window.Fusion is a predefined system object that might have its previous properties, but in this instance, Fusion.arcSite and Fusion.contextPath are being set to blank and “/pf” respectively. Fusion.deployment has been given the value of “144”. The global content property of Fusion carries a unique ID “XQVPY7VXUJCADFUWWGYB4WUXSE”. It comes with some extra properties like clipboard and published copy status. Its address value is unspecified. The content allows no comments and needs no moderation. The content’s code falls into ‘metered’ category.
The piece was created on 23rd August 2024 at 10:47:12 and credit for it goes to Martyn Turner. Details for Turner include an ID, his role as author, an image URL, the version of the image, and so on. Turner’s online presence covers an email and Twitter account, with the Facebook link being missing. These details are moving from ‘socialLinks’ to ‘social_links’. Extra details about Turner’s original data include his first and last name, the byline, and his bio, which is left blank.
Hailing from Wanstead, a locality on the east fringe of London, he was born in the year 1948. His education journey began at Bancroft’s School in Woodford, an institution in close proximity, and later took him to Queen’s University Belfast. Around 1970, he initiated his professional drawing career with the Sunday News in Belfast. Following his university tenure, he became a part of the Belfast independent political and cultural review known as Fortnight and subsequently climbed the ladder to the editor’s position. In 1976, he relocated to Co Kildare. Here, he continues his work as a political cartoonist, creating four cartoons weekly and is given the liberty to write on occasion. His creative journey includes the publication of 17 books, combining both cartoons and articles.
Propagate and shift to the finished status, under the scheduling directive, the intended date of release is slated to be 02:00:00 Zulu Time on the 24th of August, 2024. The narrative length specifications report zero counts for characters, lines and words used. The encoding employed for such characters is Unicode Transformation Format-16 (UTF-16).
Promotional materials incorporate a basic element, bearing the distinctive identification of “2TQE5VXMVJDZJPJGM3TIOL7JO4”. In addition to the core properties, you can find the link to view the full size image, which is manually ingested and confirmed to be free from any restrictions.
This JPEG image’s initial label is “turner.24aug.jpg”, and the cloud storage link leads to its original version. Ownership of this image is claimed by ‘[email protected]’. There are no galleries associated with it at present.
Further augmentation to the standard properties incorporates links to manipulate the image size and to access the image thumbnail, scaled to a height of 300 pixels. As of the current instance, the image version and template ID are reported as ‘0’ and ‘327’, respectively. The alternate text for the included image displays “Martyn Turner”.
Born in Wanstead, a district on the east side of London, England, in 1948, Martyn Turner spent his school years at the nearby Bancroft’s School before heading to Queen’s University Belfast for higher education. His professional journey into drawing took off around 1970, when he began working for the Sunday News located in the same city. Post-university, he secured a position at the independent political and cultural journal, Fortnight, in Belfast, eventually ascending to the role of editor. In 1976, his path led him to relocate to Co Kildare. Known for his creative work of cartoons, he can be reached at ‘[email protected]’ or through his Twitter handle ‘turnercartoons’. His works can also be found on the Irish Times website under his author page. His professional picture is available at the URL provided in the original document. In his description, there’s a reminder to use ‘social_links’ for communication purposes.
Martyn Turner is a professional cartoonist with 17 published books containing his cartoons and articles. His talent is showcased globally through his Twitter account, “turnercartoons”, however, he does not maintain a Facebook account. His most recent update was on 20th May 2022. He can be contacted via email at [email protected]. Further insights into his cartoons can be found on his author page. The cartoonist doesn’t only limit himself to books, but he’s also a staff member with the name Turner at the photo centre. Please note that any distribution of his work is not licenced. His detailed work of art can be found here: “https://s3.amazonaws.com/arc-authors/c66733a2-df55-4384-8772-13ef1967289a.png”. His most recent work was updated on 23rd August 2024.
A feature image associated with a task undertaken by Turner can be accessed at the given URL. The image is syndicated, with the dimensions of 3444 width, and was published on 24th August, 2024 at 01:54. The image is provided by the staff of ‘irishtimes’, sourced from their internal system known as ‘composer’. It carries the unique identification ‘Opd24Turner’ and is part of the ‘Cartoon’ section under ‘Opinion’ on their website. The webpage categorised under ‘Cartoon’ features the creations of Martyn Turner and other content, proudly presented by the brand as an embodiment of high-quality journalism. The content presented on the page is exempt from the paywall, thus available for free.
On the website of the Irish Times, a section is dedicated to cartoons, which can be found under a category named “Cartoon”. This falls under the broader ‘Opinion’ section of the site. The sub-category is accessible via a number of pathways, including the hamburger menu and in the composer-relevant sections. Displayed in order of arrangement, it’s found in position 2004 for easy navigation. The content of this cartoon section isn’t paywalled but freely accessible. It features work from the renowned cartoonist, Martyn Turner, along with other similar content. This section embodies the newspaper’s commitment to delivering high-quality journalism to its readers.
The Irish Times provides a range of content, amongst them, an engaging cartoon section. This section, which forms part of the opinion pages, contains numerous pieces by cartoonist Martyn Turner. Blessed with a sharp wit and keen insight, Turner’s cartoons continue to contribute to the outstanding journalism the Irish Times is known for. Notably, this content is free to access, enabling widespread readership. For anyone looking for quality journalism mixed with a touch of humour, the cartoon section of the Irish Times comes highly recommended.
Have a look at The Irish Times for cartoons, situated in the opinion section. The section is available through the hamburger menu and within the composer-relevant-sections and section-page-subnavs. The cartoon section isn’t inactive and it ranks 2004 in terms of ordering on all the mentioned interfaces. Alongside this, there’s also an opinion section in The Irish Times. This section on the website follows the version 0.6.0 and can be found directly after the site’s home page. This section, which is also available through the hamburger menu, hosts free content. The latest discussions and viewpoints can be found here.
Ireland’s distinguished brand for trustworthy opinion pieces and news reports is embodied by The Irish Times. Its various sites, like the ‘Opinion’ and ‘Cartoon’ sections, are easily accessible through a range of different platforms, including the App-Hamburger, sitemap-section, and the navbar, ranked in a specific order of importance (1002 for default, 1006 for App-Hamburger and hamburger-menu, 1001 for navbar etc.) Moreover, these sections are all actively maintained as they do not show up as ‘inactive’. The ‘Cartoon’ site, version 0.5.8, offers engaging content like Martyn Turner cartoons, exemplifying the brand’s commitment to quality journalism. This content is presented free of charge as indicated by its ‘Paywall’ status.
Hailing from the ‘Opinion’ category, there is a subsection that is tagged ‘Cartoon’. This illustrative realm is accessible from multiple sections in the platform; be it the default ‘/opinion’ path, the ‘hamburger-menu’, the ‘App-Hamburger’, ‘composer-relevant-sections’, and ‘section-page-subnavs’. This area is far from dormant as it keeps bustling with creativity and new materials. It has a neat arrangement and order that enables a seamless exploration of its content.
On the other hand, the broader ‘Opinion’ category offers a sturdy platform for discourse and viewpoints. Residing under the main domain (root), with a designated path ‘/opinion’, the site is a free-access junction distinguished by distinctive features. The title ‘Opinion’ heads the navigation menu, reflecting an organized structure. The annotations and key points making up this section are intended to engage the audience with the most recent discussions and expressions of opinion.
The Irish Times, known as the ultimate source for quality news and opinions in Ireland, offers a cartoon section. Alongside their distinctive and reputable journalism, the site also provides its audience with Martyn Turner cartoons. These cartoons are presented under free access, without erecting a paywall. The cartoon section can be easily located on the website under the ‘opinion’ tab. The page not only caters to a comic relief but is also a contributing factor to the comprehensive journalistic approach the Irish Times is known for.
The website URL pertaining to ‘martyn-turner’ under the ‘opinion/cartoon’ section was coded in a globalContentConfig command with the source pointing to ‘content-api-it’, the query referring to a URI with the same path as the former. There was an execution of signing service incorporated into the Fusion.contentCache. The data thus collected included a hash of type ‘sha256’, which expired at a specified timestamp. The website URL involved was affiliated with ‘irishtimes'” and was designated a status code of ‘6’. Furthermore, operations scheduled included the publishing edition and its removal. Lastly, the content was associated with the channel ‘RETRY’. The Fusion command was last modified at a specific time.
Utilising the data within the original text, the outcome can be rewritten as:
The graphical assets identified by “https://static.themebuilder.aws.arc.pub/1647534191476.png” and “https://s3.amazonaws.com/arc-authors/c66733a2-df55-4384-8772-13ef1967289a.png” have stored hashes and are connected to a SHA256 type. These expire at different times and were last modified at various instances.
Furthermore, the site-service-hierarchy reflects a header-nav-chain structure, tagged as “hamburger-menu”. This data comprises child elements identified by unique codes, and they are associated with spots on the site, namely “Home”, “Latest” and “Subscriber”. They only demonstrate a “link” node type.
The content of the webpage includes sections dedicated to different areas. These areas encompass Ireland, focusing not only on Dublin but also on issues such as education, housing and planning and social affairs with an area specifically allocated to ‘Stardust’. Politics is given attention, with areas for polls, Oireachtas, Common Ground, and Elections and Referendums. There is also an opinions section where users can find editorials, an Irish diary, letters and cartoon content. Lastly, a business section is provided including a link to ‘Budget 2025’, economy details and farming and food topics.
The original text appears to include sections and subsections of a website or an application. The sections highlighted include “Food”, “Financial Services”, “Innovation”, “Markets”, “Work”, and “Commercial Property” under the broader “Business” category. For “World” category, it showcases specific geographic content related to the “UK Election”, “Europe”, “UK”, “US”, “Canada”, “Australia”, “Africa”, “Americas”, “Asia-Pacific”,”Middle East”. Another standalone section is “Sport” that incorporates a subcategory of “Gaelic games”.
The segments defined here fall under several categories. The “Sport” section includes a variety of games such as Rugby, Soccer, Golf, Racing, Athletics, Boxing, Cycling, Hockey, and Tennis. The section titled “Your Money” consists of two sub-sections namely, “Pricewatch” and “Budget 2025”.
“Crime & Law” is another important category and it features a subsection specific to “Courts”. The “Property” section outlines information regarding “Residential” areas, “Commercial Property”, and “Interiors”.
“Food” offers another subsection that focuses on various aspects such as “Drink”, “Recipes”, and “Restaurants”. The last defined category in the text is “Health” with two segments named “Your Family” and “Your Fitness”.
The information outlined categorises various sections under their relevant motifs. Under the “Health” heading, there are sections such as “Fitness”, “Your Wellness” and “Get Running”. The “Life & Style” banner encapsulates areas like “Fashion”, “Beauty”, “Fine Art & Antiques”, “Gardening”, “People”, and “Travel”. “Culture” covers “Art”, “Books”, “Film”, “Music”, “Stage”, and “TV & Radio”. The theme of “Environment” focuses on the “Climate Crisis”. Lastly, “Technology” house sections such as “Big Tech”, “Consumer Tech”, and “Data & Security”.
The “Technology” section is subdivided into areas such as “Security” and “Gaming.” The “Science” section has a further subcategory highlighting “Space.” Other sections include “Media,” “Abroad,” and “Obituaries.” The “Transport” section is more standalone, while “Motors” offers a deeper dive into “Car Reviews.” Lastly, there’s an array of podcasts found in its own section, with themes such as “In the News,” “Inside Politics,” “The Women’s Podcast,” “Inside Business,” “Ross O’Carroll-Kelly,” “The Counter Ruck,” and “Web.”
The system is structured into multiple sections: Podcasts, Video, Photography, History and its subsection Century, Tuarascáil, Student Hub, Offbeat, and Sponsored. Sponsored has further subdivisions called Advertising Feature and Special Reports. Additionally, ‘Crosswords & Puzzles’—another section—is divided into three parts: Crosaire, Simplex, and Sudoku, each with individual links.
The original text appears to reference a variety of links and page sections, presumably a website or an application. These include “Rewards”, “Competitions”, and “Weather Forecast”. Other sections such as “Subscription Bundles”, “Subscriber Rewards”, “Home Delivery”, “Gift Subscriptions”, and a “Help Centre” are mentioned under the “Subscribe” section. “Contact Us” is listed under the “Support” section. The hierarchy of these links and sections seems to denote a footer feature on the website.
The “Support” section of the Irish Times website offers links to their Help Centre (https://help.irishtimes.com/s/) and the ‘My Account’ section. If you would like to know more about the Irish Times, visit the ‘About Us’ section where you can find information on advertising, how to contact them, The Irish Times Trust and career opportunities within the company. They also offer various products and services which include an ePaper version of the newspaper, crosswords and puzzles, an archive of newspapers, newsletters and articles.
Original Text: /”###
This text discusses various links and services provided by the Irish Times. These include the article index, discount codes, Products & Services section, along with account management and digital subscriptions for logged-in users. The links are given for each service offering a detailed insight. The text data was last modified with a specific expiry date.
###”/
The Irish Times provides various services and features to its subscribers. They offer support and answers to frequently asked questions, reachable at: https://help.irishtimes.com. Exclusive articles tailored specifically for subscribers can be found at: /subscriber-only/. Also offering digital Simplex and Crosaire crosswords at: /crosswords-puzzles/ and a selection of rewards exclusively available to subscribers at: /subscriber-rewards/.
The service also allows users to receive the most compelling stories directly to their inbox by signing up to their newsletters at: /newsletters/. Subscribers can explore the various attributes of their subscription on the subscriber tour page: https://www.irishtimes.com/your-subscription/subscription-tour. They also provide access to 150 years of Irish Times journalism through their newspaper archive: https://www.irishtimes.com/premium/loginpage.
On top of these, Irish Times offer mobile apps for both Apple and Android devices for reading on the go: /apps/. They also have partner links with MyHome.ie, The Gloss, Recruit Ireland and more.
The text refers to training available at irishtimestraining.com and an online obituary platform rip.ie. These links are part of a digital collection, identified as DL4WZLD3QVA55FOFBOQ3ZET6TY, established on 2 February 2022, operating under version 0.10.6. The collection, powering an Alert Bar block, has the basic headline “Breaking News Alert.” There are no content elements for this particular collection. The collection was last updated on 19 August 2024.
The website owned by ‘irishtimes’ has content_aliases denoted as ‘alert-bar.’ The revision branch is the ‘default’ one, and the information is currently published. Though there is no specific canonical URL, it is scheduled for publishing. The content will expire at 1724464557191 and the latest modification took place at 1724464437151.
The related content area displays an id ‘XQVPY7VXUJCADFUWWGYB4WUXSE,’ with no specific content elements revealed. This part of the site is scheduled to expire at 1724464776171, while the latest modifications were performed at 1724464476137.
The ‘story-feed-sections’ comprise a section called ‘/opinion/cartoon’ and it contains content elements. One such item has the id ‘AMVI4QOTGJGLNF4M234DKZJVIM’, with the canonical_url pointing specifically to “/opinion/cartoon/2024/08/17/martyn-turner/”. There are no additional properties and the byline credits are attributed to ‘Martyn Turner’. It does contain content restrictions, specifically a ‘metered’ content code. The basic description of the content is marked as ‘August 17th’.
In accordance with the data given, as of 3:34am on August 17th, 2024, a featured story with the headline “Martyn Turner” was published. This story can be categorised under both the “Cartoon” and “Opinion” sections. You can find the promotional image for this story at the provided URL. Moreover, there is trace of a similar structure on August 10th, credit for both pieces given to Martyn Turner. Please note, content restrictions have been taken into consideration and are tagged under the code “metered”. The stories are accessible through the website.
A featured story authored by Martyn Turner is anticipated to be published on the 10th of August, 2024. This piece will be placed under the Cartoon and Opinion sections. The promotional item for this story is an image which can be accessed through the provided URL. Martyn Turner is also due to author another piece on the 7th of August. It is vital to note that access to this content may be metered.
The article titled “Martyn Turner,” which falls under the categories of ‘Cartoon’ and ‘Opinion’, is featured on the site. The digital image linked with the article comes with an ID number: 7M7QYVMDVJASROCVXWT4P33TXY and can be viewed at this URL: https://cloudfront-eu-central-1.images.arcpublishing.com/7M7QYVMDVJASROCVXWT4P33TXY.jpg. The content was uploaded on 7th August 2024 at 04:00. Martyn Turner, the author, has another article on the website published on 2nd August.
The headline “Martyn Turner” is indicated for a feature story planned for release on the 2nd of August, 2024. It falls under the sections ‘Cartoon’ and ‘Opinion’. The promo item for this release, found at the URL enclosed, possesses an id of ‘L7EJEYKYPFGI5BWT5FIJYUN22A’. Following this, there is another story featuring Martyn Turner scheduled for July 31st. These upcoming stories may be subject to metering restrictions.
In a major sea rescue operation at Co Cork, a man in his 50s tragically lost his life and four others were saved. The incidence occured on 23rd August, 2024, as documented in a feature story by Martyn Turner. The story, which lies within the ‘Cartoon’ and ‘Opinion’ sections, included an image sourced from cloudfront-eu-central-1. The URL of the feature is: ‘/opinion/cartoon/2024/07/31/martyn-turner/’. It is to note that the featured headline went through constant modifications, with the last alteration dating back to 1724464357895, before expiring at 1724464657996, and was counted among the top 5 most read content.
This information seems to be a part of two separate reports. The first report indicates a tragic event where a man in his 50s has died and four others were rescued from the sea off Co Cork beach. This incident triggered a major operation by the coastguard. A photo related to the event is available at the provided web address.
The second bit of information is attached to a different story, potentially a personal account or an editorial on the experience of living in Dubai. The headline suggests the author is reflecting on the impact Dubai has had on them and vice versa. The full story can be accessed via the provided canonical URL. The text does not provide details about the report or who has written it. The published time for this personal account is mentioned as 5:00 on August 23, 2024.
Drawing from his personal experiences, Enoch Burke voiced out that jail is an ‘awful location’, as he reappears at a school in Westmeath. This information was unveiled in a post dated 23rd August 2024 found on the URL: /crime-law/2024/08/23/enoch-burke-says-prison-is-a-horrible-place-as-he-returns-to-westmeath-school. The headline of the article bore the title: “Enoch Burke says prison is a ‘horrible place’ as he again turns up to Westmeath school”. The image related to this article has the ID: REB53HVLGND5TA5VHDFWHFRWN4 and can be accessed at the URL: https://cloudfront-eu-central-1.images.arcpublishing.com/REB53HVLGND5TA5VHDFWHFRWN4.jpg.
The following details are referring to several online articles with different topics. One of them showcases the return of Enoch Burke to his former schooling facility in Westmeath and his remark on the horrendous prison environment. An attached image can be found through the provided cloudfront URL. Another article features a discussion on teenage delinquency hosted by Joe Duffy, commenting on the issue of intimidation. These articles can be accessed through the stated website URLs and the display date is stated as 23rd of August, 2024.
Joe Duffy experienced teenage misdemeanor stories, causing sparks to fly as he realises the intensity of the situation.
In an unrelated event, the family owners of a hotel in Galway mourned the loss of their property due to a fire, alongside invaluable family heirlooms and the remains of their family matriarch. The once grand hotel is now reduced to mere ashes.
The remains of a Galway hotel, owned by a local family, have turned to ashes following a severe fire. Tragically, the family lost not only heirlooms but also their mother’s remains in the incident. This news was reported in the Social Affairs section on the Irishtimes website. The story was featured prominently in a list of top content across multiple categories, including environment, culture, history, food, health and opinion among others. The associated photograph for the story was hosted on the cloudfront-eu-central-1 platform.
The primary sections of taxonomy include politics, property, science, sport, technology, transport, Tuarascail, world, your-money and podcasts. Under these primary sections, various subtypes exist, namely default, analysis, feature, opinion, showcase, columnist, live-story, podcast and editor’s note. However, the ‘opinion/letters’ section is not included.
A brief description of the content elements includes an article about a man named Paul McGlade. After leaving his position at Champion sports, he initiated another enterprise – Thérapie clinics; currently, it’s the biggest aesthetic chain in Europe. Another content element mentions a prominent French chef who firmly believed in maintaining a healthy weight while enjoying nutritious food.
Michel Guérard, the innovator of ‘slimming cuisine’, is remembered through his obituary. Concurring with Michelin, he is recognised for transforming people’s understanding and perception of food. His passing occurred on August 23, 2024 and his contribution to the culinary world will not be forgotten.
In other news, esteemed author Geraldine Mills is celebrating the release of her latest work. Anticipated by many, the poem was finally revealed on August 23, 2024. The poignant piece promises to add further depth to Mills’ rich repertoire.
The original narrative provides information about a story related to “Gauze,” a cultural piece or book, as suggested by the link: “/culture/books/2024/08/17/poem-of-the-week-gauze/”. The image associated with it is not sponsored and belongs to a non-authenticated user. The story presumably relates to the realm of literature or poetry and can be found in the books section of a website.
Another piece of news mentioned is a grim occurrence that happened on a Friday night in the western city of Solingen, resulting in the tragic loss of three lives.
Four individuals have been gravely injured due to a knife assault at a German festival. At present, the shooter’s motives are not clear, and authorities are investigating the case. The attack was reportedly quite violent, with several victims sustaining life-threatening wounds.
A pedestrian was unfortunately struck by a motorcycle, but the rider did not stop at the scene. As a separate incident, a man has been apprehended in Cork after law enforcement discovered a firearm in his possession. These incidents are currently under investigation in hopes of securing justice for those affected. Simultaneously, Manchester City, facing 115 charges, have stated they will respect the final decision made by an independent committee. These allegations are currently being disputed with the club denying any misconduct.
In the original story found on the “Soccer” section of the website, it was reported that Manchester City’s Pep Guardiola has asserted that they will abide by the verdict on the alleged rule violations. The story also mentioned a significant event at Tolka Park, where Danny Grant scored an early goal for the visitors. This story was written by author Paul Buttner, with related images found under a specific URL. The website also made it clear that this content is not sponsored.
Ali Coote scored a crucial equalising goal, resulting in a match draw that brought about Shelbourne’s descent from the premier position. The event transpired on 23rd August 2024 and it greatly influenced the soccer landscape. An image associated with this event can be found using the given URL. The narration of the story is credited to author Keith Duggan. That same day, in a separate report, Keith mentioned about a former Prime Minister’s visit to the Democratic National Convention in Chicago, as a guest of Nancy Pelosi. The politician in question, Leo Varadkar, expressed his admiration for Kamala Harris whilst in America.
The original text contains information on two unconnected events. Firstly, regarding a comment made by Varadkar in America mentioning Kamala Harris’ strength. This information was published on a politics section of a website. Secondly, there’s data on a race where Eddie Dunbar impressively attained 14th place, which was his highest finish in that race thus far. This happened on the same day Wout van Aert triumphed in the seventh stage of Vuelta.
Ben O’Connor continues to maintain his lead in red, despite Wout Van Aert emerging as the victor in the seventh stage of the Vuelta. This sports news can be found on the cycling section of the website.
In political news, Robert F Kennedy Jr., a former Independent candidate, has ceased his campaign. Despite having some discrepancies, he believes he is in agreement with the ex-president on some critical issues. As such, he has given his endorsement to Donald Trump for the role of U.S President. This story can be accessed in the U.S section of our website.
British English:
The Fusion layout type is “slim-content” and the output is set to default with metas for page type and social media titles. The child props incorporated are from various collections and sections. The layout properties include a slim-content collection and an assortment of sections. The setup features an internal hierarchy represented by the hamburger menu, with the logo centrally aligned. A header-nav-chain-block is included in the collection of chains, and the custom fields show horizontal separator dots. Mobile components exhibit a combination of menu items, custom features, and input sourced from Queryly.
Please provide the content of the article so we can generate a new text. The given material seems to be missing this core information. Currently, it is comprised of a JSON string and HTML embedding, including references to right components, menu components, htmlbox properties, iframe features, subscribe buttons, and display properties but the main article text is not present.
The text seems to be displaying a sequence of online information pertaining to a website’s features and interface. Mentioned are factors such as login subscriptions, targeted notifications known as ‘toast-messages’, alert bars and ad blocks. Each feature seems to possess its own individual ID which might be used to track or manage them. A few properties that are mentioned include content service, custom fields, display properties, and local edits. For the ‘ads-block’, it appears there are multiple formats of ads being used, which range from larger banner types to smaller mobile-friendly sizes. The text also implies options for ad space reservation and lazy loading.
This appears to be a set of properties and configurations for a coding system which may be related to web layout or design. Included in its features are elements such as ‘flex-chain’, ‘overline/default’, and ‘headline/default’, possessing individual identifiers like ‘c0fPc4rmYkYa4GI’ and ‘f0focxS07pA6bRr’ among others. Custom Fields like ‘linkText’, ‘linkUrl’, ‘layout’, and ‘spacing’ are also specified, as well as display properties. These collection attributes suggest a hierarchical structure, with a possible premium content feature, signalled by the ‘paywallStatus’. However, it should be noted that the content service is blank, which could imply no specific service allocation as yet. Lastly, each of these feature collection has a parent: ‘chains’, which is a type of ‘flex-chain’.
The original text seems to contain definitions for collections, types, and other properties in a form that is likely used in software development. There are different collection types including ‘features’, ‘sections’, and ‘chains’. Several types such as ‘article/lead-art’, ‘@wpmedia/divider-block/divider’, and ‘subheadline/default’ are mentioned.
Various id values are indicated and there are content configurations with a ‘contentService’ field and ‘inheriting’ properties. There are also several custom fields like ‘valueToDisplay’, ‘displayCenter’, ‘lightFontColor’, ‘shrinkToFit’, ‘viewportPercentage’, ‘hideTitle’, and ‘hideCredits’. ‘DisplayProperties’ is another field mentioned.
Layout properties like ‘linkText’, ‘linkUrl’, and column configurations are given too. References to ‘localEdits’ and ‘variants’ are also evident. These are possibly terms in use related to editing and version control in a digital content management system.
The information you’ve provided doesn’t include any discernible text or content. It seems to consist of data formatting, properties, and parameters which doesn’t contain any meaningful information to be rewritten in British English. Could you please provide an actual text or article?
This passage appears to contain configuration settings for a webpage or user interface. The settings include options for content configuration, such as data collection and listing sizes. Additionally, display properties of several elements on the page, such as headlines and images, can be customised according to the viewport size. For instance, the headline and image descriptions can be displayed or hidden depending on the size of the viewport (XL, LG, MD, SM). Also, the image ratio and the position of images and stories in rows can also be determined for different screen sizes. The settings also provide the ability to show or hide bottom borders and adjust the interface to the viewport’s fraction of total screen size.
This paragraph is a bit challenging to rewrite as it primarily consists of technical terminology related to a particular setting – probably related to a webpage or a digital ad. The phrases don’t form a coherent sentence but indicate certain functionalities or settings. Concepts like “related-content”, “showBottomBorderXL” or “shrinkToFitXL” seem to refer to various visual display options.
Moreover, there are areas of the text that specify image dimensions and ratios, such as “imageRatioXL: ‘4:3′” and “imageRatioMD: ’16:9′”. Other parts seem to point towards ad-specific configurations, for example, “adType: ‘728×90|300×250′” and settings such as “lazyLoad: false, displayAdLabel: true, reserveSpace: false”.
I’m afraid the provided text doesn’t convey a clear, meaningful message and the discernible facts are too technical and disjointed to rewrite in a comprehensible, different manner.
There are multiple instances of a global advertisement block under the ‘features’ collection. Each ad block has a unique identifier with a sequence of content configuration values that are inherited. The ad variants have custom fields including ad type, lazy loading functionality, display ad label, reserve space, and a clone id. The ad types designated are 728×90 and 300×250.
The original text appears to be structured data intended to outline the display properties, collection type, id, content services, and other specifications for article layout or media display. This data, set in key-value pairs, allows for the management of frontend visual elements like advertisement placeholders and article tags. Furthermore, it can include adjustments to aspects like lazy loading, headline formatting, view settings for different devices like desktop and mobile, and paywall status. The text, however, lacks context to be rewritten in a more conversational or narrative form.
The original text indicates the desktop, tablet, and mobile versions all have a bottom divider. Such display properties, along with local edits and variants, do not go through a translation process and remain the same in British English.
A ‘features’ collection, defined as ‘zephr-target/default’, is included and inherits its content. It seems to be tied to a ‘floating-subscribe’ target class.
Another ‘chains’ collection is presented as a ‘flex-chain’, carrying custom fields that do not display lazy loading or dividers across multiple columns. It also invokes no links.
Furthermore, the ‘features’ collection now includes a ‘global/ads-block’ type, capable of multiple ad types, utilises lazy loading, can show ad labels, but does not reserve space.
There appears to be a ‘sections’ collection with a divider set as default. It also does not have content, as per its content configuration.
Using the original text to glean information and reconstitute it in a British English format: We are working with a structure that includes elements such as “figValues”, “customFields”, “displayProperties”, “localEdits”, and “variants” in the schema. Notably, the schema incorporates the “chains” collection distinguished as a “flex-chain”. An interesting aspect about the “flex-chain” is its unique ID “c0f1XjTzy5525Dg” and its customised fields which are not marked for lazy loading. It follows a certain layout pattern “[[6,6],[12,12],[]]” with the details of columns specified as well. However, there seems to be no link text or URL specified. The display characteristics include the visibility of dividers across different platforms – desktop, tablet, and mobile. Furthermore, there is a reference to a “header/default” type in the “features” collection with a distinct ID “f0fiTUotbjvO5Nz-4-1-0”. The content configuration doesn’t specify any content service and follows the same configuration values present in the inheritance attribute. Finally, the customised field for text is populated with “IN”.
The original text isn’t coherent and seems to be a combination of different HTML tags and coding language variables. Thus, it’s impossible to create a readable and reasonable narrative from this.
This is the rewritten text:
A small size feature, titled “most-read”, is available on a page accessible via a link. This feature adopts a “flex-promo/default” type within the “features” collection. The identifier used for this feature is “f0fD85eBFtxCSI-4-1-4”. It relies on a content configuration service to derive its content. Interestingly, this service, tagged as “most-popular”, fetches data of a specified size of 5 from section 0 and other following subsections. An important attribute is the ability to override size, specified as 5. However, it doesn’t integrate Speech Kit and doesn’t have a close button. The overline alignment is aligned to the left and the font size deployed is medium.
The following properties are referenced in the given text. Small is the stipulated headline weight with a bold emphasis, aligned to the left. Headlines are enabled, but overlines, bylines, and date/time information are not displayed. On both desktop and mobile displays, images are shown, with a 16:9 ratio for desktop and a 3:2 ratio for mobile. For desktops, the image is situated at the left and it is placed to the right for mobile screens. The content has a premium paywall, with bottom dividers activated for all devices. Display ad labels are turned off, with fluid ad type and lazy load feature. The flexible chain type has a linked text and URL with a layout column1 having a value of 6, while all others are set to 0. Lastly, it includes headers with the text ‘Latest’.
The “Top Table List Block” is a feature with an ID of “f0fWDLZBcW11b63-4-2-1” which is included in the collection labelled as “features”. The content of this feature is acquired through a “story-feed-query” service. The content it pulls in varies in section; it could stem from various categories such as abroad, business, law and crime, culture, environment, food, health, history, Ireland, lifestyle and leisure, media, motoring, obituaries, offbeat stories, opinions, photography, podcasts, politics, property, science, sport, technology, transport, tuarascail, world, your money and additional podcasts. Additionally, the subtypes of the content selected could be default, analysis, feature, opinion, showcase, columnist, live story, podcast, or editor’s note.
Content featuring letters based on opinion and taxonomy primarily aligns with an enlarged display, defined through parameters such as a significant headline, distinct image and a descriptive section. Both the extra-large and large viewing versions also include a byline and date designation in addition to maintaining a preferred image ratio of 4:3. For a smaller viewing, a medium display option adheres to a 16:9 image ratio while a small version adheres to a 3:2 ratio.
Furthermore, editorial discretion can be exercised and local edits can be applied without changing the broader layout. Depending upon the device used for viewing, up to four stories can be displayed per row with the image positioned to the right. Advertisement blocks that can vary greatly in size can also be integrated into the features. Where necessary, these ads can be delayed for loading to enhance viewer experience, part of customisation features in place. This structure combining visual elements and text in varying ratios offers dynamic view options, ensuring viewers engage with the content seamlessly.
The framing of the original text appears to be code-based with various attributes and values being defined. It suggests the configuration of a webpage with display sections and elements such as chains and child features. It seems like it’s forking into multiple columns in a flexible layout. There is also customisation of specific fields, though no values are currently specified for lazy loading, linking text or URL, and show dividers for desktop, tablet or mobile.
Moreover, there seems to be inclusion of an HTML box feature with an empty content service and no pre-set content configuration values. The custom HTML in use seems to deal with format override, specifically for a copyright column, copyright notations and various footer elements. The accomplish it using Roboto as the specified font family.
In this code, a number of modifications are made to the footer of a webpage. The original order of elements is rearranged by setting the position to relative. Furthermore, the logo and horizontal line in the footer are removed.
In addition, the top border in the footer section is hidden, and the elements contained within the .socialBtn-container class, along with its associated links, are striped of their borders.
The formatting of the copyright information is also tweaked, with the width of the .copyright-column class adjusted to 82% of its initial size and the text aligned to the right.
Special attention is given to the portion labelled ‘our-partners’. The background colour is modified to be #f1f1f1, padding and margin settings are updated, and the introductory text is stylised and capitalised for emphasis. Horizontal lines in this section are also hidden.
Mobile responsiveness is also attended to in this piece of code. When viewed on screens with a maximum width of 767 pixels, certain adjustments are made to the footer, .legacy-footer-row, and .footer-item styles. Formatting of the ‘our-partners’ section is also specifically optimised for mobile viewing.
You can adjust the CSS code as follows to achieve the same effect:
“`css
“Our-partners” class .b-links-menu {
block view;
centered text;
layout: column format;
no visibility;
40px in height;
}
“Our-partners” class .b-links-menu link {
visibility turned on;
}
For class “apps” {
top padding: 0.75 rem;
top and bottom borders, both solid and 2px thick;
bottom padding: 1 rem;
}
“Our-partners” class .c-separator {
content: based on the value of –c-separator-content
}
“`
The construct configuration demonstrates the design hierarchy of a web page. The static footer links are set to block display with 0.2rem bottom margin and enforced 1rem padding with a background colour set at #333. Unwanted margins are kept in check with 0 importance, and the presentation of links within these footers is given a white colour for better visibility, no right border, and padding extended to 0.5rem.
Also outlined in the configuration are groups under the collection, ‘features’. These include ‘@wpmedia/footer-block/footer’ and ‘@wpmedia/htmlbox-block/htmlbox’. Both blocks uphold inherited content service settings and unique identifiers are assigned to each one; ‘f0flUJg92ynm6Pm-5-0-1’ and ‘f0fcSRSNS9zi6b4-5-0-2’ respectively.
Customisable fields within this configuration include an HTML box with text alignment to center, atop a base which employs external links on images. The layout is adjusted to center with automatic margins on both sides. The images within these links are set with 108 width, 34 height and incorporate lazy loading.
The original text appears to include snippets of HTML, CSS, and possibly JavaScript code. It references an image sourced from ‘irishtimes’ via a link, indicating that it is displayed using a lazy loading technique. The styling details mentioned in the text dictate the aesthetics of certain elements on the webpage, such as the margin-top, display style, and font size. The text also points to the usage of a navigation hierarchy, akin to a site map, referred as ‘our-partners’. The text stands to show some configuration attributes like ‘Fusion.spa’ and ‘Fusion.spaEnabled’, which are both set to ‘false’.
The following code initiates a delay for 100 milliseconds, subsequently activating a function which checks if ‘permutiveSdk’ exists (by either declaring it or accessing it from the window object). Then, it scans through all cookies to find one called ‘blaize_tracking_id’. If it discovers this cookie, it collects its value, decodes it, and finally provides it to the ‘permutiveSdk.identify’ method.
Later, after a delay of one second, another function is triggered. Again, it confirms if ‘permutiveSdk’ is accessible. If it is, the code requests ‘segments’ from ‘permutiveSdk’, then creates a new XML Http Request. The request aims at ‘/plugins/public/permutive/update-segments’ using the POST method and carries the ‘segments’. The Request accepts credentials and the content type specified is ‘application/json’.