Martyn Turner, a cartoonist whose work has been appearing since 1971, is a prominent author with an online presence. Turner’s digital profile can be found on the Fusion platform with the unique identifier “MWVZFZ27UJHGVDUBI7IX74WIKQ”. His profile features a link to his work “/author/martyn-turner/”, and a thumbnail image which can be found at “https://s3.amazonaws.com/arc-authors//c66733a2-df55-4384-8772-13ef1967289a.png”. Turner can be personally contacted via email at “[email protected]”, or followed on Twitter under the handle “turnercartoons”. The platform has restricted the content to being metered. Turner’s contribution was first uploaded on the 19th of July, 2024, at 13:19:50. Though Fusion permits for comments on content, this feature has been turned off for Martyn Turner’s work.
Hailing from the eastern periphery of London in Wanstead, he was born in 1948 and was a student of Bancroft’s School located in the neighbouring Woodford, before proceeding to further his studies at Queen’s University Belfast. He embarked on his professional artistic career, specialising in illustrations, around 1970 with the Sunday News in Belfast. Post his university education, he became part of the independent political and cultural platform, Fortnight in Belfast and later took over the position of its editor. In 1976, he relocated to Co Kildare and took up the role of a political cartoonist, a job he still holds, creating four cartoons weekly and writing sporadically. Further, in his repertoire are 17 published books encompassing his cartoons and articles.
The schedule is set for the publication to be moved to its completed status on the date of 20th July 2024 at 01:00 GMT. The story’s length is currently at zero, with no actual words, characters, or lines as of yet. It is being encoded in UTF-16. For promotional items, a basic package has been opted for. The item ID is EOHALYB5OBCJXHLDLPQ2TRWOOQ, and additional properties being included.
There are no galleries, and the method of ingestion is manual. The original file, “turnerJuly20.jpg”, is an image that has been published. A full-size version can be found at the provided URL, and there is no restriction on its usage. The resized image URL and the thumbnail version can also be accessed in the given URLs. The version number is zero and it possesses a template ID of 327. The image, a depiction of Martyn Turner, has a focal point that ranges from 1625,598 to 1625,598.
The cartoon was created by the author recognised as ‘b59e1e4e3c8147c9d8fbb078c50a1de378310fbbbdcc960c257b308db322f434’, and was made available on the 19th of July, 2024. The creator is Martyn Turner, an individual with a notable background in cartooning for The Irish Times since 1971. His work was brought to life under the version ‘0.5.8’, and his image can be accessed via a link that is stored on the ‘arc-authors’ directory of ‘s3.amazonaws.com’. Turner can be reached via email at ‘[email protected]’ and via Twitter under the handle ‘turnercartoons’. However, his account on Facebook is currently unlisted. It is pertinent to note that ‘socialLinks’ has been deprecated, with ‘social_links’ now being the preferred method to access his contacts. Turner’s authorship can be validated by some dedicated properties such as his first and last names, a short and long biography which both state his long tenure as a political cartoonist for The Irish Times.
Martyn Turner, a prominent cartoonist, was born in the district of Wanstead on the outskirts of London in 1948. He pursued his education initially at the Bancroft’s School in Woodford before moving to Queen’s University in Belfast. He kicked off his professional artist career by illustrating for the city’s Sunday News, starting in the early 70s. Post-graduation, he joined Fortnight- a politically and culturally centered independent journal in Belfast, where he eventually climbed the ranks to the position of editor. In 1976, he relocated himself to Co Kildare. Martyn is also an author and has 17 cartoon and article collections to his name.
The image captured by Turner is accessible online at this URL: https://cloudfront-eu-central-1.images.arcpublishing.com/EOHALYB5OBCJXHLDLPQ2TRWOOQ.jpg. It measures 3444 in width and its main focal point is at points x:1625, y:598. The image was published in the early hours of July 20th, 2024. This image, a feature under the “Opd20Turner” slug, belongs to the parent branch “default” and is listed under “default” editions. The published revision id is HCCQN3ICLFF2XGNLB3ZWX474OA. It is categorised under “Cartoon” in the “Opinion” section of the site. The cartoon content is free access (not under the paywall) and is an integral part of our high-quality journalism package which includes Martyn Turner’s cartoons and more.
The “Cartoon” section on the Irish Times website, identified by the alias “/opinion/cartoon”, is situated within the overall ‘Opinion’ hub. The navigational title for this page is “Cartoon”. This section is not inactive and it ranks at 2004 in terms of order in various layouts such as the hamburger-menu, App-Hamburger, composer-relevant sections, and section-page-subnavs. The section, in version 0.5.8, is under the parent_id “/opinion” and follows the pathway “/opinion/cartoon”. One of the key features of this site is its highlighted content, particularly those by Martyn Turner, and is noted for its quality journalism. The content within this section has no affiliation or paywall restrictions imposed on its viewers, offering free access to all users.
Peruse The Irish Times’ Cartoon section. Located within the opinion department, this free platform offers readers an opportunity to engage with humorous illustrations. The section features works like Martyn Turner’s cartoons and other contributions fostered by this prestigious brand’s commitment to quality journalism. This easily accessible component can be found in various menu sections of the app or website. Its continuous availability has remained unaffected, providing valued content to the audience. It is firmly anchored under the ‘opinion’ category, representing an integral part of the publication’s content.
The cartoon section can be found under the “Opinion” category. It’s a distinct section, active and accessible via various means including an app. The order of this section is denoted as 2004 in its hierarchical structure. Similarly, the “Opinion” section, a freemium part of the website, is dedicated to the latest debates and opinions. Both sections can be easily found from the homepage.
Ireland’s premier platform for quality news and thought-leadership, the “Irish Times”, has carved out its niche in the media world. Positioned to deliver varied and impactful insights, it maintains its reputation for providing comprehensive coverage of important issues. The publication also encompasses multiple sections, with the ‘Opinion’ section ideally placed in its ordering hierarchy. The sections are accessible via different platforms, including mobile links, app-navigation, navbar, site-map sections, etc. Each category features a unique default page that intensifies the user’s reading journey. Another captivating segment within the publication is the ‘Cartoon’ site, found under the ‘/opinion/cartoon’ path, which is made all the more enjoyable thanks to additive features such as a ‘free’ paywall status and the sponsored content. The essence of quality journalism is further exemplified here through exciting features such as the Martyn Turner cartoons.
Peruse The Irish Times for the Cartoon section. It forms part of the Opinion, a significant segment of the publication. The alias ids for this category are nestled under the Opinion function, visible in simple to access platforms such as the hamburger menu and the App-Hamburger. The Cartoon feature isn’t dormant and occupies a set hierarchical order placement. Also included in the Opinion segment is a subsection allocated to stimulating discussions and perspectives. This segment offers free access to its readers and continually proffers updated narratives and viewpoints from The Irish Times.
Ireland is recognised for its leading brand of high-quality journalism and news, which includes opinions and political cartoons alongside other forms of reportage. Notably, The Irish Times presents Martyn Turner’s cartoons as part of their comprehensive news package. The newspaper’s ‘Cartoons’ section offers insightful and entertaining content that complements the opinion pieces in the ‘Opinion’ section, further enhancing the reader’s experience.
These engaging and frequently updated sections are easily accessible on multiple digital platforms, including mobile and app navigation hubs. They demonstrate their commitment to providing “free status” news, reflecting their commitment to making high-quality journalism accessible. This respectful treatment of journalistic practices verifies The Irish Times as a preeminent source for news and commentary.
The ‘Opinion’ and ‘Cartoon’ sections both have their own designated areas on the site, reinforcing their importance within the overall content structure. Despite this, they are conveniently linked for the readers’ convenience, ensuring seamless navigation and sustained reader engagement. Such strategic content planning helps make it the first-choice news outlet for Irish and global audiences.
The text provided appears to be a fragment of a webpage’s backend code. One part of it refers to the URL: “/opinion/cartoon/2024/07/20/martyn-turner/” which might indicate a web location of an opinion cartoon by Martyn Turner. However, the information about the workflow suggests that its status code is 6 without any accompanying notes. Scheduled operations such as ‘publish_edition’ or ‘unpublish_edition’ are mentioned but do not include multiple entries. Global site (gs) channels are picked up but have no channels listed. There is another piece of information regarding Fusion’s last modification and content cache alluding to a unique ID, a SHA256 hash, and a reference to an expiry date and the last modification. One cannot definitively infer a good deal from these fragmented excerpts without more context.
Utilise the details included in the original text to produce a new one. The fresh text must not be a duplicate of the initial one, whether in terms of the language employed or the sentence structure. Do not carry out a translation of the first text. Make certain that your answer conforms to British English standards.
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9ea98da440a1″,”type”:”sha256″,”_id”:”b3873f010f98d1501e21ec16f15448a9eae47b81ffd269e720cb6957d5f1cbc7″},”expires”:1752794386877,”lastModified”:1721258386736}},”site-service-hierarchy”:{“{\”feature\”:\”header-nav-chain\”,\”hierarchy\”:\”hamburger-menu\”}”:{“data”:{“children”:[{“_id”:”link-MY7K0TYT012WZ0V1ZB8PHF0MJC”,”children”:[],”display_name”:”Home”,”node_type”:”link”,”url”:”/”},{“_id”:”link-TB2EY564VN0N56D137NVP6G5MW”,”children”:[],”display_name”:”Latest”,”node_type”:”link”,”url”:”/latest”},{”
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The original text provided appears to be outlining various categories and sub-categories, potentially from a news website. These categories include Ireland, Politics, Opinion, and Business, and each of these has their own divisions such as Dublin, Education, and Housing & Planning for Ireland. Politics provides links to Poll and Oireachtas, as well as Common Ground and Elections & Referendums. Opinion covers Editorials, An Irish Diary, Letters, and a Cartoon section. Finally, Business provides a link to Budget 2025 and has the sections Economy and Farming & Food. It also refers to an exclusive subscribers section. There is also a specific reference to an entity called “Stardust”.
The sections available in our business directory constitute of Food, Financial Services, Innovation, Markets, Work and Commercial Property. As for our global news, it spans across regions like the UK, Europe, US, Canada, Australia, Africa, Americas, Asia-Pacific, and the Middle East. We also have a dedicated section for the UK Election. For sports enthusiasts, we have content related to the upcoming Paris 2024 and Gaelic games.
Various sections have been organised in a certain website, under different categories. Under the ‘Sport’ section there are individual sections for games like Rugby, Soccer, Golf, Racing, Athletics, Boxing, Cycling, Hockey, and Tennis. Additionally, there’s a ‘Your Money’ category that hosts Pricewatch and Budget 2025 as subtopics. There is also a ‘Crime & Law’ category that has a sub-section called ‘Courts’. The ‘Property’ category includes sections such as Residential, Commercial Property and Interiors. The Food and drink section hosts a segment called Drink section and others like Recipes and Restaurants. Moreover, there’s a ‘Health’ section aimed for Your Family and Your fitness respectively.
The information outlines several categories and subsections across various fields. The fields listed include:
1. Health: This category further splits into sections labelled as ‘Fitness’, ‘Your Wellness’, and ‘Get Running’.
2. Life & Style: Here, the subdivisions consist of ‘Fashion’, ‘Beauty’, ‘Fine Art & Antiques’, ‘Gardening’, ‘People’, and ‘Travel’.
3. Culture: In this segment, there are six sections, namely ‘Art’, ‘Books’, ‘Film’, ‘Music’, ‘Stage’, and ‘TV & Radio’.
4. Environment: This domain contains a single section entitled ‘Climate Crisis’.
5. Technology: Lastly, this category includes ‘Big Tech’, ‘Consumer Tech’, and ‘Data & Security’.
The digital platform is segmented into various categories for easy navigation. The major sections being featured include ‘Technology’, ‘Science’, ‘Media’, ‘Abroad’, ‘Obituaries’, and ‘Transport’. Each of these sections further has multiple subsections. For instance, ‘Technology’ encapsulates ‘Security’ and ‘Gaming’, while ‘Science’ delves into ‘Space’. ‘Motors’ is another noteworthy section, offering ‘Car Reviews’. Multiple podcasts are also accessible on this platform, with options like ‘In the News Podcast’, ‘Inside Politics Podcast’, ‘The Women’s Podcast’, ‘Inside Business Podcast’, ‘Ross O’Carroll-Kelly’, and ‘The Counter Ruck Podcast’. The digital platform also has a ‘Listen’ feature for user convenience.
The sections available include “Podcasts”, “Video”, “Photography”, “History”, and “Tuarascáil”. “History” has a subsection called “Century”. “Student Hub”, “Offbeat”, and “Crosswords & Puzzles” are also mentioned. Within “Crosswords & Puzzles”, there are links to “Crosaire”, “Simplex”, and “Sudoku”. Another section is “Sponsored”, which has two subsections: “Advertising Feature” and “Special Reports”.
The website consists of several sections and links. The ‘Subscriber Rewards’ section can be accessed via the link ‘/subscriber-rewards/’. The website also contains the ‘Competitions’ section with the ID ‘/competitions’. Moreover, the website showcases a weather forecast whose link is ‘/weather’, identifiable by the display name ‘Weather Forecast’.
The website footer comprises notable features too. Here, there is the ‘Subscribe’ section which includes multiple links providing further information such as ‘Why Subscribe?’, ‘Subscription Bundles’, ‘Subscriber Rewards’, ‘Subscription Help Centre’, ‘Home Delivery’, and ‘Gift Subscriptions’. The related URLs are respectively ‘/your-subscription/subscription-tour’, ‘/subscribe’, ‘/subscriber-rewards/’, ‘https://help.irishtimes.com/s/’, ‘http://www.newsdelivery.ie’ and ‘/subscribe/gift’. A separate ‘Support’ section is available too, which includes a ‘Contact Us’ link with the URL ‘/about-us/contact-us’ and a ‘Help’.
The Irish Times provides accessible online support for readers, including a personalised account link: https://help.irishtimes.com/s/. Moreover, the site also features an ‘About Us’ section, where visitors can explore various aspects like advertising, contact information, The Irish Times Trust, and potential career opportunities. In addition, the ‘Products and Services’ section presents various sections, delivering a wealth of content. Readers can access the ePaper, crosswords and puzzles, a newspaper archive, newsletters, and individual articles.
The original text provides links to different sections on the Irish Times website. Firstly, an ‘Index’ which can be accessed through: https://www.irishtimes.com/article-index/ . Secondly, an area designated specifically for ‘Discount Codes’ is made available at: https://discountcodes.irishtimes.com/ . These fall under the ‘Products & Services’ section of the site. Users also have access to a personal account management feature titled ‘My Account’ as well as a ‘Digital Subscriptions’ section via the mentioned links. The information is intended for ‘Logged-in-navigation’ on the Irish Times website.
The Irishtimes.com site caters to subscribers by offering a range of features and services. These range from being able to access premium content and articles specially curated for subscribers to puzzles such as the Digital Simplex and Crosaire crosswords. Subscribers can also make the most of rewards chosen specifically for them and can sign up for newsletters tailored to their preferred topics. Moreover, they can explore all facets of their subscription and access archives filled with 150 years’ worth of journalism from Irish Times. There are also handy mobile apps for Apple and Android devices for easy reading on the move. Additional services on the site include links to partners such as MyHome.ie, The Gloss, and Recruit Ireland.
The original text refers to a training link for the Irish Times at the webpage ‘https://www.irishtimestraining.com/’. Additionally, another link displays the site ‘https://rip.ie/’. The expiry and last modified timestamps are also given. Furthermore, an alert bar collection is mentioned that is generated by the Irish Times. This collection is key for the alert bar block’s functioning. The collection’s creation date is marked as February 2nd, 2022 and it was last updated on July 19th, 2024. The version of this collection is 0.10.6. The text does not list any content elements for this collection.
The website identified as Irishtimes and its associated content are owned by the ID “irishtimes” and are published under the default branch. The website does not specify a canonical URL, however, it maintains a publishing schedule, with operations open for publishing or unpublishing editions. The website’s content has last been updated recently, with a designated expiration time. No significant related content has been identified, with a feed size of one returning empty content elements. Additionally, a separate feed has also been established for the section named “/opinion/cartoon” with data regarding a content element under the id “MWVZFZ27UJHGVDUBI7IX74WIKQ”. This element, provided by Martyn Turner, does not contain any other content elements and holds metered content restrictions. Its canonical url provides a path to the opinion/cartoon section of the website and it has been defined with a basic description of “July 20th”.
On the 20th of July, 2024, a feature story labelled “Martyn Turner” was presented. The story, categorised under ‘Cartoon’ and ‘Opinion’ sections, contained promotional items and can be found via the website link ‘/opinion/cartoon/2024/07/20/martyn-turner/’. It features an intriguing promo image provided via the cloudfront link. Similarly, the previous day on the 19th of July, 2024, an additional story by Martyn Turner was available, albeit with content restrictions in place. This piece was also categorised under the ‘Cartoon’ and ‘Opinion’ section and can be accessed via the URL ‘/opinion/cartoon/2024/07/19/martyn-turner/’.
A feature story labelled ‘Martyn Turner’ was published on 19th July 2024 at 02:46am. The content was part of the ‘Cartoon’ and ‘Opinion’ sections. The display featured an image which was hosted on a CloudFront EU central server. Another related piece of content was shared on 18th July 2024 at 02:19am, which is visible under the same ‘Cartoon’ section. Both pieces appear under the byline ‘Martyn Turner’.
This appears to be related to some form of digital media related to cartoons, with a prime focus on opinion pieces. A certain Martyn Turner seems to be the principle figure involved, possibly a writer or cartoonist. He appears to be releasing content that could be found through a website. Two dates are mentioned, presumably those of two separate works: 18th and 17th July, 2024. His work appears to be under some form of measurement or restriction, potentially in terms of viewership access or content management.
The featured story by Martyn Turner, dated 17th July 2024, headlines on the opinion section of a website. This cartoon story was displayed alongside a promotional image, accessible via a unique URL. Another recognised piece by Martyn Turner was shared earlier on 13th July 2024. The content of these pieces can be accessed on a metered basis, suggesting the presence of a paywall.
The comical piece by Martyn Turner was shared on 13th July 2024 as part of the ‘Cartoon’ and ‘Opinion’ sections. The feature story can be found on the website under “/opinion/cartoon/2024/07/13/martyn-turner”. In more distressing news, on 19th July 2024, riot police were dispatched in Coolock following a fire at Crown Paints and mass protests about asylum seeker accommodation. This news was highlighted in the ‘Crime-Law’ section and could be found on the website under “/crime-law/2024/07/19/fire-breaks-out-at-crown-paints-as-hundreds-protest-in-coolock-over-asylum-seeker-accommodation”.
Accommodation designed for asylum seekers in Coolock became the protest site for multiple demonstrators as a fire ignited at Crown Paints. The incident was reported on the outlet’s website under the “Crime & Law” section. In related news, a south Dublin house was discovered to be unlawfully occupied by as many as 14 individuals. The court proceedings related to this case were mentioned on their website on the 19th of July, 2024.
Using alternative phrases and syntax, rephrase as follows. “An unprecedented number of up to 14 individuals have been found to be illegitimately inhabiting a southern Dublin residence, a court has heard. Meanwhile, the deep-seated issue of poverty is being highlighted as the core of Coolock’s ongoing social challenges.”
The original text relates to two distinct events. Firstly, it details an issue in Coolock, where chronic poverty has culminated in significant societal tensions reaching a tipping point. Secondly, it informs about a serious incident on the M50 involving a five-car collision which led to significant traffic disruptions. The information is provided in an online format, inclusive of a link to an image and a webpage dedicated to the aforementioned issues.
Utilising British English, rewrite the original passage. Avoid directly translating the original text and make sure the new text differs in terms of language and sentence structure.
Original passage: /””,”native”:””},”label”:{“audio_project_id”:{“text”:”8948″}},”promo_items”:{“basic”:{“_id”:”7LVBZZFTYFGA7JOECCGPDUIILE”,”auth”:{“1″:”2c876a92d291509292ff37fb56fa973a1b8c42cf20415edf96db5bd7e27ce33d”},”url”:”https://cloudfront-eu-central-1.images.arcpublishing.com/7LVBZZFTYFGA7JOECCGPDUIILE.jpeg”}},”taxonomy”:{},”website_url”:”/transport/2024/07/19/major-traffic-disruption-following-five-car-crash-on-m50/”,”websites”:{}},{“_id”:”EOHPY6SWZFCRFI53YH3GHDB2N4″,”canonical_url”:”/life-style/people/2024/07/19/brianna-parkins-my-relationship-is-just-like-princess-dianas-in-that-there-are-three-of-us-in-it/”,”display_date”:”2024-07-19T04:45:00Z”,”headlines”:{“basic”:”My relationship is just like Princess Diana’s”.
The text signifies that there are three participants within the situation.
The taxonomy or classification notably includes areas such as property, science, sport, technology, transport, world, and your money, amongst others. It also includes different formats such as default content, analysis, features, opinion pieces, showcases, columnist’s work, live stories, podcasts, and editor’s notes. However, it excludes the taxonomy originally categorised under ‘opinion letters’. A piece of content credited to author Martyn Turner is highlighted, with the descriptive information given as ‘July 20th’.
A narrative surfaced circa 2024, bearing the headline “Martyn Turner.” Published on July 20th, 2024, at 01:27 GMT, this story didn’t appear to contain any promotional material as confirmed by the owner. Accompanying central piece, an image was provided, the source of which could be located at the given web URL. Also, in another narrative item, an actor was labelled as ‘difficult’. However, they retorted it by asserting that if standing up for oneself is translated to being ‘difficult’, then so be it.
A report about Shannen Doherty, renowned actress from Beverly Hills 90210, has been released. The news comes as a relief to the fans in Phibsborough after witnessing just the second victory from Bohemians in 12 matches. The triumph was courtesy of Dayle Rooney’s decider for Bohs, which resulted in Shamrock Rovers’ elimination from the FAI. The announcement date for this news was the 19th of July, 2024. Paul Buttner is credited as the author of the original report.
Drawing from the original text, a revised version could read as follows; Cup-related content owned by a non-sponsored entity contained a promotional image under the identifier ‘BDNA3GY3C2M36LILAJQ2PVRS4Q’. This image is accessible via a direct URL and located at specific coordinates (x:2037, y:343) on a cloudfront image. Its corresponding story can be found on the Irishtimes website under the ‘Soccer’ section.
Elsewhere on the website, sports writer Ian O’Riordan reports a story about Adeleke, who is preparing to complete her final race in London before the Paris Olympics. The story, posted on July 19th, 2024, includes a headline stating that ‘Cian Crampton secures Ireland’s first medal in the European field event’.
People under the age of 18 have been labelled and considered by the owner, who is not sponsored. A basic promotional item available with an ID of VXDVOO4A7A4CKX3DLAWDVNXIOU, was authored with various authentication methods focussed on an image at coordinates 3877, 532. The related web link bears the image hosted by a cloud service in the EU central location under the Arc publishing banner. Bridging over to athletics, a groundbreaking story unfolded on the Athletics portal detailing the victorious tale of Cian Crampton, who clinched Ireland’s first field medal at the European under-18s; a remarkable feat for such a young athlete.
In a contrasting story by author Peter Cluskey, the International Court of Justice found that Israel’s long-term occupation of Palestinian territories is constantly infringing upon their rights. The court asserted that this is a form of long-term annexation that is severely hampering the Palestinian people’s right to self-determination.
In what appears to be a continuous period of non-victories, the man from Holywood has suffered another setback due to his inability to manage the harsh conditions at Royal Troon. With his hopes dashed, Rory McIlroy is now shifting his energies and looking forward to being a supportive spectator for Shane Lowry.
The article reports that around 170 men in Ireland are diagnosed with testicular cancer each year. It also highlights the success of a particular combination of chemotherapy in the treatment of this illness. The publication is authored by Shauna Bowers and was published on 19th July, 2024. The piece also mentions the anticipation for a sporting event involving Rory McIlroy and Shane Lowry during the upcoming weekend. The story intriguingly features an image URL, which is presumably related to the content.
Based on the research conducted, it has been discovered that a combination of chemotherapy has been highly successful in treating testicular cancer. This medical discovery was made available on a health website. An image related to this study was provided in the article, it was uploaded by a user with the ID: YODU6YMWUOIK7TOY3B6PGLT2T4. This key finding was not sponsored content. Tragically, Christopher Furlong, who was possibly connected to this research, passed away three years ago.
A machine operator who once worked with the Smurfit Kappa Group received a settlement of €150,000. This payment was given to his family posthumously, as he alleged that he had been exposed to asbestos during his time of employment. Moreover, news in sports outlined the comeback of an Offaly man, despite facing a double bogey on the 11th hole, leading him to be two shots ahead at the Open. The unfavourable windy conditions did not deter him, and he finished strongly, securing a clubhouse lead.
Despite the disarray in the Democratic party, Donald Trump appears to be gaining momentum in the race. As of 19th July 2024, optimism is soaring among the Republicans as they set their sights on the White House. Shane Lowry, on the other hand, stands firm against the wind in Troon, leading the open in Golf.
Due to a victorious result in the residential election, the Republican party is optimistically setting their sights on the White House. The article layout is designed to be slim with varying sections, which includes detailed information about the election results and the Republican party’s plans moving forward. This is particularly relevant for those interested in understanding the political landscape. Each section is carefully curated and the article provides a central navigation chain intricately designed with delineating dots.
Utilising the data in the original text, and ensuring the creation of an entirely new piece of text. This should be written with British English vocabulary and grammar in mind. Please ensure that the original text isn’t simply translated verbatim.
Original Text Excerpt:
The desktop display properties, with both right components set to “custom”, have a specific set index. Menu components for both the desktop instances are set to “none”. It features a collection with an HTML box block with an id and configuration. It uses a custom field that includes an iFrame HTML element with the id “fw-desktop”. It fetches data from a foreca site and displays it in a certain style. Additionally, there is a subscription button feature with similar settings as the HTML box. It uses another similar iFrame HTML but assigned to ‘fw-mobile’.
Please submit the full article for us to move forward with this.
The data is arranged in different collections. There are features such as ‘signin-subscribe/default’, ‘zephr-target/default’, ‘@wpmedia/alert-bar-block/alert-bar’ and ‘global/ads-block’. All these features have their unique IDs and properties. They also contain a content config service with variables to be inherited. Some custom fields like ‘loggedInNavigationTitle’ and ‘targetClass’ are also present. The ‘global/ads-block’ feature comprises an ‘adType’ custom field.
Apologies, but the original text appears to be a JSON object or coded script, which doesn’t seem to contain any clear, readable information that can be rewritten or translated into British English. Please provide a different source text.
The document appears to highlight information about a variety of features and properties within its infrastructure. These include flexible chains, lead art articles, divider blocks, bylines, and social share bars. Each aspect appears to have designated collections,type, IDs and numerous specific functions for precise adjustments such as layout settings, link text and URL options, and display properties. Also apparent are functions allowing customisation of content service and configuration values. Importantly, there seems to be an option to choose whether these configurations should inherit parent settings or not. Image management properties are also included which ultimately provide an organised structure to the document.
The text in question seems to be in code format and is missing proper context to reconstruct. It doesn’t highlight articles or content to be translated into British English while maintaining structural and semantic uniqueness. Keenly provide complete and informative text to progress.
This text discusses a content configuration intended for variously sized displays. It details parameters for extra-large, large, medium, and small displays. The settings include a variety of functions such as whether to show headline, image, description, byline, and date, as well as other details like image ratio and whether to display a bottom border. The image position and number of stories per row are also defined for smaller displays. Specific sets of instructions for this configuration are provided for ‘top-table-list’ blocks in the ‘features’ collection.
The original text details the settings of a customised user interface or digital layout. It mentions various configurations for display properties in different screen sizes, ranging from extra large (XL) to small (SM). The settings include preferences for showing headlines, images, descriptions, bylines, dates, and even the image ratio. It also mentions some advanced settings like ‘viewport percentage’, ‘shrink to fit’, ‘show bottom border’, and ‘image position’.
In addition, the text refers to the image ratios specific to each size: XL and LG (4:3), MD (16:9), and SM (3:2). It emphasises the importance of retaining the aspect ratio for proper viewing across different devices.
Further, there’s a brief mention of an ‘ad block’ with specific dimensions (728×90|300×250) at the end of the text. This is most likely a space reserved for advertisements. The text mentions options like ‘lazy load’, ‘display ad label’, and ‘reserve space’ related to said ad block.
Please note that the original text is quite technical and contains specific jargon related to digital layout configuration.
The initial text seems to be in code form and does not provide enough clear information to generate a comprehensive British English version. The content primarily pertains to the characteristics of different blocks of global advertisements contained within a set of features. These ad blocks are marked with unique identifiers, presumably for easy tracking and management. The properties of these ad blocks seem to be configured to lazy load, display an ad label, and do not reserve space. It also seems to indicate that the content configurations are inherited and no specified content service is provided. However, without more coherent and discernible content, it isn’t possible to provide a thorough rephrase.
This text appears to represent different elements or blocks that would be used for designing a webpage or similar digital platform. There are distinct components such as:
– A 728×90 or 300×250 display feature with an ad label that doesn’t initially reserve space and supports lazy loading.
– An article tag block that is part of the “features” collection.
– A flex-promo/default block within the features collection with particular properties.
– The flex-promo block has various configurations like small font size, bold headline, left aligned headline, an option to not display the image, and premium paywall status. Plus, it doesn’t show the byline, datetime, or live story timeline. The image for both desktop and mobile will be 1:1 and positioned to the left.
– It also refers to related content with an id and a specific feed size and offset.
Please note that this is a simplification, and actual web design can be much more complex.
The “bottomDividerDesktop”, “bottomDividerTablet”, and “bottomDividerMobile” parameters are set to true. The features have a Zephr-target/default command with the ID “f0fzoHxn18563dN-3-7-0” that is linked to a floating-subscribe target class. As for the chains, a ‘flex-chain’ is being utilized with collection ID “c0fzBf5RCKct34h”. Display properties are not specified.
Inside the flex-chain structure, there’s a specified “global/ads-block” command in the features collection which bears the ID “f0fQn4CM6bob3un-3-8-0”. In custom settings, ad types “970×250”, “970×90”, “728×90”, and “300×250” are being used and the lazyLoad option is activated. Despite this, space has been marked as not being reserved.
Lastly, there are sections collection with an ID number of 4. The features collection includes a ‘divider/default’ command set up inside. The content from a service is being inherited but the specific service isn’t mentioned in the contentConfig.
The original text appears to be referencing an element that belongs to the collection “chains” under the type “flex-chain”. The ID for this element is “c0f1XjTzy5525Dg”, and it includes certain custom fields such as “layout”, “lazyLoad” and several column numbers, none of which have any link text or link URL associated with them. The element also shows dividers for desktop, tablet, and mobile views. It also introduces a “header/default” element from the “features” collection with the ID “f0fiTUotbjvO5Nz-4-1-0”. However, the content service of this element isn’t clearly defined.
The original information is mostly technical specifications for a unique feature. This feature belongs to the ‘flex-promo/default’ type in the ‘features’ collection, with the cloneId ‘f0fiTUotbjvO5Nz’. The settings indicate that the feature should be set to small size, with a light font weight. The content configuration doesn’t specify the content service, but for the subordinate ‘itemContentConfig’, the contentService is set to ‘story-feed-sections’. For this content, it includes sections with the path ‘/opinion/cartoon’, with an exclusion of no sections, implying that it contains all available sections. The feed size is set at five, with a feed offset of zero. However, the feature doesn’t allow the Speechkit function, it doesn’t display the close button, bylines, date and time, and overlines. On the other hand, it shows the headline with bold text. Additional attributes are the proper alignment of overline to the left and headline text to the left. The images for both desktop and mobile, with differing aspect ratios, are placed at the left on the desktop version while on the right for the mobile version. The feature also has a premium paywall status with final bottom dividers and additional bottom dividers for desktop, tablet, and mobile versions. Lastly, the same feature has no offset override. Amongst these components, there is an occurrence of a ‘global/ads-block’ feature and a ‘header/default’ feature, both of which inherit their content configuration.
Consider this rephrasing in British English:
A spotlighted promotion feature is presented within a smaller framework, available for users to peruse, linked through ‘most-read’. The content is primarily regulated and controlled, with a small dimensioned item content configuration derived from ‘most-popular’ containing allocation for five sections and feed sizes, alongside no feed offset. The constellation of these features contends with no speech kit and an absence of closure button, adhering to a medium font size, all while the overlying text is aligned towards the left side.
In accordance with the original draft, there are a few elements that need to be taken into account. This text predominantly showcases variables for specific elements of a webpage or digital interface, exhibiting options for layouts, image placements, advertisements, headers and features.
Essential parameters, like having the headline in bold and text-aligned to the left, are observed. This design allows the image to be displayed on both desktop and mobile formats, albeit in different ratios (16:9 for desktop and 3:2 for mobile) and varying positions (left for desktop and right for mobile).
Features like overline, byline, and date/time are set to not be shown. Furthermore, the design accounts for the online advertising format (termed ‘fluid’) with an option to lazy load. The paywall status set to ‘premium’ determines the level of user access.
There’s a directive for a bottom divider to be displayed consistently across all formats of desktop, tablet and mobile. This also applies to a ‘Flex Chain’ layout pattern, which permits a substantial amount of flexibility in presenting content.
The draft references the features ‘header/default’ section which implies the latest updates might be displayed in this area. However, link text and URL options are left unsettled, denoting that these will be filled eventually.
The concise narration shows a structured data list design, demonstrating a block list with the label “STORIES”, and it has properties such as size described as “Small”, and a link to “/latest/”. Further details suggest it displays features with a custom list content configuration, powering a story-feed query.
The content query seeks articles from a variety of categories, inclusive of, but not limited to, abroad, business, crime-law, culture, environment, food, health, history, Ireland, life-style, media, motors, obituaries, offbeat, opinion, photography, podcasts, politics, property, science, sport, technology, transport, tuarascail, world, and your-money. This wide range of categories ensures diversity in content selection.
To further perfect the suited content, subtypes such as “default”, “analysis”, “feature”, “opinion”, “showcase”, “columnist”, “live-story”, “podcast”, and “editors-note” have been included in the query. This suggests an elaborate system designed to provide an encompassing and diverse array of content to meet various reader interests. This comprehensive approach ensures a more personalised reader experience, enhancing retention and engagement.
The original text appears to be coding or programming language which outlines the display properties for a webpage. The different display properties, such as “showHeadlineXL”, “showImageXL”, “showDescriptionXL” etc. are set to true. This implies that these featured elements are activated and visible to the user on the respective web page. Similarly, sizes for viewport percentage and image ratios are outlined for different screen sizes (XL, LG, MD, SM).
There are also specific collection types, notably “features”, “divider/default”, and “global/ads-block”. These collections can be identified by their unique IDs. The content configurations for these collections don’t appear to have any specific service assigned and demonstrate “inherit” attribute, meaning these settings are passed down to other elements within its group. Custom fields for the ‘global/ads-block’ detail a variety of ad dimensions, suggesting adjustable ad display properties.
While this text is difficult to translate into non-technical English, it broadly describes an array of digital design details used to shape a webpage’s look and function.
The original text seems to be a snippet of code from a digital platform, which contains a segment of code for display and styling properties. These properties include settings for ‘displayAdLabel’, ‘reserveSpace’, ‘localEdits’, and ‘variants’. A ‘flex-chain’ collection appears in the section props, with layout and column information provided within. There’s a customFields section that seems to control the stylesheet of certain web-elements, such as copyright info, footer header, footer section, etc. by defining CSS properties like the ‘font-family’ to be ‘Roboto’.
In order to reposition the footer elements, the ‘.legacy-footer-row’ command in the stylesheet is adjusted. The appearance of the logo and horizontal line in the footer is eliminated using ‘display: none’ command. Furthermore, the upper border in the footer section is hidden. The social button container is also altered by removing its border. The copyright column’s width is set to 82% and to make the paragraph text align right, ‘text-align: right’ is used. The aspect regarding ‘our-partners’ is addressed separately, their background colour is changed and custom text content is added before their names and their details are hidden for better layout freshness. The mobile styles have specifications for screens having maximum-width of 767 pixels. For instance, the margins, alignment of ‘legacy-footer-row’, ‘footer-header’, ‘footer-item’ and ‘our-partners’; all these elements are managed differently for viewing on mobile’s display. In addition, the ‘our-partners’ attribute is converted to a block-level element, centre-aligned, and given a black font colour.
This is a set of CSS instructions for styling a webpage layout. The positioning of the webpage elements is managed by creating blocks and aligning them centrally. The class ‘b-links-menu’ which falls under ‘our-partners’ is displayed as a flex container, with elements organised in a single column, but is initially hidden. It has a specified height of 40 pixels.
The visibility of links inside the ‘b-links-menu’ class is set to visible. The class ‘apps’ is border-topped and bottomed with 2 pixels solid black and is given vertical padding. In addition, the class ‘c-separator’ under ‘our-partners’ uses a CSS custom property or variable called ‘c-separator-content’.
The text provides a description of how specific elements in a website are formatted. For example, ‘.static-footer-links’ are defined to have a black background and are displayed as a block. The text colour inside these links is white, and there is no border around them. They also have a padding and no margin at the bottom.
In addition to that, there is information about two different collections named ‘features’. One partisan part of those collections is a footer block, which seems to inherit attributes from an unspecified place.
The other collection ‘features’ contains an ‘htmlbox-block’, which is also set to inherit properties. This block includes custom fields which contain HTML for a centrally aligned div containing an image link, with dimensions specified, and this link is set to open in another tab. The image tag includes the attribute ‘loading=lazy’, which suggests the image will load only when it needs to be rendered.
It’s difficult to provide a clear context for this script because it appears to be cut off before completion.
It appears this text points towards a piece of coding that contains several complex elements. Part of it displays an image hosted on the cloudfront-eu-central-1 platform that’s part of the Irishtimes. The image’s height and width are specifically detailed along with its margin parameters. The colour and font size of certain elements are also noted. Moreover, it seems to reveal some features related to a navigation structure involving the ‘our-partners’ hierarchy, potentially in relation to a links bar. There’s also an assertion that both ‘Fusion.spa’ and ‘Fusion.spaEnabled’ are set to false.
With a 100 millisecond delay, the script creates a function to access permutive’s software development kit (SDK), or the window permutive if the previous method fails. The script then separates each cookie present in the document. For every cookie, it parts the elements around the equals sign. If the trimmed first element matches ‘blaize_tracking_id’, it saves the second element as a URL decoded variable called ‘blaizeTrackingIdCookie.’ The permutive SDK then identifies this variable.
Following that, a 1000 millisecond wait occurs before the launch of another function that, again, engages permutive’s SDK. It accesses the segments feature of the SDK and initiates a new XMLHttpRequest or ActiveXObject, called ‘retrieveSegmentsXhr’. This object sends a POST request to the ‘/plugins/public/permutive/update-segments’ endpoint, includes an ‘application/json’ content-type header, and consists of user-credentials. It finally sends a JSON stringified version of the segments.