Netflix’s latest offering, Nobody Wants This, is a watchable romcom whose narrative unfolds through podcasts, reiterating the popular yet contentious idea that sharing personal discourses and anecdotes on a public platform could be considered a noble task. Akin to the easy-going vibe of When Harry Met Sally, this ten-episode series primarily entices the self-absorbed millennial viewership.
The lead pair is played by celebrated actors Kristen Bell (Frozen, The Good Place) and Adam Brody (The OC). Bell’s character, Joanne, along with her sister (Succession’s Justine Lupe, underutilized in a minor role), hosts a podcast about relationship troubles. Brody’s character, Noah, is a cool rabbi, reminiscent of Andrew Scott’s “hot priest” from Fleabag, only with an LA touch added. The entire series explores their on-off relationship, including humorous and clever dialogues.
While the script is laden with witty exchanges, the romantic chemistry between the lead actors seems lacking. The dialogues do not develop the narrative beyond their superficial interaction, thereby making their connection unbelievable. Viewers are also asked to believe in Noah’s heroism for breaking up with his previous girlfriend, despite her perceived desperation in wanting to progress with their relationship.
Though it celebrates podcasting as an influential contribution towards societal wellbeing, the reality is that Nobody Wants This, despite moments of humour and charm, does not delve deep enough into its characters or themes.
Review of Ludwig: In the comical suspense drama, David Mitchell aptly portrays a geeky detective, resulting in plenty of amusement.
Bell, who previously triumphed with her last popular streaming production, The Good Place, a whacky adventure set in the afterlife, was successful largely due to her subtle entertaining charm and knack for chaotic comedy. In Nobody Wants This, she is just as delightful, however she faces a challenging role alongside Brody, a character devoid of charisma. His trendy beard and laid-back attitude towards religion, makes his role as a rabbi, somewhat unconvincing. But what’s even more implausible are the characters of Noah and Joanne’s portrayal of a destined couple, a considerable shortcoming in a romantic comedy full of high-spirited jokes, yet void of an emotional core.