In the heart of Dublin 3 at the Annesley House pub, the forthright yet humorous show, “A Good Room,” unfolds. Its lead performers, Cian Jordan and Allie O’Rourke, open up about their ventures into the realm of stand-up comedy. During their rocky journey of personal rebuilding amidst housing crisis and intolerable flatmates, they found sanctuary and passion in comedy clubs. Jordan quips, “Just like any toxic relationship, comedy gripped us at our most vulnerable.”
The comedy world seems to teem with toxicity, with accusations of misconduct piling up against renowned comedians and event organisers in recent times. The unique approach of Jordan and O’Rourke to morph a picturesque terrace house in North Strand into their performance space raises an intriguing question – where can one find a safe and appropriate place to host a show these days?
Jordan is the brainy cynic of the duo, while O’Rourke balances a smart mouth with a golden heart. But what defines this double act? Mostly they narrate their experiences and traumas, crossing paths with fellow comics who enjoy Joe Rogan and don’t shy away from offensive humour. Their partnership often feels like they are the catalysts for each other’s storytelling.
Towards the end, a sudden spark of tension puts O’Rourke, a victim of transphobia, against Jordan, a seemingly inconsistent ally who is quick to disregard his comrade’s emotions for a better gig. O’Rourke’s decision to opt for raw anger may resonate with some, as if comedy’s typical rules aren’t sufficient. Others may admire her relentless hunt for humour. In one instance, O’Rourke brilliantly labels a careless, semi-nude spectator, who was on the verge of distressing her audience, as a “brain-addled Winnie-the-Pooh,” thus, creatively spinning her pain into laughter.
This show continues its run as part of the Dublin Theatre Festival until Sunday, September 22nd.