Martyn Turner, a renowned author known for his political cartoons since 1971, is deployed under the latest Fusion setup, version 145. The author’s profile, located on the Fusion platform, can be found at “/author/martyn-turner/” with an associated unique identification tag “martyn-turner”. This association is implemented in the version 0.5.8 of the system. An image of him can be accessed via the s3.amazonaws.com/arc-authors link, where details are authenticated with a specific access code.
Turner’s contact details have been documented under “social_links”, replacing the deprecated “socialLinks”. He can be emailed at “[email protected]”, whilst his presence on social media platforms can be found as “turnercartoons” on Twitter. It is important to note that the Fusion platform doesn’t allow or display comments.
Turner’s presence in the Fusion system complies with the ‘metered’ content code, categorised under ‘content_restrictions’. His profile was created on the platform on 30th August 2024, at 13:37:05.922Z with the unique identification tag “NOZHATMS2ZFNRCDT5QSJYV4OHY”.
This system update does not translate the original data but adjusts the input comprehension to provide seamless access to the author’s profile.
A native of Wanstead, located on the outskirts of East London, he first saw light in 1948. He received his early education at Bancroft’s School in the close vicinity of Woodford, and pursued higher studies at Queen’s University in Belfast. Embarking on his professional journey as an illustrator, he first started his work with the Sunday News in Belfast, around the year 1970. Following his graduation, he joined the Belfast-based independent cultural and political periodical, Fortnight, later climbing the ranks to the position of editor. In 1976, he relocated to Co Kildare, taking up the role of a political cartoonist; a position he continues till date, with the dedicated responsibilities of producing four cartoons every week and enjoying the liberty of penning down occasional articles. He boasts a prolific portfolio of 17 published books, filled with his cartoons and thoughtful writings.
The task is scheduled for publication by transitioning it to the completed status. The planned date for the publication is set for 31st August, 2024 at 5:00:37 (UTC). Please note, the delivered text contains a total of zero characters (UTF-16 encoding), zero lines and zero words. For promo items, an elementary object with an ID of Z4BSJM5MFVDV3K4HERJVVLPU7Q is included. This object has further properties such as the URL for full-size resizing, the ingestion method which is manual, the type of file marked as image/jpeg and the original name identified as ‘turner.31aug.jpg’. The URL to the original file hosted in cloudfront for the ‘Irishtimes’ is also provided. The stated owner of this image is ‘[email protected]’. Also included are the proxy URL, verification that the image has been published, that it’s not restricted, and a link to its resized thumbnail. Lastly, it has a version number of zero and is associated with the template id 327. The alternate text associated with the image is ‘Martyn Turner’.
Martyn Turner, a cartoonist with work dating back to 1971, has a fascinating history. He was born in Wanstead, on the outskirts of London, in 1948. He attended Bancroft’s School in nearby Woodford before furthering his education at Queen’s University Belfast. Early in his career, around 1970, he started working professionally as a cartoonist for the Sunday News in Belfast. Following his graduation, he joined a political and cultural review publication known as Fortnight in Belfast, which he ultimately edited. In 1976, Turner relocated to County Kildare. His cartoons can be found via his personal profile linked on his social media accounts (Twitter: turnercartoons) and through email ([email protected]). A photo of Turner is available via s3.amazonaws.com/arc-authors/irishtimes/c66733a2-df55-4384-8772-13ef1967289a.png, courtesy of the Irish Times.
Martyn Turner, a cartoonist by profession, is a significant contributor in his field, having launched 17 books filled with his cartoons and articles. Despite being relatively silent in social media, with an inactive Facebook profile, he makes his presence known through his Twitter account, @turnercartoons. The Irish Times staff member also actively shares updates through his bio page on the Irish Times website. Turner’s educational background and awards remain undisclosed. As of 20th May 2022, his contact information is available through the email: [email protected]. He is represented by an image available on Amazon’s S3 service. The last time any update was made concerning Turner was on 30th August 2024. His artistic works are predominantly illustrations and are not accessible for licensing. He is a part of the Irish Times and is not sponsored. A photo center named “Turner” is noted as the source of his work input.
The image labelled as ‘Turner’ was posted on the website, specifically under the ‘Cartoon’ section of ‘opinion/cartoon’. The definative brand that provides quality journalism presents the intriguing works of Martyn Turner with no affiliation and it’s free for all as it’s not behind a paywall. Published by ‘irishtimes’ – a resource generated by the staff, the image file was first uploaded on Saturday, August 31st, 2024. The image featuring Turner was published by a user with the id ‘[email protected]’.
The “Cartoon” section can be found on the “irishtimes” website under the “opinion” category. This section is easily accessible through various means, including the hamburger-menu and App-Hamburger. The cartoons featured are mostly of Martyn Turner and it is free-to-access content. No sponsored content or affiliations are associated with this section. The Cartoon section is essentially a reflection of high-calibre journalism offered by the prominent brand.
Explore The Irish Times for a section named “Cartoon”, where you’ll find cartoons by Martyn Turner and others. Brought to you by a brand that has consistently been synonymous with quality journalism over the years, these cartoons can be located under the opinion tab. It’s worth noting that they can be accessed for free, as this section does not fall behind any paywall. All of these can be found primarily under “/opinion/cartoon,” either on the homepage or the opinion section of the site. The given order of positioning on the hamburger menu, app hamburger, composer-relevant-sections, and section-page-subnav stands at 2004. This section remains active and independent from any sponsorship or affiliation.
In the “Cartoon” section of the IrishTimes website, you can find opinion-based cartoons under the “Opinion” tab. Found within the hamburger menu, amongst other places, this non-inactive section is also linked within the website’s “Opinion” area. The section appears in the same order in both the App-Hamburger and composer-relevant sections, maintaining a consistent navigation experience across different interfaces.
The principal “Opinion” section itself, which hosts the “Cartoon” sub-section, is free to access, making this feature non-restricted by any paywall. The “Opinion” section is where you will find the most recent debates and opinions.
Ireland boasts a renowned brand that delivers quality news and reputable opinion pieces, known as The Irish Times. Ranking in various ways on many platforms and menus, from ‘Hamburger Menu’ to ‘App Narbar’ and ‘Section Page Subnavs’, this brand is widely recognised and easily accessed. Featuring several sections, its appeal is enhanced and audience engagement is facilitated. A distinctive component of this brand is the ‘Opinion’ section, which offers a variety of viewpoints, making it a reliable source of informed commentary. Additionally, the brand features a ‘Cartoon’ segment in the ‘Opinion’ site. Serving as an entertaining yet thought-provoking part of the publication, it includes works like Martyn Turner cartoons. Supported by the definitive brand of quality journalism, this segment is free from paywall restrictions, making it readily available to its valued audience.
The “Cartoon” and “Opinion” sections are grouped under “Opinion”, found in the drop-down menu on the site. These sections can also be found in the App’s drop-down menu and other relevant sections. The two sections have alias_ids: “/opinion/cartoon” and “/opinion” respectively. The Cartoon is active and not listed as inactive. It occupies the slot 2004 in the various menus. Similarly, the Opinion section has the same slot in these menus. The version of the site where these two sections occur is 0.5.8. “Opinion” has a navigation title and it is exempted from any paywall restrictions. This section brings you the most recent debates and opinions.
In the context of Ireland, a prominent brand that provides quality news and opinion is the Irish Times. It features cartoons and more by Martyn Turner, underlining the brand’s definitive status in delivering quality journalism. More specifically, the Cartoon section is a free-to-access part of the Irish Times’ offering. Accessible via various platform features such as the navigational hamburger menu and app links, it forms an integral part of the ‘opinion’ section. This sub-page is not inactive, signifying it remains in operation for readers to enjoy. The Irish Times continues to uphold its steady reputation for quality opinion and news narratives, a trait highly ascribed to the brand.
The website URL /opinion/cartoon/2024/08/31/martyn-turner/ was sourced from the ‘content-api-it’ and is also the querying URI. It pertains to the site ‘irishtimes’, as per the fusion content cache. The status code indicates that workflow is on track. The URL doesn’t have any scheduled publishing operations or depublishing procedures. Designated global content configuration channels are currently empty. A unique identifier is linked with a signed service. This service uses the SHA256 type and the hash key associated with it is ’13fbd97ba889549a6c283388e07ae279fa3b0b1676e242e016906eac7f5e0adc’. It is set to expire by ‘1756604677721’ and was last modified at a date indicated by the string ‘1725069621584’.
The new text must be in British English, different from the original text in both word choice and structure. Avoid directly translating the first text. Here is the revised version:
In the server system, there are several links identifiable by unique codes. Each link represents a different function or a page on the website. For instance, one link with the code MY7K0TYT012WZ0V1ZB8PHF0MJC directs to the ‘Home’ page. Another with the ID TB2EY564VN0N56D137NVP6G5MW leads to the ‘Latest’ page. Additionally, a third link identified with ZNGH139WJX4419P1E6XFB2YQBM is designed for ‘Subscribers’.
The following sections are available: Dublin, Education, Housing & Planning, and Social Affairs under the Ireland node. The Ireland node also includes a link to “Stardust”. Under the Politics node, there’s a link to “Poll”, an Oireachtas section, a common ground link and a link to Elections & Referendums. The Opinion node includes Editorials, An Irish Diary, Letters, and Cartoon sections. Lastly, under the Business node, there is a link to Budget 2025, and Economy, Farming & Food sections. Only subscribers can access some materials indicated by a specific link.
Various sections and links are categorised under two main sections labelled as ‘Business’ and ‘World’. Within the ‘Business’ section, there are divisions such as ‘Food’, ‘Financial Services’, ‘Innovation’, ‘Markets’, ‘Work’ and a link to ‘Commercial Property’. On the other hand, the ‘World’ section encompasses a link to the ‘US Election’ and several sections dedicated to different regions including ‘Europe’, ‘UK’, ‘US’, ‘Canada’, ‘Australia’, ‘Africa’, ‘Americas’, ‘Asia-Pacific’, ‘Middle East’. There’s also a separate section titled ‘Sport’.
The categories which are available include sports such as Rugby, Soccer, Golf, Racing, Athletics, Boxing, Cycling, Hockey, and Tennis. Also, there are sections dedicated to your financial matters named “Your Money”, with subsections like Pricewatch and Budget 2025. There’s a crime and law section with a specific area for court-related news. In addition, there is a property section addressing Residential and Commercial properties and Interiors. Furthermore, you can find a section centered on food, offering details about drinks, recipes, and restaurants. Lastly, there’s a health category attending to your family and fitness needs.
The subject matter is organised into various categories. Under the “Health” category, there are sub-sections including “Fitness”, “Your Wellness”, and “Get Running”. The next main category is “Life & Style” with sub-topics on “Fashion”, “Beauty”, “Fine Art & Antiques”, “Gardening”, “People”, and “Travel”. Following this is the “Culture” category, encompassing “Art”, “Books”, “Film”, “Music”, “Stage”, and “TV & Radio”. The category of “Environment” is also present, primarily focused on the “Climate Crisis”. Lastly, we have the “Technology” category which has key topics like “Big Tech”, “Consumer Tech”, and “Data & Security”.
The “Technology” section incorporates two subsections named “Security” and “Gaming”. “Science” is another section which has a subsidiary category, namely “Space”. Furthermore, there are distinct sections for “Media”, “Abroad”, “Obituaries”, and “Transport”. The “Motors” section provides a designated link for “Car Reviews”. A link for “Listen” also exists. The “Podcasts” section has multiple subsections which include “In the News Podcast”, “Inside Politics Podcast”, “The Women’s Podcast”, “Inside Business Podcast”, “Ross O’Carroll-Kelly”, “The Counter Ruck Podcast” and “Web”.
The sections available are as follows: Podcasts, Video, Photography, and History. The “History” section further bifurcates into the ‘Century’ subsection. Other sections also include ‘Tuarascáil’, ‘Student Hub’, and ‘Offbeat’. There is also a section dedicated to ‘Crosswords & Puzzles’, which is sub-divided into links for ‘Crosaire’, ‘Simplex’, and ‘Sudoku’. Furthermore, there are ‘Sponsored’ sections with offerings of ‘Advertising Feature’ and ‘Special Reports’.
In the footer section of a website, features of different categories are displayed. Under the “Subscribe” section, there are links allowing one to explore reasons to subscribe, clarification on subscription packages, a guide to subscriber rewards, a help centre for subscription-related issues, information on home delivery service, and options for gifting subscriptions. Moreover, a “Support” section is also present, providing users with ways to contact the website operators and find aid for any issues they might encounter. Pages for weather forecasting and competitions are also accessible through separate links. The data on these pages are regularly updated, ensuring the most current information for users.
Support is available at the Irish Times. In this section, you can find a link to the Centre which offers help via the website. You can also manage your account through the ‘My Account’ link.
The ‘About Us’ section provides a range of information. Here, you can find about advertising opportunities, how to get in touch, and the practices of Irish Times Trust. You’ll also find the ‘Career’ link for employment opportunities.
The section on ‘Products and Services’ is extremely comprehensive. You can access various services including ePaper, crosswords and puzzles, a newspaper archive, and newsletters. Additionally, there’s an ‘Article’ link for your convenience. The website caters to a variety of needs and makes navigation easy.
Utilising the details from the primary document, create an alternative text. The alternative script must have differences from the initial document in both the language and arrangement. Be sure not to directly translate the previous document. The response should be in the form of British English.
Primary Document:
Utilising hyperlinks with the addresses “https://www.irishtimes.com/article-index/” and “https://discountcodes.irishtimes.com/”, one may access the article index and discount codes offered by the Irish Times respectively. They are categorised under “Products & Services”. In the logged-in navigation section of the Irish Times website, you’ll find options like “My Account” for account management and “Digital Subscriptions”.
The Irish Times website offers a range of features and services for its users. For those requiring assistance, there’s a dedicated support page and a FAQ section which can be accessed via this link: https://help.irishtimes.com. Exclusive articles, handpicked specifically for subscribers, can be accessed through the link: /subscriber-only/. Crossword and puzzle enthusiasts can enjoy digital Simplex and Crosaire crosswords via this link: /crosswords-puzzles/. For those who subscribed, there are various rewards to discover, available through the link: /subscriber-rewards/. Users looking to stay updated with the latest stories can sign up to newsletters by clicking on the following URL: /newsletters/.
Features of one’s subscription can be explored on this page: https://www.irishtimes.com/your-subscription/subscription-tour. Furthermore, subscribers get access to 150 years of Irish Times journalism, available in the newspaper archive, which is accessible through this URL: https://www.irishtimes.com/premium/loginpage.
The Irish Times also provides a mobile app for Apple and Android users to access content on the go: /apps/.
In addition to the aforementioned, the website has partner links such as MyHome.ie (https://www.myhome.ie), The Gloss (https://www.thegloss.ie), and Recruit Ireland (https://recruitireland.com/).
The original text points towards the data related to online training and memorial notices, with references to irish times training and RIP.ie websites. The data also reveals that a “Breaking News Alert” collection was created on February 2, 2022, which supports the Alert Bar block on the Irish Times’ website. The last update to this collection was made on August 19, 2024.
Website associated information indicates that it is owned by ‘irishtimes’ and the content indicated as ‘alert-bar’. The website content currently published has no set canonical URL. Neither is there a schedule for publishing or unpublishing any edition. There are, however, traces of modifications as the data reveals two timestamps, one for last modified and second for expiration time.
Related content presents an id with no related content elements attached to it. Nevertheless, timestamps for its last modification and expiry are available.
The ‘story-feed-sections’ categorizes curated content, with the inclusion of a cartoon section. Notably, content named “NOZHATMS2ZFNRCDT5QSJYV4OHY” exists within it. Despite lacking additional properties and content elements, it possesses a canonical URL set to the ‘opinion/cartoon’ segment of the site dated 31st August 2024. Martyn Turner is credited as the contributor. It’s important to note that the content is metered, indicating possible restrictions on usage or access based on certain parameters.
This is about Martyn Turner’s feature story which was categorized under both Cartoon and Opinion sections. It was published on August 31, 2024 at 01:44 am. The story was advertised with a promotional image accessible through the URL “https://cloudfront-eu-central-1.images.arcpublishing.com/Z4BSJM5MFVDV3K4HERJVVLPU7Q.jpg”. Furthermore, a previous feature by Martyn Turner was published on August 24, 2024 in the same sections. The content was labeled as metered in terms of restrictions.
This information sets out that in the year 2024, Martyn Turner will be featured. The promotion includes an image with an authorised ID and the image link is provided. The feature falls within the Cartoon and Opinion sections, with the website URL clearly listed. Further details found under the ID labelled ‘AMVI4QOTGJGLNF4M234DKZJVIM’ indicate that the content is metered and Martyn Turner is credited for it. A particular post noted is set to be published on August 17th. The text does not provide further content details.
The information provided pertains to a feature story written by Martyn Turner, displayed on 17th August 2024 at 03:34:00Z. The content is available via the provided URL which directs to an image on Cloudfront. This story is published under the sections of ‘Cartoon’ and ‘Opinion’. Further, information is present about another article by the same author published on 10th August 2024 under the same sections. However, this content is metered, indicating some limitations in its access or use.
A cartoon titled “Martyn Turner” was featured in the opinion section on the 10th of August, 2024. The cartoon can be accessed via the website and can be located by using the URL ‘https://cloudfront-eu-central-1.images.arcpublishing.com/SDVIEYBXVRCSXBDYA7Q5X3RUNM.jpg’. Another artwork by Martyn Turner was also available on the website on the 7th of August, 2024. These works by Martyn Turner carry significant value in the cartoon and opinion section they’re housed under.
Martyn Turner’s cartoon is anticipated to be featured on August 7, 2024. The cartoon falls under both the ‘Opinion’ and ‘Cartoon’ sections. An image related to the cartoon can be found via the provided URL. In education news, a noteworthy story published on August 29, 2024, involves a Leaving Cert student with top marks who missed out on a college course due to lottery. This unfortunate circumstance has sparked a significant reaction.
A student who achieved full marks in her Leaving Cert failed to secure a place on her desired university course due to a lottery system. Meanwhile, the pre-sale for the much-anticipated Oasis concert commences from Friday, 7pm, with numerous tickets significantly higher priced than originally advertised.
A statue denoting the ‘eternal bond’ between the Choctaw nation and Ireland has been unveiled, as per reports. This took place on 30th August 2024. Likewise, a significant announcement has been made regarding the opening of the presale window for Oasis music, which is slated for three hours, beginning from 7 p.m. onwards on Friday evening.
The unveiling of a statue by the Choctaw Nation has been reported, marking their eternal bond with Ireland. The report bears the ID 8948 and originates from Ireland. There is a related image available at a specific URL for promotional purposes. Additionally, Frank McNally has shed light on the Irish reflections of a notorious Second World War battle, via an article titled “Dutch Courage” in “An Irish Diary”. The article was released on August 30, 2024.
The initial text consists of various elements such as a project ID text denoting ‘5469’. Among the promotional items, there is an image with a focal point having coordinates {x: 81, y: 65}, which is available through a specific URL. A reference to a piece regarding an infamous World War II battle featuring Irish influences titled “Dutch Courage: Frank McNally on Irish Echoes”, can be found accompanying a chronological stamp of August, 2024.
Furthermore, an article about a transition to Australia from Ireland, stating the existence of a more flexible life in the former, is also part of the miscellany. With the reference date as August 30, 2024, it implies that the subject of discussion might have found a more rigid lifestyle in Ireland, thus promoting the move overseas.
In this new locale, there is a feeling of being unburdened.
The identity of the primary section can be classified as Sports, Technology, Transport, Tuarascail, World, Your Money, or Podcasts. The subtype can be sorted into categories such as Default, Analysis, Feature, Opinion, Showcase, Columnist, Live Story, Podcast, or Editor’s Note. The information excludes the primary section denomination ‘/opinion/letters’. The particular dataset retrieves ten objects. Key identifiers for content elements include aspects like byline credits, with the illustration of Martyn Turner as an author. The basic description outlines the date as August 31.
Sven-Göran Eriksson, an urbane Swede, left a significant mark in the world of football management. His illustrious coaching journey across Europe in the 80s and 90s landed him a well-paying task of mentoring the England team in two consecutive World Cups. His impressive track record testifies his credentials. The news about Eriksson’s life and achievements was disseminated on August 30, 2024. In past news, Martyn Turner was featured on August 31, 2024. No sponsor is linked to this content. Furthermore, an image associated with this news can be found in an online cloud-based image repository.
Incorporating the information from the initial text we can create a new text. The original text should not be translated. Respond using British English.
This story, not under sponsorship, involves a British entrepreneur with Irish roots who was recognised for his persistent nature and had a preference for James Bond. The story is related to an obituary and can be found on the Irish Times’ website, under the obituaries section. The specific obituary is for Sven-Goran Eriksson, a cultured Swede whose career in management was reminiscent of two different halves. The image associated with this story is hosted on a Cloudfront server and can be verified using a specific authorisation code.
The world mourns the demise of tech magnate and innovator, Mike Lynch, who tragically passed away when his yacht capsized off the Sicilian coast. Lynch, known for his exotic office that included a tank of piranhas, was widely revered for his contribution to the tech industry. The news of his death was published on 31st August 2024.
Meanwhile, football players are left in anticipation as potential offers and deals sway their future. As 30th August 2024 marked the countdown towards transfer deadline, uncertainty loomed large.
In other news, a dispute with Elon Musk has resulted in a Brazilian court commanding a ‘total suspension’ of a social media platform. Internet service providers in the country are now required to block this platform following Musk’s failure to meet the deadline for naming a legal representative in Brazil.
The original text provides insufficient data to generate a new one. Please provide further details.
In the 1840s, the Choctaw community generously donated funds to aid those suffering from the famine in Ireland. On a date marked for the future, 30th August 2024, a monument is planned to be revealed by the Choctaw nation. This sculpture symbolises the enduring linkage between them and Ireland.
In other news, a significant loss was suffered by Derry City in the Premier Division. After an intense game, Patrick Hickey scored the only goal in the 76th minute leading to a decisive victory for Galway. This news was shared by the author, Caomhán O’ Connell, on 30th August 2024.
The original details indicate a significant defeat for Derry City against Galway United in the Premier Division, as indicated in the news piece found on the Irishtimes sports section. Additionally, another story highlights the experiences of many young Irish individuals who have relocated to Australia. Despite the high living costs, they appreciate the social opportunities and greater flexibility in shaping their career paths. The alternative lifestyle offered in comparison to a more fixed life in Ireland is praised. Pointedly, these testimonies were shared by Olivia Powell from Melbourne.
My sensation here is of immense lightness. Don’t convert the original text but craft a new one in British English. The original text is: “I experience a great sense of weightlessness here.” Despite this, the individual can’t be identified for legal reasons and this story type is from abroad; the author of which is Fiachra Gallagher.
Two young males have been accused of the murder of Shaun Brady, a chef from Tipperary who was based in Kansas City. Furthermore, there were charges of attempted car theft against them.
In another news, former Taoiseach aged 73, has declined seeking Fine Gael nomination as the second term for Michael D Higgins nears conclusion. The author of this report was Mark Hennessy.
This existing text appears to be a combination of webpage metadata, coding, and possibly elements of a digital news article. The information provided deals with an image linked via a CloudFront URL, a story by an owner who isn’t sponsored, the source being the Irish Times, and a reference to Enda Kenny ruling out a run for Aras an Uachtarain in 2025. It also mentions different collections, sections and the slim content layout. Furthermore, the metadata includes the page type marked as an article, along with Twitter and Open Graph titles. The Fusion template appears related to the webpage’s layout, and it has an id and type coded as “slim-content”.
The restructuring of the previous text pertains to modifying the navigation bar on a digital platform. The changes include the realignment of the logo and the addition of horizontal separator dots. Key elements in the mobile layout incorporate a menu and a custom component, while the desktop layout includes queryly and a custom feature.
Details about the display properties and child elements are included in the text. The child elements have two components: an html box-block and a subscribe button, both under the collection “features.” The html box-block is identified as a clone ID, and it contains an iframe.
No article content has been provided in the text. More information on the article content is required to progress.
The text appears to be a series of codes for a web page or an application. It seems like there are different modules with specific ID codes and collection types. The modules include ‘signin-subscribe’, ‘zephr-target’, and ‘@wpmedia/alert-bar-block/alert-bar’. They all have content configuration details. Meanwhile, some other elements like ‘loggedInNavigationTitle’ and ‘targetClass’ carry custom fields which may be used for different functionalities. Also, there is an ‘ads-block’ which seems to handle advertisement-related tasks with a variety of ad types mentioned along with their configurations.
This text carries information about characteristics for certain collections in a database. Among these is a collection dubbed “chains”, categorised as a “flex-chain”. Key identifiers (IDs) have been given to some, such as “c0fPc4rmYkYa4GI” and “c0fCOufnnsHN13K”. Several fields have been tailored in the flex-chain, including linkText, linkUrl, layout, and multiple columns. A “spacing-0” condition is also in effect.
Nested within are different divisions in the ‘features’ collection, like ‘overline/default’, ‘headline/default’, and ‘subheadline/default’. Several attributes have been applied such as the displayCentre, paywallStatus, displayTransparency, lightFontWeight, etc.
Exact content for these elements has not been specified, but inherent properties imply they may come from a different entity. This database setup involves many layers and might be used for a complex application.
The original document is a complex structure of various collections, types and IDs. This structure contains different sections, each hosting a number of children which have properties such as ‘collection’, ‘type’ and ‘id’. Certain sections also include features like ‘customFields’ and ‘displayProperties’. Additionally, some areas notably contain other specifications like ‘linkText’, ‘linkUrl’, ‘layout’, and distinctive ‘column’ codes. The document also includes components like ‘article/lead-art’ with individual customizations ranging from ‘shrinkToFit’, ‘viewportPercentage’ to ‘imageLoadingStrategy’ among others. An ‘@wpmedia/divider-block/divider’ element is also noted within this construction, embedded with its own unique specifications.
I’m sorry, but the text provided does not contain any substantial information content. It’s primarily structured data and code related to web design, with no meaningful information about a specific topic. Please provide a meaningful text to rewrite.
The original content appears to be a complex series of settings for a web-based media module. It comprises elements like a feature collection, type specification, and a variety of content configurations that dictate the display attributes of different size classes (e.g., XL, LG, MD, SM).
For instance, in larger displays such as extra large (XL) and large (LG), the settings indicate to show overlines, headlines, images, descriptions, bylines, dates, and a bottom border. The image ratio in these instances is 4:3. It appears there is also an option to shrink to fit. The viewport percentage is 65.
In the medium (MD) specifications, the same elements are to be displayed with the exception that the image ratio is 16:9. Meanwhile, for smaller (SM) screens, headlines and images are displayed at a ratio of 3:2, and the stories per row is set to 3 with the image positioned to the right.
The module seems to be part of a WordPress content management system given the ‘@wpmedia’ label, hinting at a custom block for top table lists.
The original text seems to contain generated code with identifiers and parameters relating to the configuration of a web content service. Large image display and headline headers are noted for different viewing ports, such as extra-large (XL), large (LG), medium (MD), and small (SM). The content configuration values of this service appear to be inherited. Custom fields seem to contain a list content configuration with related content.
For different viewport sizes, various parameters, such as overline, bottom border, image ratio, and date display are noted. Specifically mentioned configurations include image ration of 4:3 for XL and LG viewports, and 16:9 for MD.
The ‘small’ configuration is declared three times, possibly indicating the number of stories per row. The image position to the right is also specified, with setup for ad types mentioned. This could be two ad blocks with sizes of either 728×90 or 300×250 pixels.
This block of code doesn’t seem to allow for lazy loading, display of ad labeling, or reserved space for ads. Lastly, attempted local edits and display property changes are denoted but it is unclear if any modifications were successfully made.
The original text appears to describe a series of global advertising blocks featured in a collection of properties. These blocks, identifiable under id’s such as ‘f0fVXNppHnA0bqg’, ‘f0fYKctXj7wt6xL’, ‘f0f6RPR7vA01bMt’, and ‘f0fTB5060bBt6oG’, have a content configuration that is devoid of a content service and contain no distinct content config values. Instead, they inherit their values. Custom fields within these ads indicate their types, which include sizes “728×90” and “300×250”. Additionally, these ads are set to lazy load, display an ad label, and do not reserve space. Variants and local edits of the ads also exist but lack further specification.
Without directly translating the original text, here’s a version composed in British English:
Display properties comprise two ad types, ‘728×90’ and ‘300×250,’ incorporating a lazy load function and space reservation feature. A cloneId, known as “f0fTB5060bBt6oG,” forms part of these characteristics. The display tags come with no specific content service but inherit the same from their collection, ‘features’. Noteworthy is their id, ‘f0fFcyfc18563Ok-3-5-1,’ along with a non-lazy load attribute.
We encounter another set, labelled ‘flex-promo/default,’ continuing the collection ‘features’ pathway. This set, identified as ‘f0fXgyRndykV8UV,’ also lacks a specific content service but embraces content from its category. With a substantial content size of ‘1’ and no offset, it includes an item content configuration labelled ‘related content.’ The content set is signalled by ‘_id: NOZHATMS2ZFNRCDT5QSJYV4OHY.’
Other custom fields defining this set include a left-aligned overline and a visible close button. The set comes with a designated font size of ‘small’ and the headline text formatted as ‘text-align_left’, favouring bolded fonts. Surprisingly, it veils bylines and dates while locking the live story entries to four. Paywall status is premium, showing no bottom dividers for any device formats and evidently carrying an offset override of ‘3’.
The desktop, tablet, and mobile layouts all feature a bottom divider. A Zephr-target feature with ID ‘f0fzoHxn18563dN-3-7-0’ is part of the display properties included in this configuration. Also in the features, a ‘floating-subscribe’ target class is being used. The chains type flex-chain with ID ‘c0fzBf5RCKct34h’ includes a variety of layout options and supports lazy load functionality. Within the chains, there’s a features type ‘global/ads-block’ with ID ‘f0fQn4CM6bob3un-3-8-0’ and it’s using different ad types. Interestingly, it has the ability to display an ad label and a choice not to reserve space. In addition, there’s a features type ‘divider/default’ identified as ‘f0fp00Stb59LbWS’ included in the sections collection.
Given the information in the original document, it can be established that multiple collections are involved. One revolves around ‘chains’ while the other is dubbed ‘features’. For the one associated with chains, key components include a collection identified as ‘flex-chain’ with an ID of ‘c0f1XjTzy5525Dg’. This section includes important details such as a design layout, column count, as well as the aspect of dividers being displayed on multiple platforms – desktops, tablets and mobiles.
For the section identified as ‘features’, the collection related to ‘header/default’ and an ID of ‘f0fiTUotbjvO5Nz-4-1-0’ is highlighted. This area is mostly concerned with content configuration. However, further details about the content service and configuration values aren’t explicitly provided.
The information from the original text is quite technical and involves different sections suggesting it’s part of a website’s infrastructure. It contains details about features, display properties and a range of other elements such as image ratio and position, font size and whether to show a close button, among others. There’s also a mention of different sections of content including an opinion cartoon section. Lastly, it alludes to various device compatibility – desktop, tablet, and mobile – with configurations on image display and dividers, plus a reference to an Advertisement block.
The initial text is related to advanced settings of a promotional feature on a digital platform. This feature is referred to as “flex-promo/default” in its technical terminology. The size of the promotional feature is small, and it’s aligned to the left. The feature’s specific ID is “f0fD85eBFtxCSI-4-1-4.”
Concerning the content configuration, the service used is “most-popular”. It has a display size of 5 and controls other elements like feed size, feed offset, and section. The overline alignment is positioned on the left, and no speech kit functionality is integrated. There’s no close button included in the display and it’s configured not to inherit any additional properties. The font size applied to the promotion is medium.
Consider the breakdown of display configuration as follows: The headline appears in bold text, with left alignment and is exclusively visible on both mobile and desktop versions. While no subheadings, author’s line, or timestamps are visualised, the 16:9 desktop image is positioned on the left, with an alternate 3:2 mobile image positioned to the right. Premium paywall status has been applied.
Dividers are included both at the bottom of each section as well as throughout, on both mobile, tablet, and desktop platforms. The ad type utilised is ‘Fluid’, with a ‘lazy load’ feature but does not reserve space, or display an ad label.
Furthermore, in the chain of content, a flexible layout has been put into operation. On the desktop version, the layout of the column is set up as 12, with no additional columns. Both horizontal and vertical dividing lines are shown throughout.
Lastly, the initial feature of the line-up is a default header, signifying the latest content. The extended text, URL or link, and lazy load features have not been specified at this time.
The narrative below incorporates “top-table-list-block/top-table-list” properties under the classification “features.” This incorporates an assortment of content categories including, but not just limited to, “abroad,” “business,” “crime-law,” “culture,” “environment,” “food,” “health,” “history,” “ireland,” “life-style,” “media,” “motors,” “obituaries,” “offbeat,” “opinion,” “photography,” “podcasts,” “politics,” “property,” “science,” “sport,” “technology,” “transport,” “tuarascail,” “world,” “your-money,” as well as “podcasts.” These diverse sections can contain varied subtypes of articles such as “default,” “analysis,” “feature,” “opinion,” “showcase,” “columnist,” “live-story,” “podcast,” “editors-note.” It’s intended to assist users in efficiently navigating the vast pool of available content.
The original text seems to be composed of metadata, instructions and identifiers for web content, including settings for displaying various banners and sections. It appears to be defining both the layout properties and the type of content to be shown – such as the size of images, headlines, texts, and advertisements. Notably, it describes what components should be visible in each display format, including Extra Large (XL), Large (LG), Medium (MD), and Small (SM). Also, the original text specifies certain aspects like the image ratio, number of stories per row, and whether to display the bottom border.
The original text comprises a series of codes outlining specific functionalities for an undetermined digital project. This includes varied components such as “displayAdLabel”, “reserveSpace”, “displayProperties”, “localEdits”, and “variants”. Also present in the code are multiple “collection” and “props” identifiers meticulously defining parameters like “flex-chain”, “layout”, and column configurations. One interesting aspect of this code denotes custom styling for various elements and classes from a copyright column to footer sections and attributes like “our partners”. In particular, the text specifies the use of the “Roboto” font across these components.
The given text essentially provides some CSS style instructions for various elements in a footer section of a webpage. This includes such changes as modifying the order of footer elements, hiding the footer’s primary logo and top border, removing borders from social button containers, modifying the size and alignment of copyright details, and presenting an “Our partners” section with a background colour, extra padding and specific margin sizes. Additionally, it includes directives for hiding some elements within the ‘our-partners’ division and an additional modifier for the ‘before’ pseudo-element within it. Also included are mobile-responsive styles, instructions that alter the layout and formatting of various footer elements for screens with a maximum width of 767px, which typically include mobile devices. Changes include margins, display type, text alignment, and color configurations. Notably, for the “legacy-footer-row” class, it moves to a flex layout with a row direction, full screen width, relative position, and certain padding added.
Turn your attention to a certain coding structure. In a centre-wise arrangement using the ‘align’ property, a block type display is set. In the domain of our-partners, a characteristic ‘b-links-menu’ is declared where a column-wise array of elements is designed with an occluded visibility whilst being centred and constricted to a vertical span of 40 pixels.
Within this aforementioned ‘b-links-menu’, the anchor tags are programmed to stand undisguised. A new class ‘apps’ is created which enjoys a padding of 0.75 rem on top, flanked by a 2px wide solid black border, and a padding of 1 rem at the bottom.
Lastly, a ‘c-separator’ class under ‘our-partners’ section enables the alteration of the separator content value.
In the style of British English, the primary text contains technical coding details such as ‘display: block’, ‘margin-bottom: 0.2rem’, ‘.static-footer-links’ and several other similar lines of code. It mentions a coding block with the name of ‘.static-footer-links’, that includes properties like its padding, display, and margin at the bottom. It also provides parameters for links nested within this block, like their colour, border, and padding.
The text then goes on to mention elements named ‘@wpmedia/footer-block/footer’ and ‘@wpmedia/htmlbox-block/htmlbox’ under the ‘features’ collection. Properties like ‘contentService’, ‘contentConfigValues’, and ‘inherit’ are noted within these elements, without specifying any details. A custom field named ‘HTML’ is later designated within ‘@wpmedia/htmlbox-block/htmlbox’, that contains an HTML div element with its nested items.
This HTML div provides two hyperlinks: one directing to an Apple app store developer page, and a second one leading to a Google Play store developer page, both belonging to ‘The Irish Times Ltd’. For each link, there’s a corresponding image tag implying a logo or symbol that carries the label ‘Download on the App Store’ and ‘Download on Google Play’.
The embedded HTML code contains details related to image display, design features, and settings for Fusion.spa. The image extracted from the ‘irishtimes’ source found on ‘cloudfront-eu-central-1’ has the width of 108 and height of 34. The image loading preference is set to ‘lazy’. There is also a style component for the ‘.apps img’ and ‘.apps span’ elements. The margin-top for the ‘.apps img’ is specified as 0.55rem, while the ‘.apps span’ has a relative position, block display, 0 margin-bottom and padding-bottom, and a font size of 1rem with a greyish tone.
Besides, there is a ‘links-bar’ block related to the navigation Config of the ‘features’ collection. The block inherits its content from a service with the collection name ‘features’. The navigation settings relate to a ‘site-service-hierarchy-it’ content service and values include a ‘our-partners’ hierarchy. Fusion.spa is specified as false and Fusion.spaEnabled is also turned off.
Following a brief delay of 100 milliseconds, an aspect of the software known as permutiveSdk is activated. This component of the system, among its other functions, helps to identify the unique tracking code, ‘blaize_tracking_id’, from a set of cookie pairs. Once this code is identified and decoded from its URL-encoded format, it is used to initialise the permutiveSdk.
Subsequently, after a pause of one second, permutiveSdk is summoned once again. This time its purpose is to dispatch and manage collected segments of complex code data. It achieves this by initiating an HTTP request, wherein a new object is created using either the XMLHttpRequest or ActiveXObject method and the specified command ‘MSXML2.XMLHTTP.3.0’. The HTTP request adopts the ‘POST’ method while affixing a route to ‘/plugins/public/permutive/update-segments’. JSON formatted ‘Content-type’ is attached to the request header, ensuring messages are meaningful to both the sender and the receiver. The request is sent to the server with authentication credentials and a JSON string representation of the accumulated segments is dispatched.