tristan and presumed victims of human trafficking. Furthermore, Andrew, a well-known influencer, managed to escape jail time due to a Romanian court’s rejection of the prosecutor’s appeal.
The original manuscript reveals the story of Dominique Pélicot, a Frenchman, and 50 other defendants. These individuals are facing the harsh potential of a 20-year prison sentence if found guilty. The narrative is further enhanced by the tale of a woman, whose husband allegedly invited men to sexually assault her, expressing that she was treated as if she were insignificant. This information was authored by Angelique Chrisafis in Paris and was published on the 5th of September, 2024. The article also provides information about a Romanian court’s dismissal of an appeal by prosecutors to imprison influencer Andrew Tate. This story was reported on a European news platform.
The man who holds the title of the second-tallest in the world, Morteza Mehrzad from Iran, is not fond of the spotlight that accompanies his 8ft 1in stature. However, his role in leading Iran into the sitting volleyball final at the Paralympic games has proved beneficial in helping him cope, according to his coach. Despite his towering height, Mehrzad prefers to remain low-key. This information was originally reported by author Paul MacInnes on 5th September 2024.
A story related to the Paralympic Games was publicized on the Irish Times under the “Sport” section. The article, found at the given URL, was not sponsored. The highlight image for the piece, sourced from cloudfront-eu-central-1, was overseen by a certain auth code. The story revolves around an extraordinary Iranian participant in the sitting volleyball final, touted as the world’s second tallest man. This key piece of information could serve as a not-so-secret advantage for the Iranian team in the competition. The page was last modified recently, with its layout design following a slim-content style. These details form part of an article with a global content headline, which can be shared via Twitter or other social media channels.
Rendering the details in a more user-friendly way: The website is designed with a Header Nav Chain Block with the unique ID ‘c0fJUqSnv8g6bdb’, presenting the logo in the middle, and a hamburger menu, which can be located through its hierarchy. This layout also displays horizontal separator dots for aesthetic purposes.
On mobile, the left component portrays a menu while the right one is custom designed with a preference for the 3rd option. For the menu component, a custom option placed at the 2nd position is chosen, with a ‘queryly’ feature as the secondary menu component.
The desktop layout follows a slightly different configuration, with the ‘queryly’ feature being the primary component on the left and a menu as the secondary one. The right side has two custom options, with a preference for the 1st and 3rd options respectively. The main desktop menu component is omitted in this design.
Within this structure, there is a HTMl Box Block, denoted by the ID ‘f0f1j0n1myTR7B9-0-0-0’ from the ‘features’ collection. It has been curated with personalised configurations, however, it accords to the site’s original service content and values.
Furthermore, using custom fields, this HTML box includes an iframe scrolling set as ‘no’; its identity being ‘fw-desktop’. It sources data from ‘https://lw.foreca.com/v3/en/site/irishtimes/widget/?name=Dublin&id=102964574’ and is set to a width of 85 pixels for optimal presentation.
The original text provided appears to contain code and lacks a clear narrative for rewriting in British English. We need actual article content to accurately create a fresh text. Please provide a text passage from an article to proceed.
This complex framework includes multiple collections and features. Section id 1, under the “sections” collection, features a “global/ads-block” with the id “f0fGCoj1bH9lbdb”. This ad block permits a variety of ad types including 970×250, 970×90, 728×90, and 320×50. Despite permitting lazy loading and reserving space, it has been set to display Ad label. Another interesting element is the “flex-chain” under the “chains” collection with id “c0fPc4rmYkYa4GI”. This flex-chain is designed in specific layouts with varying columns. The chain includes features such as an ‘overline/default’ and a ‘headline/default’. These features have also been set to central display with premium paywall status and transparency on display. The feature ‘headline/default’ also tends to support a light background.
In a complex collection of nested features, two specific flex-chain types are noted. The first flex-chain’s unique identifier is “c0fCOufnnsHN13K” and its custom fields include parameters such as text links, URL links, layout specifications with a focus on the second column layout, and a clone Id that matches its unique identifier. A subheadline feature is also highlighted, which is centrally displayed and not using a light font colour.
The second collection, which shares the sections identifier 2, contains another flex-chain with the unique identifier “c0fCfFUth1iM9d”. It follows similar layout configuration but includes a different feature: an ‘article/lead-art’. This feature has certain custom settings such as shrink-to-fit and the viewing percentage set to 65%. Additionally, it opts for hiding both the title and credits, and seeks an eager image loading strategy.
The properties and features detailed in the original text are split into multiple sections. Each section consists of different components such as a divider block, byline, social share bar, and a sponsored byline. These features are identified by individual IDs and have various properties. Despite their differences, they all carry the possibility of local edits and display customisation. The inherent content configuration applies to each. The social share bar possesses extra custom fields that dictate its space and show a close button. The article body is part of a separate chain collection.
A code was provided with custom fields that included instructions for element placement using numbers from one to eight, and requirements for various elements such as image and video titles, credits, captions, and video credits to be hidden. A specific display property was not defined.
There were also children elements in the code which featured collections described as “@wpmedia/htmlbox-block/htmlbox”. In addition to these elements, a text box with a message of ‘READ MORE’ was stylised – it had a border-block start of 4 pixels, used a secondary font-family, and had a font size of 1.1 rem. This text box was also assigned display properties.
The final code in the list was a top-table list, also classed as a features collection. It once again did not assign a specific content service or content configuration values. However, it did contain a list of content configurations, mentioning another content service named “content-api-collections”. This configuration referenced an alias labelled as “highlights-collection” and specified that size should begin from zero.
The updated format clearly defines the display properties for various sizes, from extra-large to small. It outlines the necessity of incorporating different elements such as overline, headline, image, description, byline, date, and bottom border. The image ratios vary with each format – 4:3 for both extra-large and large, 16:9 for medium, and 3:2 for small, with additional specifics about image positions and stories per row for the smaller size. The viewport percentage for extra large, large, and medium sizes stands at 65. The features collection has a ‘top-table-list’ type and follows the related-content service, which is initiated with an assortment of id values.
The given data indicates certain display properties, set for various screen sizes – Large (LG), Medium (MD) and Small (SM). On a large screen, elements such as image, description, byline, and date are visibly showcased, with the image maintaining a 4:3 ratio. Similarly, for medium screens, all the aforementioned elements are shown and the image ratio stands at 16:9. In the case of Small screens, the presentation is facilitated with three stories per row and the image ratio of 3:2. Bar borders are visible across all screen sizes.
Additionally, it entails details about global advertisement blocks. An identifier has been assigned to every ad block, along with content configurations. Certain attributes like ‘adType’, ‘lazyLoad, ‘displayAdLabel’, and ‘reserveSpace’ were found in these advertisement block properties. Specific ad types consist of 728×90 and 300×250 variants. The ‘lazyLoad’ option appears to be toggleable, with it being set as false for some and true for others. Meanwhile, the ‘displayAdLabel’ option is uniformly turned on and ‘reserveSpace’ off throughout the ad blocks.
This appears to be a set of technical parameters from a content configuration file. It describes multiple features with different types such as ‘global/ads-block.’ These features have unique IDs such as ‘f0fYKctXj7wt6xL’ and ‘f0f6RPR7vA01bMt.’ Some of the features have custom fields like adType with set sizes (‘728×90|300×250’), lazyLoad set to true, and displayAdLabel also true. They also have display properties and local edits, however, no specifics are provided for these. There also appears to be an article-tag-block with an id of ‘f0fFcyfc18563Ok’ whose customFields configuration reveals lazyLoad is set to false. Confirmation of the inheritance of content configuration values is also specified.
The mentioned document suggests the presence of a feature arrangement, identified as ‘flex-promo/default’. Its ID is reported as ‘f0fXgyRndykV8UV’. It is configured to inherit content, with an item content configuration set to ‘related content’. The document configuration values for this feature are underscored by an ID – ‘JUBPYFDICNG3NLXJ7JMSG62OAA’. The feed size is reported as 1 and the feed offset as 0.
There are numerous custom fields related to display properties. For example, the size override is set to 7, and speech kit is not allowed. The overline alignment is set to the left, with a close button provided and a small font size. The headline text alignment leans to the left and is designed in bold font. Other elements such as headline, byline, date and time, and live story timeline are not showcased.
Further, there’s no display of images, either for desktop or mobile. Both adhere to a 1:1 image ratio and are placed on the left. This feature maintains a ‘premium’ paywall status. Its bottom divider is enabled on all devices, yet the last bottom divider lacks all devices. An offset override of 3 is detected.
The document also outlines a ‘zephr-target/default’ feature, bearing ‘f0fzoHxn18563dN-3-7-0’ as its ID. This arrangement again inherits content and identifies a target class as ‘floating-subscribe’.
The upright descriptions and technical details denote a discrete arrangement of digital components, reflecting a precise configuration of numerous features for an online interface. This might be an ebullient artifact of a software framework or CMS that manages web content.
The original text outlines various digital configurations. Initially, there’s mention of a flex-chain from a collection referred to as ‘chains.’ This specific flex-chain is identified as ‘c0fzBf5RCKct34h’ and has certain customisation characteristics such as a lazy load function set on false, a layout outlined as “[[12],[],[]],” and columns ranging from 1 to 5, all of which have specific numerical value assignments.
The text subsequently points out a universal ads-block from the ‘features’ collection. It’s identified as ‘f0fQn4CM6bob3un-3-8-0.’ This block has various ad types and a content configuration service that can be inherited. In addition, it’s mentioned that there is a display ad label feature, and space reservation has not been activated on this block.
As the text progresses, it illustrates a divider/default item from the ‘features’ collection, identified as ‘f0fp00Stb59LbWS.’ The content configuration service is also inheritable on this divider. Afterward, there’s mention of another flex-chain, known as ‘c0f1XjTzy5525Dg,’ with various custom fields and display properties. This flex-chain differs from the first in that it contains active showDividers for desktops, tablets, and mobiles.
The provided text doesn’t contain any meaningful or useful information to generate a new text. It appears to be a part of a data configuration or coding script. We need a complete and coherent sentence to provide a rephrase. Could you please provide a different text?
The original text appears to be a piece of complex code that includes a variety of features and functions related to a website or application layout. It includes sections for promotional details, feature collections, advertisement block, and a header. The code also provides instructions for content display properties, custom fields, image ratios and positions, paywall status, bottom dividers, and other specifications. It does seem that the content service for each section is currently left blank, meaning there might be potential for future updates or modifications. Additionally, the visibility of various content attributes like headline, overline, byline, date/time, and images can be manipulated, allowing for a highly customisable user interface. The text ends with the word “MOST”, hinting at a potential heading or title.
The properties of a small-sized, flex-promo/default type feature are displayed. This feature, identified as “f0fD85eBFtxCSI-4-1-4”, is intricately linked to the ‘most-read’ section with its configuration designed for the ‘most-popular’ content service. It oversees the communication of content which is configured to show five items per section without any offset. Customizations such as speech kit usage and close button visibility are retained at the discretion of the user. The overriding size is five, and the orientation for overlines is kept to the left. Lastly, the preferred font size for this configuration is medium.
Using the provided parameters, let’s create a custom template.
The headline will be small in size and bold in weight. It will be aligned to the left. By default, the overline, byline, and date/time will not be visible.
For desktop viewers, an image with a 16:9 ratio will be displayed on the left. For mobile viewers, another image with a 3:2 ratio will appear on the right. Both desktop and mobile users will have to pass the premium paywall for access.
Also, for all users, there will be a bottom divider on the last section as well as between sections. There’s no offset override and no internal clone Id is required.
In the features collection, a global type ads-block will be inserted. It will have fluid ad type and support lazy load. The ad label will not be displayed and there’s no need to reserve space.
The first chain collection will apply a flexible layout which would use only the 1st of the 12 available columns. Dividers will be shown for it on all devices.
Within the features of the first chain collection, there will be a header of default type labeled “LATEST”. Other specifics about this section are yet to be specified. Notification of changes or additions to this configuration are not anticipated.
In the “features” collection, a “top-table-list” block with properties and variations is displayed. The ID for this block is”f0fWDLZBcW11b63-4-2-1″. Configuration is depending upon the parent content, with specific custom fields for list content configuration. Content services define this as a “story-feed-query” with queries extending from “abroad” to “your-money” taxonomy. Depending on the subtypes including “default”, “analysis”, “feature”, and so on, until “editors-note”, stories get categorized. Thus, the page displays a sorted list of content following the defined story-feed-query parameters.
This text refers to the layout configuration of a webpage or application. It provides information on different settings, such as the display properties of the headlines, images, descriptions, and dates on screens of various sizes (extra-large, large, medium, and small). It specifies the image ratios for each format (4:3 for XL and LG, 16:9 for MD, and 3:2 for SM), and indicates the presence and arrangement of bottom borders. It also tells us about additional features such as an ads block and division properties, with an emphasis on the display of features. Additionally, it makes mention of lazy load advertising, where ads load only as they appear on the screen viewer.
The original text entails coding languages with advertisement labels, collections, chains, and properties interlaced. Furthermore, it delves into features and HTML box block. Additionally, it illustrates that certain CSS rules have been customised, particularly those that relate to the stylisation of web page footers and copyright columns. A large extent of this data appears to be written in JSON format. Most notably, the coding is manipulative in the overriding of previously held style elements, substituting the original formatting of the copyright column, footer, and partner links with a new font family: Roboto.
In the stylesheet, the footer order is rearranged using the relative position. The primary logo and horizontal line in the footer are not displayed, and the upper border in the footer is eliminated. Furthermore, the copyright column takes up 82% of the width, with its paragraph text aligned to the right, and the copyright line styled in small letters with zero padding.
The section labelled ‘our partners’ has a light grey (#f1f1f1) background and padding of around 0.75 rem, both on top and bottom. Its margins are separated by 1 rem, and it does not display any horizontal lines. The section also includes a subtitle ‘Our partners: ‘, styled in small, bold, and uppercase format.
Different styles are applied for mobile displays narrower than 767px. The footer does not have a margin at the bottom, and there is no extra space beneath the layout-section. The ‘legacy-footer-row’ takes the full width and is presented in row direction, with its padding at the top set to 2 rem. Both the footer header and items follow a centralized alignment, with the items displayed in a 14px font size. The ‘our partners’ section is styled in black text in a block layout with centralized alignment and zero margins at the bottom.
Center and block display directives are assigned under the ‘{ }’.
The ‘b-links-menu’ class, which is found within the ‘our-partners’ aria label, is instructed to have a flex column display, center text alignment, hidden visibility and a height of 40px.
For the anchor elements within the ‘b-links-menu’ under ‘our-partners’, visibility is specified as visible.
The ‘apps’ class is allocated a padding top of 0.75rem, a solid 2px border on both the top and bottom also padding-bottom of 1rem.
Lastly, the ‘c-separator’ within ‘our-partners’ is allocated a variable separator content.
This seems to be coding content, specifically CSS styling for a webpage alongside some HTML. The code reveals details about various elements, such as static-footer-links, including specifications for border, padding, margin and colour characteristics. It also references the attributes for elements of footer-blocks and htmlbox-blocks. An ‘apps’ class is being used with HTML centre alignment and styling attributes. Subsequently, coding for an image element follows with undefined attributes for ‘alt’, ‘src’, target links, and an unspecified loading technique. Note image dimensions are defined (108×34), implying the image’s width and height proclamation. The end of the code snippet mentions another image element, but its properties are incomplete.
Apologies, but the provided original text seems to be a piece of code rather than a standard text. Writing a new text based on it wouldn’t be feasible in such a case. Could you perhaps provide another piece of text?
This new code is a reinvention of the original one, but it has completely different syntax and vocabulary.
Firstly, a function is triggered after a delay of 100 milliseconds. This function checks whether ‘permutiveSdk’ is defined within ‘permutive’ or the window object. If it exists, it then proceeds to break down the existing document cookies into an array. This array is iterated upon, and each cookie is split into a pair. The script specifically searches for the ‘blaize_tracking_id’ cookie. If it’s found, the pairing is decoded and passed to the identify method of the ‘permutiveSdk’.
Next, another function is initiated after a delay of a second. This function again verifies the existence of ‘permutiveSdk’. If it is valid, it uses a method called ‘segments’ which subsequently makes a POST HTTP request to the server. It uses a new XMLHttpRequest object or an ActiveXObject if XMLHttpRequest is undefined. The request is made to the ‘/plugins/public/permutive/update-segments’ endpoint and has a ‘Content-type’ header of ‘application/json’. The send method is used to forward the segments in the JSON format. This request enables the browser to pass along the user credentials with the request.