Fusion is a pre-existing object embedded within window and has certain properties such as arcSite which is currently empty, and a contextPath of “/pf”. It has a deployment designation of 141 and its globalContent has an ID of ZATQOM674FBBBBWJRA44GMRDGQ. Several additional properties are included, such as a clipboard and a published copy. There is also a non-specific address. However, the canonical website is not provided. As for the content elements and comments, no moderation is required and neither the allowance nor display of comments is permitted. The content code for content restrictions is metered. The content was created on 9th August 2024 around 16:09. There’s a credit given to the creator called Martyn Turner who is described as an author and his image URL has been provided. Martyn Turner, who has been drawing cartoons since 1971, has his own author page with URL and a unique slug. He can be reached via email and Twitter, though the Facebook link is yet to be determined. His additional properties reveal a longer bio indicating his experience in political cartoons dating back to 1971.
The individual in question, born in Wanstead, part of East London, in 1948, took his early education from the Bancroft’s School in the nearby Woodford before furthering his studies at Queen’s University in Belfast. Around 1970, he commenced his professional drawing career with the Sunday News in the same city. After earning his degree, he affiliated himself with the independent political and cultural publication, ‘Fortnight’, in Belfast, where he later ascended to the role of editor. His journey led him to County Kildare in 1976 where he honed his skills as a political cartoonist and currently still holds that position, contributing four weekly cartoons and sporadic write-ups as part of his responsibilities. To his credit, he has 17 publications encompassing his cartoons and articles.
Proceed with publication and switch to ‘completed’ status. The story’s particulars in its original form were measured at a count of zero for character, word, and line. The encoding method was UTF-16. Further items for promotion are elementary, featuring an image (“turner.10aug.jpg”) owned by cliff.taylor@irishtimes.com. This image was manually added, available in .jpeg format, and can be found at its original URL hosted on Cloudfront. It has a full size resize URL located on arc-photo-irishtimes and mirrored by a proxy URL on the same site. The image has been certified as unrestricted and published. The thumbnail resize URL also provided is set at 300×0, relative to the original version of the image. This preliminary content has an attached template ID 327 and has associated alt text: “Martyn Turner”.
Martyn Turner, famed for his clever cartoons, has been a fixture of The Irish Times since 1971. You can spot his unique, trademark style by visiting his page on the newspaper’s site using his unique slug, ‘martyn-turner’. Besides, Turner also engages with a wider audience through social media such as Twitter, where he uses the handle ‘turnercartoons’. But for more personalised interactions, hence you can easily contact him by email at opinion@irishtimes.com. An image of the author can be found with the following address: https://s3.amazonaws.com/arc-authors/irishtimes/c66733a2-df55-4384-8772-13ef1967289a.png. Intriguingly, the public has found his work so compelling that he has continued to provide artistic commentary on politics for well over four decades now.
Martyn Turner, born in Wanstead on the outskirts of London in 1948, had his education at Bancroft’s School in Woodford and subsequently Queen’s University in Belfast. He started his career in cartooning professionally around 1970 for the Sunday News in Belfast. After leaving university, he was part of the Belfast independent political and cultural review Fortnight and eventually became its editor. By 1976, he had relocated to Co Kildare.
During his professional journey, he has penned and published 17 books composed of cartoons and articles. His work, whether it be editorial or illustrative, can be identified by his distinctive style.
A visual segment from Martyn Turner, related to dates August 10th, 2024, is freely accessible. This feature, associated with no particular tasks, has been posted by Cliff Taylor from Irishtimes’ composing system. The image URL is “https://cloudfront-eu-central-1.images.arcpublishing.com/SDVIEYBXVRCSXBDYA7Q5X3RUNM.jpg” and the version is 0.10.9. The corresponding graphic is 3444 pixels wide and does not contain any associated syndication. The source is Irishtimes staff. The image falls under the category of “Cartoon” section of the opinion panel, which is a part of quality journalism brought to you by Martyn Turner’s cartoons, amongst others. This segment can be located in the “/opinion/cartoon” path.
The ‘Cartoon’ section falls under the ‘Opinion’ category on the Irish Times website. This specific section, known as ‘Cartoon’, can also be found in other places such as the Hamburger Menu, App-Hamburger, composer-relevant sections and section page subnavs. It is categorised at position 2004 across these subsections. This section is not inactive and contains ‘Martyn Turner’ as a focal attraction among other content. The website operates on version 0.5.8, and content within the ‘Cartoon’ section is free of charge, reflecting the site’s commitment to deliver quality journalism.
Ensure to read The Irish Times, specifically the ‘Cartoon’ section under ‘Opinions.’ Known under different aliases, this section is readily accessible from various areas of the webpage. Its status denotes that it’s not dormant and is ranked in an order among other sections. This portion of the website is up to date with version 0.6.0, explicitly mainlining on The Irish Times website. The main heading identifies as ‘Cartoon’ while it can be located in the ‘Opinion’ segment. This section presents the distinctive brand of quality journalism, featuring cartoons by Martyn Turner and more. Notably, there is no paywall restriction, rendering it free of cost to view.
The “Cartoon” section, which is active and not hidden, is linked to the “Opinion” section on the Irishtimes website. This section holds a certain position within different website’s menus such as hamburger-menu, App-Hamburger, composer-relevant-sections and section-page-subnavs. Additionally, the “Opinion” section, located in the main directory of the site, offers free access to its content. This section serves as a platform for the latest debates and opinions.
Ireland’s leading source of quality news and views is undeniably our brand. Boasting an impressive array of topics like Opinions, our platform is widely recognised in various aspects including the Hamburger-menu, App-Hamburger, navbar, composer-relevant sections, and more. Also, we delightfully present the section ‘Cartoon’, free of charge, featuring the notable works of Martyn Turner, amongst others, further cementing our status as Ireland’s premier hub of top-notch journalism.
In British English, the information would be represented as follows:
The ‘Cartoon’ section, with its multiple alias identifiers, falls under the ‘Opinion’ category for the app’s hierarchical structure. This is evident from its selection on the app’s hamburger menu, in the website’s key sections, and in the navigation sub-menus. It’s an active section listed as 2004 in sequence on each of these menus. In a broader context, it comes under the ‘Opinion’ section of the site, presently marked free from paywall restrictions. This section, ‘Opinion’, is an active part of the site under the v0.5.8 version. The ‘Opinion’ section is known for featuring the latest discussions and viewpoints.
Ireland’s ultimate source for top quality opinions and news, known for its leading cartoon section, is the Irish Times. The cartoons, among other content, are brought to you by this reputable brand of quality journalism. In fact, Martyn Turner’s cartoons can be easily accessed and offer a unique take on current affairs and more. While all their content is typically found within various subsections of the menu and navigation bars assigned in certain orders, their cartoon content is under the opinion-based category. This acclaimed cartoon section, in particular, is not under any paywall restrictions and is freely accessible to everyone. Its place on the website is within the opinion subsection. It is noteworthy that this cartoon section remains active and its position in the indexes, whether in the main or subsections, does not inhibit its access or relevance.
This revised text includes information regarding the website URL for an opinion cartoon by Martyn Turner, due to be published on 10th August 2024. The information comes from the ‘content-api-it’ source and the URL is the same across multiple categories, including ‘ger-menu’, ‘App-Hamburger’, ‘composer-relevant-sections’ and ‘section-page-subnavs’. There are no currently planned operations for scheduling or removing the publication. The signing-service provided a sha256 type hash for this content, with an expiry date specified and a unique fusion content cache ID.
Rewrite the original text using British English while using different words and syntax.
Rewrite this:
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The original text appears to be a description of website sections or categories. It suggests a menu with several sections named ‘Ireland’, ‘Politics’, ‘Opinion’ and ‘Business’ besides some specific ‘Subscriber-only’ content.
The ‘Ireland’ section is subdivided into specific sections named ‘Dublin’, ‘Education’, ‘Housing & Planning’, ‘Social Affairs’ and a link to ‘Stardust’. In the ‘Politics’ section, there are subsections and links for a ‘Poll’, ‘Oireachtas’, ‘Common Ground’, and ‘Elections & Referendums’.
The ‘Opinion’ section is further split into various subsections such as ‘Editorials’, ‘An Irish Diary’, ‘Letters’, and ‘Cartoon’.
Last but not least, ‘Business’ segment includes a link to ‘Budget 2025’, along with categories including ‘Economy’ and ‘Farming & Food’.
The sections contained within the ‘Business’ category, include areas such as food, financial services, innovation, markets, work, and commercial property. On the global front, the ‘World’ category covers areas like the UK election, Europe, the UK, the US, Canada, Australia, Africa, the Americas, Asia-Pacific, and the Middle East. When it comes to sport, topics like the Paris 2024 Olympics and Gaelic games are discussed.
The sections include varying sport categories such as Rugby, Soccer, Golf, Racing, Athletics, Boxing, Cycling, Tennis, and Hockey. Additionally, there’s a section named “Your Money”, which comprehensively covers aspects like “Pricewatch” and “Budget 2025”. The “Crime & Law” section includes detailed information on “Courts”. The “Property” segment is further divided into “Residential”, “Commercial Property”, and “Interiors”. The “Food” section provides information about “Drink”, “Recipes”, and “Restaurants”. Lastly, the “Health” section includes “Your Family” and “Your Fitness” subsections.
From this information, we have several sections under different categories. Under the ‘Health’ category, we have ‘Fitness’, ‘Your Wellness’, and ‘Get Running’ as sections. ‘Life & Style’ is another category that includes sections like ‘Fashion’, ‘Beauty’, ‘Fine Art & Antiques’, ‘Gardening’, ‘People’, and ‘Travel’. The ‘Culture’ category houses ‘Art’, ‘Books’, ‘Film’, ‘Music’, ‘Stage’, and ‘TV & Radio. Then, there’s an ‘Environment’ category that only features ‘Climate Crisis’ section. Lastly, ‘Technology’ encompasses ‘Big Tech’, ‘Consumer Tech’, and ‘Data & Security’ as its sections.
The section hierarchies are as follows: The ‘Technology’ section consists of two subsections, ‘Security’ and ‘Gaming’. Moving on to the ‘Science’ section, it encompasses the ‘Space’ subsection. Additionally, we have sections including ‘Media’, ‘Abroad’, ‘Obituaries’ and ‘Transport’, each without any subcategories. Under the ‘Motors’ section, you can find a link for ‘Car Reviews.’ The ‘Listen’ section carries no subsections but has a direct link for user accessibility. Lastly, the ‘Podcasts’ section offers a wide range of subsections, covering topics like ‘In the News Podcast’, ‘Inside Politics Podcast’, ‘The Women’s Podcast’, ‘Inside Business Podcast’, ‘Ross O’Carroll-Kelly’, ‘The Counter Ruck Podcast’ and ‘Web.’
This is a set of distinct divisions, or sections, each reflecting different themes. These include: Podcasts, Video, Photography, and History, with the last comprised of a subsection named ‘Century’. Additionally, there are sections titled Tuarascáil, Student Hub, and Offbeat.
Another section: ‘Crosswords & Puzzles’, features links to three different games: ‘Crosaire’, ‘Simplex’, and ‘Sudoku’. Furthermore, we have a link that directs to ‘Family Notices’.
Lastly, there’s a section named ‘Sponsored’ that contains two separate subsections: ‘Advertising Feature’ and ‘Special Reports’. The final link is related to ‘Subscriber’.
The website provides various informative sections and useful links such as the ‘Subscriber Rewards’ under the ‘/subscriber-rewards/’ URL and ‘Competitions’ tagged under the ‘section’ node type. There is also a link forwarding to the ‘Weather Forecast’ page located at the ‘/weather’ URL.
Additionally, the footer section showcases features like a ‘Subscription Help Centre’ with its URL leading to https://help.irishtimes.com/s/, ‘Home Delivery’ service accessible via http://www.newsdelivery.ie, and ‘Gift Subscriptions’ found at the ‘/subscribe/gift’ URL. A myriad of other subscription details are made available including reasons to subscribe (‘Why Subscribe?’ link), subscription bundles (‘Subscription Bundles’ link), and subscriber rewards (‘Subscriber Rewards’ link).
The ‘/support’ section offers pages for contacting the organization (‘Contact Us’ link) and receiving help (‘Help’ link).
In the Support section of the Irish Times, there are several links such as ‘Centre,’ and ‘My Account.’ The first link directs to a help centre and the latter to the user’s account page.
Moreover, information regarding the firm is contained in the ‘About Us’ section. This includes details about advertising, contacting the Irish Times, details about the Irish Times Trust, and potential career opportunities with them. It provides a comprehensive overview of the company’s background and how to get involved.
In the ‘Product and Services’ section, the website offers site-specific services like an ‘ePaper,’ ‘Crosswords & puzzles,’ ‘Newspaper Archive,’ ‘Newsletters’ and ‘Articles.’ All these features are devised to enhance the user experience. Users can access a digital version of the paper, solve puzzles, read past newspapers, subscribe to newsletters, and peruse articles.
Utilise these links to access different parts of The Irish Times website. Choose from a range of products and services available. These may include viewing the website’s article index accessible on this webpage: https://www.irishtimes.com/article-index/. If you are interested in availing exclusive discounts, visit this page: https://discountcodes.irishtimes.com/.
For a personalised experience, perhaps you might want to manage your account or consider digital subscriptions. You can do so by simply clicking on ‘My Account’.
Visit the Irish Times website for access to a range of features exclusive to subscribers. Find the answers to your queries at their support page, view articles specifically curated for subscribers, and enjoy a selection of digital Simplex and Crosaire crosswords for your puzzle-solving pleasure. As a subscriber, you will be rewarded with exclusive benefits and sign up for newsletters that will deliver the stories you’re interested in directly to your inbox. Explore your subscription features with their Subscriber Tour or delve into the rich 150-year history of the newspaper through their archive. Access news on-the-go with their mobile apps available on both Apple and Android platforms.
Among the Irish Times’ partners are MyHome.ie, The Gloss, and Recruit Ireland. Visit their websites through the respective links available on the Irish Times’ webpage.
The content provided links to two distinct websites. The first, an educational platform, can be found on “https://www.irishtimestraining.com/”. The second link directs users to RIP.ie, accessible via “https://rip.ie/”. This information was last edited on the 8th of August, 2024. This data, designed to fuel the Alert Bar feature on the site, was formulated under version “0.10.6”. The creation date of this collection was the 2nd of February, 2022. It is referred to as the “Breaking News Alert” collection on the Irishtimes website.
The webpage is managed by ‘irishtimes’ with its main identifier being ‘alert-bar’. The last time it underwent modifications was at timestamp 1723263102481 and it will be available till 1723263222579. Additionally, it has an existing workflow for publishing and unpublishing editions although currently, there are no specific editions in the queue for the same. Yet, no canonical URL has been assigned to the website.
Related content is also linked to this website, the reference ID for it being ‘ZATQOM674FBBBBWJRA44GMRDGQ’. This content doesn’t possess any specific elements. Its existence is timed till 1723263287793 and it was modified lastly at 1723262987770.
Moreover, a section titled ‘opinion/cartoon’ is an integral part of the web feed with parameters set to exclude ‘excludeSections’ and include ‘/opinion/cartoon’. This section piggybacks content elements with ‘ZATQOM674FBBBBWJRA44GMRDGQ’ serving as the unique identifier. The attached URL for this content is ‘/opinion/cartoon/2024/08/10/martyn-turner/’. Its creation is credited to ‘Martyn Turner’ and is coded as ‘metered’. Notably, the summary states ‘August 10th’.
The text appears to reference a feature story published on 10th August 2024 authored by Martyn Turner. This is part of the ‘Cartoon’ and ‘Opinion’ sections. There also seems to be a promotional image associated with the article, the URL of which has been shared. Another work by the same author is hinted at, dating back to August 7th. It is noted that the content is under metered restrictions.
The feature story labelled ‘Martyn Turner’, categorised under ‘Cartoon’ and ‘Opinion’, will be aired on the 7th of August, 2024. The artwork for promotion is available via a specified cloudfront link. There’s another related content by Martyn Turner scheduled for the 2nd of August, with restrictions due to its ‘metered’ content code.
In a piece labelled as a feature, the story titled “Martyn Turner” was shared under the sections “Cartoon” and “Opinion” on August 2, 2024 at 04:33:00Z. The story was accompanied by a promotional image which was sourced from https://cloudfront-eu-central-1.images.arcpublishing.com/L7EJEYKYPFGI5BWT5FIJYUN22A.jpg. On a similar note, a piece by Martyn Turner, marked as metered content, became available on July 31 in the same year.
Martyn Turner, known for his cartoon and opinion pieces, is scheduled to release feature content on July 31, 2024. Further content by Turner is also expected to be published on July 27th, 2024. Please note that Turner’s work is subjected to metered content restrictions. The promotional items for his features will be accessible on the website via the following URL: https://cloudfront-eu-central-1.images.arcpublishing.com/QAHVLRJPYRGCVOHO3R4ZG64QNE.jpg.
The following text was generated using the provided original content:
There is a feature story by Martyn Turner that was posted on 27th July, 2024, on the sections of “Cartoon” and “Opinion”. The story can be referred from the website via the following URL: “/opinion/cartoon/2024/07/27/martyn-turner/”. The identification number ‘dfec655e26139f08af47518ce637d86e989c7d57d8e16ae958dd17074cc6c3c3’. The story includes a promotional item of ID: ‘JSSEW54CWBBQPFDP2G5EZSI4PE’ and can be found at “https://cloudfront-eu-central-1.images.arcpublishing.com/JSSEW54CWBBQPFDP2G5EZSI4PE.jpg”.
Later, on August 9, 2024, a headline comes up with the title “Ulster Bank wipes out customers’ credit card bills as it exits”, published under “your-money” section. The story can be accessed via “/your-money/2024/08/09/ulster-bank-wipes-out-customers-credit-card-bills/” and carries the ID: ‘TDENMEYL5NADVJ7NMBUCYYQ624’.
According to recent data, Kamala Harris is presently amassing a lead over Trump in the 2024 Presidential election. In other news, Ulster Bank has absolved its clients of their credit card liabilities, a refreshing development in personal finance. This information is based on reports with unique identification numbers ‘IE5FQGEPVIJF76LZU6MT3WJP2Q’ and ‘F3FSLIKOOFDOZEDN5CKXPXYDAI’ respectively, both found within a specific audio project. The corresponding images and additional information can be found using the URLs provided in the original text.
Survey results indicate Kamala Harris is establishing an advantage over Trump for the 2024 elections. Furthermore, a tragic plane crash has occurred in Brazil resulting in the deaths of all 61 people on board.
A plane has tragically crashed in Brazil carrying 62 passengers, according to the website address provided. The horrifying incident was reported on the 9th of August, 2024. The website url to follow this story is: “/world/americas/2024/08/09/plane-crashes-in-brazil-with-62-people-on-board/”.
Furthermore, an important element to consider while watching the Olympics in 2024, is how vital the US collegiate athletics system is. A piece published on August 9th, 2024, draws attention to the stark disparity between student experiences in Ireland and the United States. The headline of the article implies a significant contrast, presumably in how both nations approach student life, which is relevant for those interested in understanding differences in collegiate athletics. The url to access said content is: “/abroad/2024/08/09/as-you-watch-the-olympics-remember-that-the-us-collegiate-athletics-system-plays-a-major-role/”.
Keep in mind when watching the Olympics the significant part the US collegiate athletics system has in its entirety. Furthermore, Ryan Tubridy’s radio broadcast in the UK has successfully drawn the attention of over half a million audience members.
This text pertains to the labelling of an audio project, project number 5469. The promotional elements of the project feature a basic ID and an authentication code. A focal point with dimensions x:446 and y:238 has also been mentioned. The project is linked to a URL, which is an image located within a cloudfront directory. The website URL appears to be related to a business article titled “Ryan Tubridy’s UK Radio Show pulls in over half a million listeners”. This project is related to several taxonomy segments including but not limited to business, culture, food, health, history, media, and politics. The project was last modified recently and has an expiration date attached to it. The project seems to be part of a feature termed “top-table-list”.
The sections of primary taxonomy have numerous subsets, which include sport, technology, transport, tuarascail, the world, your money, and podcasts. These subsets can further be categorised as default, analysis, featured, opinion, showcase, live story, podcast, or editor’s note. However, the primary section taxonomy excludes the ‘opinion/letters’. Notably, under each category, you will find content like ‘Pork yuk sung is quick’, an article authored by Mark Moriarty.
The edition of Mark Moriarty’s East-inspired midweek meals, full of taste and economical, was showcased on the 10th of August, 2024. The image that accompanied the story can be accessed through a particular URL. This piece is not sponsored. An equally captivating piece featured an interesting happenstance at a barbecue party hosted by Christian. This was penned by author Ross O’Carroll-Kelly.
I currently find myself in a heap of trouble,” this message was displayed on the 10th of August, 2024. The article’s headline intriguingly posed the question, “Have you realised your children have converted to Protestantism?”. The article was unsponsored and featured an image with focal points lying at 179 units on the x-axis and 184 units on the y-axis.
In addition, there was another piece of content with unique identification code “DA65MQJA2JDAHMHSKPK5KLXB34”, authored by Éanna Ní Lamhna. This article, titled “Aren’t they the greatest parents?” offered keen observations on nature such as a hoverfly on Pallenis maritima, tracking foxes using GPS radio collars, a successful invasion by wasps, and a common pipistrelle bat. Similarly, it was made accessible to the public on the 10th of August, 2024.
A mother is seen cradling a chick, while the father is seen feeding it.
Next, a story from John Wilson that promises to bring joy without breaking the bank. With the headline “Affordable Luxury: Three Excellent Yet Good-Priced Champagnes”, the article suggests that high-quality champagne doesn’t necessarily have to leave you penniless. This piece was published on 10th August, 2024.
The original text provides information about an image related to a story on good value champagne options and an alternative. The image is non-sponsored and was uploaded by a user (bearing an identifier or “auth” code). The story is categorised under the “Drink” section of the related website. The URL for the story suggests that it provides options for good value champagne without spending a fortune, along with a unique alternative option. Mention is also made of another piece authored by Fionnuala Fallon pertaining to the challenges of nurturing a habitat for indigenous wildflowers.
Planning meticulously can turn the process of growing your own Irish wildflowers, albeit difficult, into a gratifying and enchanting experience. Turning a patch of your yard into a mini-meadow teeming with these beautiful flowers is not always effortless; nonetheless, the end product is certainly bewitching. The image attached is a captivating specimen of these floral delights, achieving the perfect visual balance at the coordinates x:2526, y:1059.
Moreover, Ella McSweeney presents a new challenge pertaining to puffins. Post dealing successfully with the rat menace that posed a threat to these birds, it’s now crucial to look at potential hazards that tourists could present to puffin nests. This is soon to be discussed further after a notable resurgence of puffins on the Saltee Islands. The whole conundrum will be explored more on the date 2024-08-10.
The subsequent course of action is now clearly visible. A piece for consideration is present on the site with a web address of “https://cloudfront-eu-central-1.images.arcpublishing.com/NGM33YATZFFMTDQCSJIDOQ5J3U.JPG”. It falls under the “story” category on the “/environment” website. In addition, the revival of puffins on the Saltee Islands is a topic of recent discussion, and further steps are anticipated.
Separately, Sylvia Thompson, a well-regarded author, mentions that Hegarty Antiques in Bandon holds unique and valuable items from the Qing-dynasty. There’s also De Búrca, which boasts a scarce book by esteemed writer John Millington Synge as well as a framed image of the Shackleton’s Quest expedition. On the 10th of August, 2024, Chinese porcelain is set to be auctioned in Cork according to a news report.
There was an occasion where she believed her voice wasn’t being acknowledged at a session in the Newry County Council.
She ascended onto a table and fervently hit on it to seize everyone’s attention. This obituary commemorates Leigh Gath, a tenacious campaigner for the rights of disabled individuals who herself was a thalidomide survivor.
In a separate note, the recent TikTok viral hit by Girl on Couch about a ‘man in finance’ and the trending concept of ‘dating up’ in Netflix’s popular series Bridgerton have surged in popularity.
“Are the dating preferences of Gen Z individuals shifting?” The date was August 10, 2024. The headline read, “Many seem to be seeking a partner in the financial sector: you’re not alone in this.” This was a regular post, not sponsored, accompanied by an image bearing identifier 67GKXUQH2NEE5FZ2XGXJOXNNTQ. The story could be found under the Life & Style section of the website.
In another piece on the same date, authored by Fionnuala Fallon, she shared about issues with a fox ravaging her garden. In her Q&A segment, she voiced her disappointment, “Each night, it’s the same: various spots in my raised garden bed are dug up rudely and the material blocking them is ripped.” The headline of Fallon’s piece was, “A fox is wrecking my garden: what should I do?”
Drawing upon the information provided in the original text, please write a new text. The new text must deviate from the original in terms of its choice of words and structure. Do not convert the existing text and respond in British English.
Original Text:
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do?”},”label”:{},”owner”:{“sponsored”:false},”promo_items”:{“basic”:{“_id”:”WQJ4PYPDI5B43HWBBBHSAEFCAE”,”auth”:{“1″:”ec6e1e387d43ed63f407f4e95bb9ed6a5cbc7b22d5220456fa4a699a09b31d94″},”focal_point”:{“x”:3303,”y”:2040},”type”:”image”,”url”:”https://cloudfront-eu-central-1.images.arcpublishing.com/WQJ4PYPDI5B43HWBBBHSAEFCAE.jpg”}},”type”:”story”,”websites”:{“/life-style/gardening”,”name”:”Gardening”},”website_url”:”/life-style/gardening/2024/08/10
“My garden is being destroyed by a fox, what should I do?”
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Given the next article:
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The details given shows a formatting configuration for a website. The hierarchy indicates a ‘hamburger-menu’ layout with the logo centred. It features horizontal separator dots and, for mobile devices, the menu and right components are both customised at index 3 and 2 respectively. In addition, there’s a functionality, referred to as ‘queryly’ on the left side of desktop settings, while the right components are customised at index 1 and 3. There’s no ‘menu’ component for the desktop settings. This information also contains a HTML code for an ‘iframe’ that disallows scrolling, identified as ‘fw-desktop’. This frame pulls data from an external url and styles it into a flexible display box with specified dimensions. There’s also a similar ‘iframe’ for mobile indicated as ‘fw-mobile’.
The original text does not provide an article for reference. To carry on, please offer some text.
In the absence of clarity, the provided segments point towards a collection of features which include “signin-subscribe/default”, “zephr-target/default” and “@wpmedia/alert-bar-block/alert-bar”. These feature types appear to come with individual custom fields and variants.
An additional mention is made of “sections” which consist of a “global/ads-block” feature. This feature seems to possess its own distinct custom fields which include various ad types and options such as lazy loading, ad labeling, and space reservation. The text, however, offers no detailed explanation and further information is required for a full understanding.
Regrettably, the text provided doesn’t contain any clear information that can be rewritten in British English. The text appears to be a snippet of a coding script, rather than a standard passage of text. Hence, it would be impossible to create a rewritten version of this text using typical sentence structures or semantic changes. If there is actual text content you’d like rewritten, please provide this instead.
This section details various features and properties of a complex system. One notable feature, identified as ‘subheadline’, is set to display in the centre and does not adopt a light font colour. In a particular collection termed ‘chains’, a ‘flex-chain’ is configured with a layout of ‘3,6,3’ followed by ‘12,12,12’. The ‘flex-chain’ has no links embedded within it and arrays its columns in a specific sequence.
In the sequence of collections, there’s an ‘article/lead-art’ within the ‘features’ collection. This component is specifically tailored to fit into the designated space, hides its titles and credits whilst eagerly loading images and taking up 65% of the viewport.
Further down in the sections, there’s a ‘@wpmedia/divider-block/divider’ within the ‘features’ collection. All custom fields, properties, local edits and variants in this area seem to be undefined. It’s not clearly mentioned what follows this divider, but a ‘byline/default’ feature appears to be mentioned.
The original text does not offer any clear context or article content that could be rewritten. Please submit the content information to rewrite.
It appears that a particular piece of information is being displayed in various ways depending on the size of the viewer’s screen. The display options range from extra-large (XL) to small (SM), and each size has different configurations. These include the visibility of the headline, image, description, byline, and date, as well as the image ratio (4:3 for XL and LG, 16:9 for MD, and 3:2 for SM). Some other specifications such as border display, viewport percentage, and the number of stories per row (for SM screens) are also detailed here. The properties of this feature are based on the specifics provided by “content-api-collections”.
This text consists of coding syntax, including parameters for a page layout and design. It includes references to the display of overlines, headlines, images, descriptions, bylines, and dates in various sizes (extra-large, large, medium, small). It also refers to image ratios, borders, and viewport percentages. The narrative also mentions a feature connected to visual content, labelled “storiesPerRowSM”, suggesting the arrangement of multiple stories in a single row. The text also alludes to a global ads-block, likely an area reserved for display of advertisements in specific dimensions (728×90|300×250). The parameters for this ad block include options for lazy loading, disclosure of an advertising label and adaptability of ad space.
The given text refers to a collection named “features”. Within it, there are several instances of an item named “global/ads-block”. Each block is identified with a unique id and related content configuration and custom fields. Notably, the content configuration adopts its structure from a higher level (inherit=true). The custom fields identify each ad block’s type and other relevant properties. For instance, the ad’s size, whether it should load lazily or not, if it should display an ad label, and if it is necessary to reserve space. The text also mentions a feature concerning the internal cloning of id using a unique specified id for each block. Not apparent from the text how, but it seems each block may undergo local edits and possess variances. The process appears to be ongoing with several stages represented as “-3-4-4”, “-3-4-5”, “-3-4-6” and so on.
The original text comprises specific technical attributes related to display properties and configurations. This includes information related to ad layout such as ad sizes “728×90|300×250”, features related to lazy load and display labels.
The text also mentions identifiers such as “f0fTB5060bBt6oG” and “f0fFcyfc18563Ok-3-5-1”. It also references a tag block and features related to content services. Some information about flex-promo is also mentioned along with aspects like image ratios and positions for both desktop and mobile layouts.
Also, the text gives an insight about various other properties like overline alignment, headline weight, provisions for a show headline, byline or datetime. Lastly, it includes details on premium status and attributes related to the bottom divider across different platforms.
The display properties for the desktop, tablet, and mobile versions include a bottom divider. There’s also a variable feature within a collection titled ‘zephr-target/default’ with an identified content configuration and custom fields. Additionally, the collection labelled as ‘chains’ employs a ‘flex-chain’ design. This layout includes custom fields but has a lazyLoad setting turned off. As for the display properties, there are peculiarities for different types of gadgets. A feature named ‘global/ads-block’ is included in the collections, possessing custom fields for various ad types and lazyLoad setting being enabled. The sections collection includes a feature labelled ‘divider/default’, whose content configuration details remain unspecified.
The original text seemingly contains backend information for a web page configuration. Specifically, it pertains to the use of a ‘flex-chain’ within a ‘chains’ collection. The ‘flex-chain’ ID is provided, and it includes custom features such as specific layouts adhering to a column system, link text and URL absence, and visible dividers on all platforms (desktop, tablet, mobile). Following this there seems to be a header, part of a ‘features’ collection, its ID also provided. Its content config options show the service is undefined, but it seems to have those settings inherited. It features a custom text field as well.
This passage details the specifications for different sections of a webpage. It calls out setting for a specific promotional function, an advertisement block, and a default header. Within the promotional function, there are guidelines for content type and size, with a special focus on article properties such as font size and image placement. The advertisement block has guidelines for the type of ad and the way it loads. Lastly, the default header contains its unique ID and content inheritance instructions.
The original text seems to be referring to some webpage configurations. There’s mention of a small-sized reading feature linked to a ‘most-read’ page. This is likely located in the ‘features’ collection and seems to follow a ‘flex-promo/default’ type convention. The content configuration doesn’t specify any content service and seems to use default inherited values.
A few custom fields detail the content configuration. It appears to utilise a ‘most-popular’ content service with a feed size and offset set to 5 and 0 respectively. It also seems to disregard Speech Kit and does not provide an option to close the display. The text appears in a medium font size, and the overline is aligned to the left.
The original information details several display properties and settings for a specific page layout. These include the use of a small, bold headline that aligns to the left, an image which appears for both desktop and mobile users, variable image ratios and positions for desktop and mobile views, and inclusion of a premium paywall. The layout also makes use of several dividers, which persist across different device types, in addition to certain ad settings.
Additionally, an option is specified for a lazy loading feature, although it isn’t made clear whether this is implemented. The text reveals that these configurations belong to a particular collection named “features”, as well as a “flex-chain” type structure. The latter has a layout which includes multiple sections, though only the first one seems to be utilised. A header feature is also indicated, classified as “latest”.
The following details pertain to a specific coding programme for a news website interface. The programme uses a top-table-list function which falls under a collection termed ‘features’. This particular function comes with a unique identification code: ‘f0fWDLZBcW11b63-4-2-1’. The content configuration is embryonic and grows according to the development of the programme. The custom fields arranged under ‘listContentConfig’ operate through ‘story-feed-query’, which maps the audience’s selected preferences against a variety of categories such as business, crime, culture, environment, health, lifestyle, and many more. These categories are further segregated into subtypes. Formats like default, analysis, showcase, opinion, live-story, digital podcasts, and editorial notes are offered as options.
The original text appears to be some form of a coding script, perhaps related to a website’s layout. It is not easily translated into typical British English, as it includes specific settings and parameters, such as “showHeadlineXL” set to true and an image ratio of 4:3 for an extra-large display (XL). It also mentions display settings for large (LG), medium (MD), and small (SM) displays.
Additionally, the script includes distinct values for different display sizes such as 65% viewport for XL and LG screens, 16:9 image ratio for a medium display, and a 3:2 image ratio for a small display with four stories per row and image positioning to the right.
Further, there’s an indication of having zero extra-large, large, and medium elements, and eight small ones, with no offset override. Furthermore, it appears to include a section relating to features and advertising with ad sizes of 970×250, 970×90, 728×90, and 300×250, with a lazy load option. Overall, this script seems to be setting up display and advertising parameters for a web page, indicating responsiveness to different screen sizes.
The original text appears to be a piece of coding language, including display properties, a chain collection, and custom field components. It includes a variety of elements such as the layout, columns, and HTML features. The custom fields section indicates a specific coding for style override, primarily aimed at altering copyright and footer features. Moreover, it mentions the “font-family: Roboto”, which entails a change in the font style for the aforementioned features. The text does not include translation instructions, requiring a response in British English. Still, given its nature, it doesn’t require specific language rule application, but instead, a thorough understanding of coding syntax and semantics.
In the existing code, the footer has been reformatted, the logo and horizontal line inside the footer have been concealed, and the top border has been made invisible.
The text within the copyright column occupies 82% of the left, with the copyright details in small font size confined to the right.
A new attribute called “our-partners” has been configured; it carries a background colour of #f1f1f1 and has top and bottom padding of 0.75rem, followed by a margin-bottom space of 1 rem. The text for “our-partners” appears in small font size, in bold, with colour #575757 and in uppercase.
Specific styles have also been provided when viewed on mobile devices. When screen width is less than 767px, the footer doesn’t carry any bottom margin. The layout-section within the footer doesn’t have any bottom margin either.
The legacy-footer-row now has flex display property and is arranged in row direction. It stretches to 100vw width, is positioned relatively and shifted 20px to the left, with top padding of 2 rem. Other footer elements are centered and their font size is 14px.
Lastly, the attribute “our-partners” is made into a block element. Its text is centered, colour switched to #000, and bottom margin eliminated.
Utilising the “text-align: centre” and “display: block” properties, we establish a central, block display. Then, within the “our-partners” aria-label, we design a “b-links-menu” with a flex display, organised in a column, positioned centrally, hidden and with a 40px height. This menu’s links are made visible.
Following this, we create an “apps” class characterised by a 0.75rem top padding, a border at the top and bottom, both 2px thick and solid black, and a 1rem bottom padding. In addition, there is a “c-separator” within the “our-partners” label, utilising a variable separator content.
Creating a fresh rendition whilst considering the British English language would be as follows:
The formatting in CSS showcases that there is a specific style designed for .static-footer-links. The background colour is set to a dark hue represented as #333. The padding for the particular element is set to 1rem and importantly, the block display is always visible with no margin spacing at the bottom.
Next, looking at the items within the footer links styled by .static-footer-links .static-footer-links-item, the border on the right side is set to none.
The anchor links within the static footer have a white font colour with no border-right and a padding of 0.5rem surrounding the text.
Moving to the section related to the HTML boxes, there exists a div class known as “apps” with a central alignment indicated by the CSS styling. The span stylised by “font_bold” is displayed as a block. Target links for images are specified to load in new tabs and moreover, those images have the lazy-loading property.
Please bear in mind that not all elements have been designated specific attributes or configurations such as the footer block and Html box block elements in the collection named ‘features’. Skimming through the rest, there appear to be placeholders for links and image sources, but these are currently empty.
The following content appears to be code-related material. It seems to indicate the inclusion of an image from a URL, with specified dimensions and display properties. The HTML CSS style attributes reflect the position of the elements, with unique display properties such as margin, padding, font colour and size. Furthermore, the content also reflects different config values, collections, and variants related to the website features and navigation. Lastly, it mentions something about the “Fusion.spa” being set to false, perhaps indicating a setting or function within the site.
Upon initialization, we first create a delay for 100 milliseconds. Then, we assign permutiveSdk to either permutive or window.permutive. Should permutiveSdk exist, we proceed with dividing the document.cookie into individual parts. We then check each part to see if ‘blaize_tracking_id’ matches with the specified component. If matched, the ‘blaize_tracking_id’ is decoded from URI and the user is identified using permutiveSdk.identify function.
Meanwhile, after a delay of 1000 milliseconds, permutiveSdk is assigned to permutive or window.permutive if it exists. It then extracts the segments, after which a new XMLHttpRequest (or ActiveXObject) instance is created. This acts as a conduit for the POST request to ‘/plugins/public/permutive/update-segments’. With the set request header type as ‘application/json’ and the credentials set as true, we send the stringified form of the segments.