The name “Martyn Turner” is referenced

The window.Fusion feature on a specific site has been introduced, with an empty arcSite string and a deployment value of “137”. Its global content aspects are presented with an ID of “OKTAU2YKQNAPXKJN4ZX7ZU2VG4”, and additional properties include a clear clipboard and a verification of published copy. There are no restrictions on the content, which is categorised as ‘metered’. The date of creation is marked as the 18th of July, 2024, at 17:42:57.007Z.

One author credited, Martyn Turner, has his id, type, version, name, and a linked image in the credits. While his bio is missing, it is notable that his political cartoons have been in circulation since 1971. Social link information includes an email address, a Twitter handle (@turnercartoons), and an inactive Facebook link. The last part emphasises the shift from the older ‘socialLinks’ to the ‘social_links’.

Note that this text doesn’t support comments. The corresponding fields for allowing, displaying, and moderating comments are all false.

The individual in focus was born in Wanstead, located on the eastern periphery of London, in the year 1948. He pursued his education at Bancroft’s School in Woodford, which was located near his birthplace, following which he attended Queen’s University in Belfast. He kickstarted his professional journey as a cartoonist with the Sunday News around 1970 when he was still in the city. Post his graduation, he became a part of the Fortnight, a stand-alone political and cultural review based in Belfast, and eventually rose to the rank of its editor. He relocated to Co Kildare in 1976, where he continued to unfurl his magic as a political cartoonist. As of today, he still sketches four cartoons every week and he is even allowed to write occasionally. Till date, he has penned down 17 books that comprise both his cartoons and articles.

Proceed with the publishing and make sure the status is updated to “completed”. The designated publish date is expected to be 19th July 2024 at 01:44 AM. In terms of the story’s length, it currently has no text: no characters, lines, or words and the encoding is in UTF-16 format. For promotional items, there’s an image with the id “LFV5WYKOKVCDLAV3JL7IV7TTJE”. It has a variety of additional attributes such as the original image named “turnerJuly19.jpg”, available at this URL: https://cloudfront-eu-central-1.images.arcpublishing.com/irishtimes/LFV5WYKOKVCDLAV3JL7IV7TTJE.jpg. The owner of this image is joconnell@irishtimes.com. It has been resized for full-size, thumbnail, and other formats. Importantly, it’s not restricted and is ready to be published. The image, featuring Martyn Turner, was manually added to the galleries. It doesn’t feature an address and doesn’t have a dedicated template id, currently being at version 0.

Martyn Turner, renowned for his cartoons since 1971, is an author who can be traced back to the identifier “de53af3448164978f2be9bf1632fff5cddf85528cdb553520ffb79b926f53d36”. His creation date falls on 18th July 2024 at 17:42:48Z. Turner doesn’t hold any affiliations, but his works hold the version “0.5.8”.

Turner’s profile photo is obtainable via a URL on Amazon’s cloud-based server, and has a dedicated version “0.5.8”. The authorisation for the image has been determined under the identifier “3794a7982c14d6d3d48e92fe775465eafdbb04cea8ec69d8580a9ea98da440a1”.

Turner, born in 1948 in Wanstead, a suburb of Eastern London, was a Bancroft’s School student situated in the near vicinity of Woodford. Following that, he pursued his further education at Queen’s University in Belfast and began his professional drawing career for the Sunday News, around 1970. Post his graduation, he got associated with the Belfast independent political as well as cultural review ‘Fortnight’, and soon was appointed the editor. He relocated to Co Kildare in 1976.

Turner can be reached through his social links such as email, where he uses the address “opinion@irishtimes.com”, and Twitter, his handle being “turnercartoons”. His earlier social links have been deprecated in favour of new ones. He doesn’t have a Facebook link.

The author, known as a cartoonist and a staff member, goes by the name Turner. He has been credited with creating 17 books, each filled with a performance of cartoons and articles. His work is visible to the public, and he can be reached via social media platforms such as Twitter under the handle ‘turnercartoons’. Nonetheless, he has no apparent presence on Facebook. Turner maintains a positive standing and his portrait can be found online. No information has been given about his books, education, honours, or podcasts. His most recent related information update was noted on the date, 20th May 2022. You can contact him through his email at ‘opinion@.com’. His professional profile page can be found at ‘/author/martyn-turner/’. Furthermore, he is associated with the photograph centre as an editor. His last work update was registered on 18th July 2024. Despite his illustrious works, Turner doesn’t have a sponsorship. His works mainly include illustrations and his highest rated work stands at 1913 height.

An image by Turner has been published on July 19th, 2024, under the ‘Cartoon’ section in the Opinion category. The visual content is available at a specific URL and has size dimensions of 3402. The image was composed by a team member with the email, joconnell@irishtimes.com. The image, classified under taxonomy, offers no associated tasks. “Cartoon” is located on the /opinion/cartoon section of the website and is updated to the 0.6.0 version. “Cartoon” works by Martyn Turner are among the features of this sector, free of any paywall. Sponsored content, associated metadata, and affiliations are not present. Quality reportage presents aforementioned cartoons, mirroring the definitive brand that this section marks.

The “Cartoon” section is a part of the Irish Times website, labelled under the “Opinion” parent section. Access to this page can be achieved from several places on the website including the default path, the hamburger menu, and the app hamburger. It’s in an active state and has a designated order number 2004. Identified under site type with version 0.5.8, it carries a path address of “/opinion/cartoon”. The section is not sponsored and there’s no affiliation, plus its content is free from paywall protection. It’s branded as a definitive quality journalism source, featuring cartoons by Martyn Turner and more.

The “Cartoon” section, which can be found under the ‘Opinion’ category, exists as a part of The Irish Times’ website. It’s easily accessible from all areas, such as the ‘hamburger menu’, ‘App-Hamburger’, ‘composer-relevant sections’, and ‘section-page-subnavs’. This section is active and maintains a rank of 2004 across these various routes. The contents of this section, courtesy of The Irish Times, a reliable source of quality journalism, are free to access. It primarily showcases cartoons by Martyn Turner and other related content.

Using the data accumulated in the original text, I will reconstruct a fresh piece. Please avoid translating the original text verbatim. The response should be framed in a British English context.

Text Origin: /”###
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The original text seems to contain information about a ‘Cartoon’ section and an ‘Opinion’ section on a website. The ‘Cartoon’ section appears to be a subsection of the ‘Opinion’ section and is not inactive. There are multiple references to it in different navigation menus and the order value for these references is 2004.

There’s also a reference to a ‘Paywall’ under ‘Opinion’ with a status marked as ‘free’. The metadata description for the ‘Opinion’ section indicates it encompasses the most recent debates and opinions. The website doesn’t seem to identify with specific site, as the ‘_website’ value is blank. This site version identified as ‘0.6.0’.

The Irishtimes is a renowned brand in Ireland, recognised for its high-grade news and opinion pieces. Amongst its diversely ordered section, the “Opinion” section holds a significant place. This section appears across various platforms including the Mobile-Links-Navigation, App-Hamburger, hamburger-menu, and navbar to name a few. All portions that form part of the ‘Opinion’ sector have a common parent and ancestry, a root represented by ‘/’. The ‘Opinion’ section is known to be active and is categorised as a ‘section’ under node type. It carries a website section ID as ‘irishtimes./opinion’. A unique site under the ‘Opinion’ section is the ‘Cartoon’ platform. This site is presently running on version ‘0.5.8’. The ‘Cartoon’ site is a subset of the ‘Opinion’ portion and has a path named ‘/opinion/cartoon’. It offers free access to users and features cartoons by Martyn Turner along with more products from the Irishtimes, indisputably the leading source of superior journalism.

Browse through the ‘Opinion’ section of The Irish Times for the latest debates and opinions. This section is available free of charge and is featured in the navigation menu of the app and website. Furthermore, one can also explore the Cartoon section under the ‘Opinion’ category. This section, too, can be easily located on the hamburger menu of the app and website. Remember, these sections provide an insight into the happenings through a unique perspective, making it a must-read in The Irish Times.

Ireland is renowned for its high-quality news and opinion brand. This significant attribute makes it a go-to option for quality opinions and current news. The Irish Times brings forth the sublime work of Martyn Turner and other cartoons, establishing itself as a thriving hub of quality journalism. In addition, it offers content free from the constraints of a paywall. The ‘Cartoons’ is an integral part of their website, with portals in the ‘Opinion’ part of the website and menu inclusive. Hence, this section is far from inactive, being a pivotal part of The Irish Times.

This revised text contains new information taken from the original text. It must be distinguished by its use of different words and sentence structure, all while maintaining its compatibility with British English.

The original text provides the following information: the item “ger-menu” is allocated a value of 2004, as are the items “App-Hamburger”, “composer-relevant-sections”, and “section-page-subnavs”. These elements are all listed under the website URL “/opinion/cartoon/2024/07/19/martyn-turner/”.

The content is related to the website ‘irishtimes’. The URL mentioned above is published and its workflow status code is 6. There are no scheduled operations available for publishing or unpublishing the edition. Its contents are available worldwide under the Google Suite (GS) channels, however, no channels are specified.

The content source is identified as ‘content-api-it’ and the query information is the URL ‘/opinion/cartoon/2024/07/19/martyn-turner/’. The ‘fusion’ range was last modified at 1721358154877 and it appears to fall under the ‘signing-service’, which has been marked with an ID. Encrypted data associated with it is also listed, including a hash, type, _id, and their expiry and last modification details.

The images within the provided text are connected to two distinct sources. One source can be found at the webpage ‘https://static.themebuilder.aws.arc.pub/irishtimes/1647534191476.png’.It is distinguished by the hash ‘631eeaa12e7a61c005c8eb0bbf348f785c131b10c4d6b25c28247a15965b5a36’ and type ‘sha256’. It possesses an expiration date of ‘1752891491225’ and was last altered on ‘1721355490922’.

The second image is available at the sire ‘https://s3.amazonaws.com/arc-authors/irishtimes/c66733a2-df55-4384-8772-13ef1967289a.png’. The unique hash of this image is ‘3794a7982c14d6d3d48e92fe775465eafdbb04cea8ec69d85809ea98da440a1’ and its type is ‘sha256’. It’s expiration date it set for ‘1752794386877’ and was last modified on ‘1721258386736’.

In the ‘site-service-hierarchy’, there is a ‘header-nav-chain’ identified under ‘hamburger-menu’. It consists of several child elements including ‘Home’, ‘Latest’, and ‘Subscriber’ which are all of type ‘link’ and have their respective urls for navigation.

This content includes numerous sections classified under various categories. The main sections include Ireland, with subsections for Dublin, Education, Housing & Planning, Social Affairs, and a separate link for Stardust. Another primary section is Politics, with links designated for Poll, Oireachtas, Common Ground, Elections & Referendums. The Opinion section houses subsections such as Editorials, An Irish Diary, Letters, and Cartoon. Lastly, the Business section contains links to Budget 2025, as well as subsections for Economy and Farming & Food.

The content is categorised under various sections and links. Within the ‘Business’ section, there are sub-sections that include ‘Food’, ‘Financial Services’, ‘Innovation’, ‘Markets’, ‘Work’, and a link to ‘Commercial Property’. Similarly, the ‘World’ section includes a link to the ‘UK Election’, along with sub-sections for specific geographical areas like the ‘UK’, ‘US’, ‘Europe’, ‘Canada’, ‘Australia’, ‘Africa’, ‘Americas’, ‘Asia-Pacific’, and the ‘Middle East’. The ‘Sports’ section also provides a link related to ‘Paris 2024’ and includes a sub-section about ‘Gaelic games’.

The different sections cover a variety of topics. These categories include a range of sports such as Rugby, Soccer, Golf, Racing, Athletics, Boxing, Cycling, Hockey and Tennis. Apart from these, there are also sections on finance under ‘Your Money’ featuring ‘Pricewatch’ and ‘Budget 2025’. A category on ‘Crime & Law’ is also present, focusing on ‘Courts’. The ‘Property’ section deals with Residential and Commercial Property, as well as Interiors. Food enthusiasts can find sections on Drink, Recipes and Restaurants in the ‘Food’ category. Lastly, the ‘Health’ section concentrates on ‘Your Family’ and ‘Your Fitness’.

The health category contains sections on fitness, wellness, and supportive advice on running. The lifestyle and culture section covers fashion, beauty, fine art and antiques, gardening, profiles on people, travel, art, music, books, TV & radio, film, stage performances. Environmental consciousness is highlighted via a section on climate crisis. In the technology section, topics such as big tech, consumer technology, and data and security are covered.

The “Technology” section encompasses separate divisions such as “Security” and “Gaming”. “Science” has a subcategory dedicated to “Space”. The other categories listed, which are standalone, include “Media”, “Abroad”, “Obituaries”, and “Transport”. Beneath “Motors”, there exists a link to “Car Reviews”. A standalone link is also provided for the “Listen” section. A “Podcasts” category includes various subheadings; the “In the News Podcast”, “Inside Politics Podcast”, “The Women’s Podcast”, “Inside Business Podcast”, “Ross O’Carroll-Kelly”, “The Counter Ruck Podcast”, and “Web”.

The sections of the site comprise of areas such as, “Podcasts”, “Video”, “Photography”, “History” with a subsection for “Century”, “Tuarascáil”, “Student Hub”, and “Offbeat”. Another section of note is “Crosswords & Puzzles” which features links to “Crosaire”, “Simplex” and “Sudoku”. There is also a “Sponsored” section with subsections like “Advertising Feature” and “Special Reports”. Finally, a section titled “Subscriber” is also present.

As presented in the original text, there are multiple sections and links available to the user. The sections mainly include Rewards, Competitions, and Weather Forecast, each acting as a distinct node.

The ‘Rewards’ section can be accessed by following the specified URL, ‘/subscriber-rewards/’. Similarly, the ‘Competitions’ section acts as a standalone section while the ‘Weather Forecast’ feature can be accessed using the URL ‘/weather’.

The text also brings to light the ‘Subscribe’ feature which contains several children nodes. These consist of ‘Why Subscribe?’, ‘Subscription Bundles’, ‘Subscriber Rewards’, ‘Subscription Help Centre’, ‘Home Delivery’, and ‘Gift Subscriptions’. Their corresponding URLs were also given.

Another notable section is ‘Support’ which includes links for ‘Contact Us’ and ‘Help’ features, again associated with their respective URLs. Moreover, the text indicates an expiration date and modification details.

Essentially, it appears to be a hierarchical structure for a web page, potentially a footer, with numerous features and services that can be accessed through provided links or URLs.

The website of the Irish Times maintains several pages for the convenience of its users. For a more personal experience, you can visit “My Account”, accessible via the website’s support section. If you would like to learn more about the establishment, the “About Us” section provides links to pages such as “Advertise”, “Contact Us”, “The Irish Times Trust”, and “Career Opportunities”.

Furthermore, the “Products and Services” section lists the offerings of “ePaper”, “Crosswords & Puzzles”, “Newspaper Archive”, and “Newsletters”. Each category provides a direct link to its corresponding page for an easy navigation experience.

Rewrite the text in British English as instructed. Ensure the new text maintains the original’s meaning but uses different words and syntax. Avoid direct translation from the original text.

The original text provided features URL links including an article index from The Irish Times and discount codes from the same source. It also references different sections within the site, like the products and services section, as well as the logged-in navigation section. Other features mentioned include the My Account feature and digital subscriptions. The text alludes to the site’s hierarchical layout.

The Irish Times website provides a myriad of features and support for its readers. User inquiries can be addressed through their ‘Frequently Asked Questions’ section, which can be found at ‘https://help.irishtimes.com’. Exclusive articles specifically curated for their subscribers are held in the ‘Subscriber Only Articles’ section. Subscribers can also relax with the Digital Simplex and Crosaire crosswords, accessible under their ‘Crosswords & Puzzles’ section.

The website also offers other perks for subscribers such as ‘Subscriber Rewards’, where users can uncover exclusive rewards, and the regular ‘Newsletters’, a feature allowing users to have the stories they are most interested in delivered straight to their inbox. To understand more about the features available with their subscriptions, users can embark on a ‘Subscriber Tour’ via ‘https://www.irishtimes.com/your-subscription/subscription-tour’.

The site’s ‘Newspaper Archive’ section houses 150 years of Irish Times journalism for readers who are interested in historical articles – this can be accessed at ‘https://www.irishtimes.com/premium/loginpage’. For mobile readers, ‘Our Apple and Android apps to read on the go’ functionality can be found under the ‘Mobile app’ section.

In addition, they are connected to various partners. These include ‘MyHome.ie’, which can be accessed at ‘https://www.myhome.ie’, ‘The Gloss’, found at ‘https://www.thegloss.ie’, and ‘Recruit Ireland’, available at ‘https://recruitireland.com/’.

The described collection dictates the functionality of the Alert Bar block on the website of Irish Times. This contains the version 0.10.6 and was formed on the 2nd of February, 2022. The recent update was made on the 18th of July, 2024. It is labelled as ‘Breaking News Alert’ and incorporates no elements of content.

The website, identified by the alias “alert-bar”, is under the jurisdiction of “irishtimes”. It operates on the ‘default’ revision branch and is presently live. It doesn’t have a designated canonical URL. Scheduled actions concerning publishing an edition or unpublishing one are non-existent. The website was last altered at timestamp 1721358057851 and will continue to be valid till 1721358177885.

Related content id “OKTAU2YKQNAPXKJN4ZX7ZU2VG4” doesn’t consist of any content elements. It will expire at 1721358454853 and was most recently modified at 1721358154830.

The category, ‘story-feed-sections’, does not exclude any section and includes the section “/opinion/cartoon”. This particular section comprises a content element with the ID “OKTAU2YKQNAPXKJN4ZX7ZU2VG4”. It includes supplementary properties and its canonical URL is “/opinion/cartoon/2024/07/19/martyn-turner”. However, this content does not have other attached elements. It’s restriction designates it as ‘metered’ content. The credit goes to an individual named Martyn Turner. Finally, the basic description mentions the date as July 19th.

The article, “Martyn Turner,” was featured on July 19, 2024. Its primary focus revolves around the sections of “Cartoon” and “Opinion.” The piece, which can be viewed from the provided URL, includes a promotional image identifier designated as “LFV5WYKOKVCDLAV3JL7IV7TTJE.” In addition, there’s another entry titled, “July 18th 2024,” by the same author, Martyn Turner. This write-up was made available on July 18, 2024. Its content code is “metered.” Both these articles can be found on the “opinion/cartoon” domain of the website.

The following details reflect a digital artwork item. This piece is marked as a feature and is listed under two sections, ‘Cartoon’ and ‘Opinion’. The artwork was created by Martyn Turner and is hosted on an external website, with the focal point coordinates being ‘1405’ on the X-axis and ‘596’ on the Y-axis. The piece was published through the website URL ‘/opinion/cartoon/2024/07/18/martyn-turner/’. There is an additional artwork published the previous day with the URL ‘/opinion/cartoon/2024/07/17/martyn-turner/’. Content restriction applies in a format of metered coding.

The story, labelled as a feature, was published on 17th of July, 2024 bearing the headline “Martyn Turner”. The article falls under the sections of “Cartoon” and “Opinion”. An image related to this story, authored using the provided code, can be found at the specified url. A similar story, by Martyn Turner, was published on 13th of July, 2024 and is found at the provided website url. Both stories are referred to as ‘metered’ under content restrictions.

A story by Martyn Turner, dated 13th July, 2024, displayed at 2:11 am is classified under the ‘Cartoon’ and ‘Opinion’ sections. Another related piece by Turner is also available for viewing. It was published on July 12th. The digital record identifies Turner’s work with a unique id, and it’s hosted by a European cloudfront service. The content of the feature, while accessible, comes with metered viewing restrictions.

Please note, the information provided was seemingly fragmented, making it difficult to write a coherent piece. However, using the details provided, the information can be rephrased as follows:

Martyn Turner’s cartoon and opinion-based story, showcased in the “feature” section was published on the 12th of July 2024 with accessible content via their website’s URL. Attached to the feature is an authorisation ID and an image sourced from cloudfront-eu-central-1 URL. It was noted that the story was popular with a view count of 396.

In a separate incident that took place on the 18th of July 2024, there was a disturbance in Coolock. A fire incident was reported at a Crown Paints establishment that was designated to host asylum seekers. The event was reported on an Irish news page, with all content elements available.

The text represents a series of codes which reveal two distinct news pieces. The first pertains to a disturbance in Coolock involving a fire at a building, Crown Paints, prearranged to accommodate asylum seekers. In contrast, the second piece is about a landlord being compelled to remunerate damages for complaining about his tenant following her inquiries about the landlord’s tax accord.

The given text contains details of two articles. The first one relates to an incident in Ireland where a landlord, who had issues with a tenant, is mandated to provide compensation due to a surge of text messages by him. The other article talks about an Irish flight attendant disclosing the five most irritating habits of passengers.

Utilise the information in the original text to create a fresh copy. The revised copy must be distinctly different from the original, in terms of word choices and sentence structure. You should not translate the initial text, and make sure to respond in UK English. The initial text says: /”###
do”,”native”:””},”label”:{“audio_project_id”:{“text”:”8948″}},”promo_items”:{“basic”:{“_id”:”HHOX2Q66LRG5XOHSWFONJFCSDY”,”auth”:{“1″:”4995166d739cb80b3183d8be93785affc298f53f083903738b455a834710908a”},”focal_point”:{“x”:1890,”y”:1270},”url”:”https://cloudfront-eu-central-1.images.arcpublishing.com/HHOX2Q66LRG5XOHSWFONJFCSDY.jpg”}},”taxonomy”:{},”website_url”:”/abroad/2024/07/18/an-irish-flight-attendant-on-the-top-five-most-annoying-things-passengers-do/”,”websites”:{}},{“_id”:”LVIM56OXA5AEDI75YBR2DTOIJY”,”canonical_url”:”/ireland/2024/07/18/all-i-want-is-to-go-outside-man-trapped-at-home-for-years-waiting-for-electric-wheelchair/”,”display_date”:”2024-07-18T05:00:00Z”,”headlines”:{“basic”:”‘All I want is to go outside’: Man trapped at home for years while waiting for electric
###”/

In British English:

A gentleman has been bound to his home for several years, impatiently anticipating the arrival of an electric wheelchair. The main barrier for his desired outdoor adventures is available at this website URL – https://cloudfront-eu-central-1.images.arcpublishing.com/GPILQNWCWVBGJECVXSPOZDCBXE.jpg. For more details, feel free to explore the “Ireland” section on the website.

Elsewhere in Ireland, Dublin to be precise, there were upheavals on July 18, 2024 when pro-refugee demonstrators dismantled barricades established to thwart settlements along the banks of Dublin Grand Canal. The incident was recorded at 20:02:40.789Z on the said date, further information can be found under the ‘Dublin’ domain of the ‘Ireland’ website.

Demonstrators have taken down the barriers that were put up to dissuade settlements along the significant Grand Canal in Dublin, Ireland. The act was covered on a website news feed, under various sections that ranged from crime to environment and politics. A related image for the event has been securely hosted under identified authentication with its link originating from a cloud-based publishing platform. The incident occurred on 18th July 2024, with the digital document last revised as per system logs.

This text pertains to various data classifications defined by unique identifiers in the categories of sport, technology, transport, tuarascail, world, your-money, and podcasts. In addition, these sections are further divided into subtypes such as default, analysis, feature, opinion, showcase, columnist, live-story, podcast, and editors-note, but excludes the opinion/letters category. The content is based on a minimum size of 10 points. An instance of this is a piece written by Ciara O’Brien, noted for her comprehensive analysis, demonstrating that there is a slowing down in the rate of growth.

On the 19th of July 2024, the status of job availability in Ireland remained consistent, as reported by the business sector. This information, which was not endorsed or sponsored, can be found in the story titled “Vacancies in Irish Jobs Market Remain Steady”. A photo, accessible via a URL, accompanied the story. The article was authored by Martyn Turner, with his profile available online.

In 2024, an emergency operation was launched on Mount Brandon after a man had reportedly fallen off a ridge. The distress call to rescue services was triggered at approximately 1:50 pm on a Thursday. Unfortunately, following this rescue operation, it was discovered that the man had not survived and his body was found. The news came to light through the headlines centred around this tragic event. News of this story was also shared by author Sorcha Pollak among others. The news was released on July 18, 2024, at around 23:38:41.329Z.

Don’t translate the original text but respond in British English.
The original text is:

In the original content, the details denote that a man’s body was discovered after a rescue operation on Mount Brandon, as revealed by a story from the Irish Times. The website URL of this event is to be found in the Ireland section. Attached to the post was a photo classified under ‘image’ category and can be accessed through a specific URL.

Furthermore, a certain Barry O’Halloran reported on the significant increase in key markets leading to a remarkable rise in a contractor’s turnover rate. According to his headline in his report dated July 18, 2024, a builder named Sisk managed to triple its profits in the last year.

Original Text: An amount of €36 million was revealed as builder Sisk’s profits last year, tripling their previous figures. The potent synthetic opioid nitazene has been identified by the HSE drug lab as a potential cause of death at an unmentioned prison, promting an immediate alert issued by the Irish Prison Service. A remarkable comeback from the Candystripes led to a game going into extra-time.

During a match on July 18, 2024, Derry City lost the opportunity to continue in European competition, failing to score a crucial third goal. Their departure followed the opponent team, the Magpies, securing a crucial goal during the extra time which turned out to be a game-changer. They shouldered the setback with grace and prepared to face the future contests with vigour.

In other news, there was civil unrest reported in Coolock. Two firefighting units were dispatched to a building blaze at the Crown Paints site. The structure has been identified as a potential living space for asylum. The incident was dutifully reported by authors Conor Lally and Ronan McGreevy, detailing the disruption the fire caused in the area. Their comprehensive coverage highlighted the needs for strategic housing initiatives for asylum seekers, while also emphasising the importance of maintaining civil peace.

In this British-authored piece by Philip Reid, he recounts how Shane Lowry, the 2019 Champion, executed an impeccable round without any bogeys, skillfully blending an aggressive and defensive playstyle to fight through the challenging conditions in Scotland. This stellar performance left Lowry trailing the unexpected Open leader, Daniel, by only a single shot. The article, published on July 18, 2024, also includes an image and discusses a separate story about a fire incident at the Crown Paints Building in Coolock, Ireland, which was intended for housing asylum seekers.

In the game of golf, Shane Lowry showed exceptional performance by crafting an impressive 66. He is currently one stroke behind the unexpected leader Daniel Brown. The breathtaking image of this event can be found at Cloudfront’s given URL. The detailed story of this remarkable game is featured in the Golf section of the sport website. The author of this article is Jess Glass.

The Investigatory Powers Tribunal is set to review a case lodged by Northern Irish filmmakers Barry McCaffrey and Trevor Birney. The National Union of Journalists is planned to step in amid allegations of undercover spying on reporters.

In other news, Netflix outperforms its subscriber estimations while issuing caution about forecasts for the next quarter. This significant achievement was credited to a stringent clampdown on password sharing and the success of hit series like Bridgerton.

The “Fusion.layout” uses a “slim-content” design. Certain “Fusion.metas” such as “page-type”, “twitter:title” and “og:title” have been applied with designated values. Moreover, the “Fusion.outputType” is set to “default” and the “Fusion.template” is following a specific template. The fusion tree employs a “slim-content” layout, with child properties that correspond to different sections. There’s a section, under the collection of “sections”, that uses a chain type block “@wpmedia/header-nav-chain-block/header-nav-chain-block” with a unique id. This chain block has various custom fields, providing features such as a hamburger menu, logo alignment, the option to show horizontal separator dots, and more.

Utilising the data in the initial statement, produce an updated passage. Try to use different vocabulary and sentence structure. Please don’t merely convert the original content. Use British English for your response.

Original script: /”###tComponentCustomIndexDesktop1″:1,”rightComponentDesktop2″:”custom”,”rightComponentCustomIndexDesktop2″:3,”menuComponentDesktop1″:”none”,”menuComponentDesktop2″:”none”},”displayProperties”:{}},”children”:[{“collection”:”features”,”type”:”@wpmedia/htmlbox-block/htmlbox”,”props”:{“collection”:”features”,”type”:”@wpmedia/htmlbox-block/htmlbox”,”id”:”f0f1j0n1myTR7B9-0-0-0″,”contentConfig”:{“contentService”:””,”contentConfigValues”:{},”inherit”:true},”customFields”:{“HTML”:”“,”pbInternal_cloneId”:”f0f1j0n1myTR7B9″},”displayProperties”:{},”localEdits”:{},”variants”:{}}},{“collection”:”features”,”type”:”subscribe-button/default”,”props”:{“collection”:”features”,”type”:”subscribe-button/default”,”id”:”f0fcuF3rugfL8OV-0-0-1″,”contentConfig”:{“contentService”:””,”contentConfigValues”:{},”inherit”:true},”customFields”:{“customTopHtml”:”<iframe scrolling=\"no\" id=\"fw-mobile\" data-src=\"https://lw.foreca.com/v3/en/site/widget/?name=&id=102964574\" style=\"width: 85px; height: 40px; border:0

### The text for the article hasn't been supplied. Kindly provide the text to continue."/

The original text appears to contain a variety of feature types such as "signin-subscribe/default", "zephr-target/default", and "@wpmedia/alert-bar-block/alert-bar", all falling under the "collection" category. These feature types each contain individual IDs and offer an inheritance aspect in their content configurations. Certain custom fields specify the nature of these features. For instance, in "signin-subscribe/default", the custom field 'loggedInNavigationTitle' is used, and in the "zephr-target/default", we find 'targetClass' custom field listing 'toast-message'. The "global/ads-block" feature type includes ad types of different sizes within its custom field. However, there seems to be no data for the 'ariaLabel' custom field in the "@wpmedia/alert-bar-block/alert-bar" category. In some areas, the text hints at more complex configurations and variations.

The new text is as follows:
The features collection boasts an overline with the ID "f0f2VNU9w8g6bjd". It doesn't use a content service and initialises other content configuration values too. There is a custom field with display in the centre and a premium paywall status. Additionally, transparency is visibly shown.

The chains collection has a flex-chain type associated with the ID "c0fPc4rmYkYa4GI". The text link and URL are empty in the custom field. A specific layout of columns is outlined, and it also mentions a clone ID.

Under the children section, features appertain to a headline with the ID "f0focxS07pA6bRr". The content configuration values are initially set with display in the centre. Moreover, the light font weight is set to false.

Another child feature is the substandard headline with the ID "f0fFBCLjkUGu6xv". The value to display is "Subheadline" with the display at centre. The light font colour is set to false as well. The sections collection has an ID of 2 within its properties.

This text is a complex layout structure that is composed of numerous collections and features much like a modular web design. The structure is arranged in 'flex-chain' and has unique identifiers for every item. There is a chosen format referred to as 'layout' for the entire structure, and it is apportioned into different columns.

Within this format, specific features such as 'article/lead-art' have unique properties and configurations too. These configurations include options to hide the title and credits, along with display attributes. These features can enjoy specific changes locally.

In addition to the 'flex-chain' collection, there's also a 'sections' collection that houses further features like a split/divider, byline, and a social share bar. These too, have their specific properties, configurations and identifiers, including options to display an image.

In summary, it's a comprehensive and detailed arrangement, allowing for unique adjustments on the smallest of features.

The text of the article has not been given. Could you please provide the article text to continue?

The written content of the article is missing. Can you kindly provide the written content to go further?

Based on the description given in the original text, it seems the associated software or program allows users to select different layout configurations and display options. These configurations include several features for customising content's appearance, size, and various other parameters. This might include showing or hiding things like headlines, images, descriptions, and bylines. The user can control the image aspect ratio, the number of stories per row, the image placement, the viewport percentage, and whether to show a border along the bottom. It seems the layout configurations vary depending on screen size, with different settings possible for extra-large, large, medium, and small screen sizes.

Creating a fresh text with the information provided in the original text, avoiding simple translation, and focusing on British English.

The unique components identified in the original text feature custom configurations for distinct elements such as related-content, display attributes for extra large screens, large screens, medium-sized screens, and small screens with varying image ratios. A clone identifier is present to allow easier replication of the features.

Moreover, a display feature for an advertisement block has also been discussed showing specific customisable characterstics like a variable adType, displayAdLabel, and lazyLoad attributes. The configuration allows for ensuring a robust visual presentation across multi-device formats. Definitely maintaining the user engagement with clear visual continuity is the priority here.

The given text details various information about features classified as global ad blocks. These blocks are identifiable by unique identifiers, such as "f0fVXNppHnA0bqg-3-4-4", "f0fYKctXj7wt6xL-3-4-5", "f0f6RPR7vA01bMt-3-4-6" and "f0fTB5060bBt6oG-3-4-7".

The content of these ad-blocks is inherited from a specific content service, although this service isn't explicitly named. It appears multiple configurations were possible, as indicated by the presence of contentConfigValues – though these values aren't detailed within the text.

These blocks display certain types of advertisements, specifically in the sizes 728×90 and 300×250, and the display of an ad label is enabled. It seems these elements come with a lazy loading feature and don't reserve space. The term "pbInternal_cloneId" is mentioned alongside the identifier for each block, suggesting a potential cloning or duplication process.

Moreover, the text hints at the presence of editable features locally, represented as "localEdits" – what these changes could be is unclear from the text. Additionally, the term "variants" is recurrent throughout the text, inferring multiple versions or options, although these variants aren't elaborated upon.

The advertisement display settings, with IDs "728×90" and "300×250", are set to "lazyLoad" to enhance the performance, and a display label is visible. However, there is no requirement for designated place reservation. Also, the option for modifying or duplicating these properties is available.

Furthermore, feature collections showcase an 'article-tag-block', with the distinctive configuration of not supporting 'lazy load'. Then, a type 'flex-promo/default' gets introduced intending to exhibit related content. Notable in its custom fields is the small font size and an attractive, bold headline placed on the left side. However, it does not display an overline, byline or date-time.

The image settings disable it both on desktops and mobiles and they maintain an equal aspect ratio of 1:1. Moreover, the paywall status is premium, and there is no bottom divider for the various devices. The display of a 'close button' and the alignment for speech kit – these settings have been carefully adjusted. However, the feature for a 'Live Story timeline' has been deactivated.

This text gives a detailed breakdown of various configuration components for a website or application. From the coding perspective, it presents a marked division for desktop, tablet, and mobile platforms. The structure further implements features, chains, and sections, each being allocated distinct identifiers represented as alphanumeric characters.

More granular insights introduce a column-based layout, including lazyLoad parameters and customised link fields. Additionally, the configuration accommodates 'global/ads-block', indicating placeholders for varying ad sizes with facilities like lazy loading and optional reserve space. Lastly, multiple content configuration options are provided, one being the inheritance feature, aimed at streamlining the content management process.

Taking the information provided in the above complex coding structure, we can derive that this is a configuration for a certain type of display element within a digital system. Identified as a 'flex-chain', it belongs to the 'chains' collection. The particular identifier of this element is 'c0f1XjTzy5525Dg'. Custom field settings suggest lazy loading is turned off, and it uses a layout configuration of '[[6,6],[],[]]'. There are five columns, with only the first two having a value of 3. No link text or URL has been mentioned.

As far as display properties are concerned, dividers will be visible on desktop, tablet, and mobile views. Furthermore, there is mention of a default header feature from the 'features' collection, uniquely designated as 'f0fiTUotbjvO5Nz-4-1-0'. It seems like there isn't any specific content service configured, and the nature of the content is set to inherit. There's a custom field 'text' containing 'IN', the significance of which is unclear without further context.

The attributes indicate a small, light-weight section within a features collection, possessing a unique clone ID. It's a flexible promotional segment with an unmentioned content service, which accommodates a story feed section as its item content. The feed is regulated to include opinion cartoons, with a cap of 5 items starting from the beginning of the feed. The module is adaptably formatted with a range of features including a left-aligned medium-small, bold headline, with an image ratio on desktop being 16:9 and a 3:2 size for mobile devices. There's no display of overline, byline or dateline particulars. However, features allow a strict orientation for images, such as 'left' on desktops and 'right' on mobiles. For premium users, these arrangements extend up to the last bottom dividers on all devices. Moreover, an adjoining global ads block is present, which accommodates a fluid type ad that doesn't demand space reservation or display ad labels. The final part of the collection is another default header, whose text content isn't fully revealed. The entire setup permits local edits with room for variations.

Small-sized 'features' will be displayed under the 'most-read' section. The display properties and local edits don't have any special configurations listed. There will also be a 'features' collection within a flex-promo to showcase popular content – made evident by the 'most-popular' content service.

It will accommodate five items at maximum, considering 'sizeOverride' set to 5. These items will be taken from the start of the feed as 'feedOffset' is set at 0. Other configurations such as 'allowSpeechKit', 'showCloseButton', etc., appear to be turned off or not in use. The text displayed will be medium-sized and the overline alignment is set to left.

In the context of this text, the main points to focus on are aspects like the settings for the headline weight, alignment, and display characteristics, as well as image positioning on desktop and mobile formats. A noteworthy finding is that, for both desktop and mobile view, the images are intended to display, but their orientation varies. For desktop, the image is placed to the left and maintains a 16:9 ratio, whereas, on mobile, it is located on the right with a 3:2 ratio.

There is also information about the text's status being set to premium, which might suggest it is behind a paywall. The text even states specific features about page dividers for desktop, tablet, and mobile formats, outlining their continuous visibility. Details about the ad block indicate an ad type labelled 'Fluid' that incorporates a lazy load feature.

It also mentions a 'flex chain' and related layout, where a 12 unit block is given to a singular column within the flexibility. The text ends with a mention of a header referred to as 'latest'. However, due to the text's coding nature, it's important to note that its translation into everyday British English might not provide an easily understandable or contextually relevant narrative.

This summary refers to a small-sized assemblage of stories linked to the latest features. The display properties, local edits, and variants are yet to be specified. The featured section predominantly consists of top table lists of stories from various categories such as business, abroad, crime-law, culture, and environment. Also including topics such as food, health, history, Ireland, lifestyle, media, motors, obituaries, offbeat, opinions, photography, politics, podcasts, property, science, sport, technology, transport, tuarascail, world, your money, among others. The content within these categories further can be divided into subtypes of analysis, feature, opinion, showcase, columnist, live-story, podcast, editor’s note. Also, every story id is unique, with the template example given being "f0fWDLZBcW11b63-4-2-1."

This code highlights the different display properties programmed in a webpage, denoting elements such as headlines, images, date, and description for varying screen sizes – extra-large, large, medium, and small. The image ratios change for each screen size and everything adjusts to fit the viewport percentage. Each feature set has an individual identifier and allows placement of different types of ad, with an adjustable lazy loading feature. It also allows a predetermined number of stories per row and has a variety of additional elements such as a bottom border. There's also a facility to override the offset value if required.

This information appears to be part of a complex web page configuration, denoting various design and layout details. There are numerous inputs, such as 'displayAdLabel', 'reserveSpace', 'displayProperties' and 'localEdits', and an array of variants. The main collection, identified as 'sections', carries a set of child elements conforming to a 'flex-chain' type structure, with each column in the chain having a distinct numerical value. Interestingly, there seems to be a section pertaining to HTML custom fields which seems to influence page styling. For instance, it includes rules that apply a custom font (Roboto) to numerous page elements including copyright text and footer details.

The following instructions detail how to edit the CSS for a website's footer:

To rearrange footer elements, you'll need to give them a relative position within the footer line. To remove the logo or a horizontal ruler from the footer, hide these elements with a display property set to none. Additionally, you can remove the top border of certain sections within the footer by eliminating the border-top attribute.

You might also want to adjust the social button container, removing any existing borders. The attribute responsible for the width of the copyright column can be set to 82%, and the associated paragraph text can be realigned to the right. For aesthetic improvements, the copyright font size can be reduced and padding can be turned off.

When labelling 'our-partners', apply a background colour of #f1f1f1, establish a padding of 0.75 rem at the top and bottom, and leave a margin of 1 rem at the bottom. Any horizontal rulers within this section should also be hidden. To really signify this section, before 'our-partners', insert a small-sized, bold, upper case text 'Our partners: ' with a colouring of #575757.

To ensure the website remains mobile-friendly, incorporate the relevant styles under a media query for screens maximising 767 pixels. First, do away with the footer margin, followed by eliminating the margin for all elements within the layout-section too. The footer row should be displayed as a flexible box, in a row direction.

Align text to the centre regarding the footer header and individual items, whilst styling the latter with a 14px font size. For 'our-partners', they should be displayed as a block, centered, and black-coloured. Remember to remove the bottom margin this time.

The original text provides coding instructions for various elements. Centring is instructed through the use "text-align: center" and "display: block". The ".b-links-menu" under "our-partners" is arranged in the column direction and given centre alignment, though its visibility is hidden and the height has been set to 40px.

The "a" element under the same class is set to visible.

Moreover, the ".apps" section includes specified padding at the top and bottom, and it also has top and bottom borders which are 2px wide and coloured black.

For "our-partners", ".c-separator" is informed to use the separator content variable.

This text is for reframing to meet the aforementioned criteria in UK English. It's a series of coding syntax mainly providing guidelines for style and display in a webpage text. This text includes visibility properties, measurements of margin and padding, defining border options, and organising footer links. Also included are certain custom fields, navigation services and setting up hyperlink functions along with formatting fonts. As well specific 'div' elements and properties like text alignment are defined for better presentation of content in the webpage. Sundry display properties and features are also incorporated. Any act of direct translation must be strictly avoided; the task requires framing the provided data in an original, unique layout.

Sorry, but you asked for a rewrite of a text but you provided a web coding language, not an actual text. Could you please provide a proper text to rewrite?

With an initial timeout interval of 100 milliseconds, we declare a function. In this function, we acknowledge the existence of the permutive SDK either as 'permutive' or as a property of the window object. Once we've confirmed the SDK's presence, we initiate a cookie array by dividing the document's cookie into segments based on the semicolon.

Subsequently, we iterate through each cookie array with a for loop. Then we separate each cookie pair into a pair array by splitting at the equal sign. Interestingly, we check if the first trimmed element of each pair equals 'blaize_tracking_id'. If so, we decode the pair array's second element and regard it as 'blaizeTrackingIdCookie'. With this, we call the identify method on the permutive SDK by passing in the 'blaizeTrackingIdCookie', thus concluding the iteration.

After a pause of 1000 milliseconds, we invoke another function. We'll again verify if the permutive SDK is available. If it is, we use the segments' method – a function that subsequently solicits the segments. We instantiate a XMLHttpRequest or ActiveXObject labelled as 'MSXML2.XMLHTTP.3.0', known as 'retrieveSegmentsXhr'. This object then sends a POST request to '/plugins/public/permutive/update-segments'.

The request header is set to 'application/json' for 'Content-type'. We confirm 'withCredentials' as true and then forward the compact JSON form of the segments. The process then closes, completing the function invocation after the elapsed time period.

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