Inquiry about your newest thriller, Somebody Knows.
Cara Joyce, a local journalist, unexpectedly learns a shocking detail regarding her birth that links her to the demise of Lucia Casey, whose body was discovered in a Connemara bog almost three decades past as her adopted mother approaches death. Unravelling the mystery behind her biological mother consumes Cara to the extent of obsession. The story relates a tale of hazardous secrets and how far individuals will go to maintain them.
Your protagonist, Cara Joyce, shares your profession as a journalist. Can any comparison be made between these two forms of writing? Does one influence the other in any way?
In the realm of news journalism, there is a mandate to eliminate personal thoughts and emotions from the narration and maintain an objective perspective. In contrast, fictional writing largely draws upon creative imagination. The journalistic instinct in me kept interfering in my writing process, nudging me to edit simultaneously. I took a respite from journalism while drafting my debut book, even though it later proved valuable during the final editing phase.
The tragic incident of Ann Lovett affected you profoundly, did it influence any part of your story?
In 1984, Ann Lovett passed away when I was only 12 years old. Although I lacked complete understanding of the circumstances, it was clear that it was a horrific incident. I reminisce on the radio broadcasts of Gay Byrne, reading letters from girls who, like Lucia in my narrative, “had gotten themselves into trouble”. I kept Ann, her devastated sister Patricia who committed suicide less than three months following Ann’s death, and all the females who interacted with Gay or refrained from doing so, at the forefront of my thoughts during the writing process.
Kylemore Abbey forms a part of your setting, has its historical aura inspired you in any manner?
While working on the research for this book, I spent several memorable days in Kylemore. I resided in a beautiful studio apartment, Fisherman’s Perch, located merely a few minutes away from the abbey, providing splendid panoramic views of the lake, the Inagh Valley, and Connemara National Park.
Even though I had visited Kylemore Abbey previously, this was the initial occasion I had a comprehensive tour and delved into the tragic past of this picturesque location. It indubitably served as an inspiration during the creation of the book, and its essence is reflected in the narrative.
Discussing your first novel, There’s Something I Have To Tell You, can you enlighten us on the challenges encountered by troubled families?
Families, often riddled with differences, can face gruelling hardships, particularly when an issue over heritage or agrarian concern surfaces. These conflicts can trigger tense disputes, sometimes even leading to casualties. We usually come across such heart-wrenching incidents in daily news, which sends tremors across tight-knit communities and causes family units to crumble. These are the realities of contemporary Field situations.
Could you dwell upon your forthcoming books podcast, Natter, which you have planned with acclaimed writer and broadcaster, Kate Durrant?
Natter, our podcast, set to be introduced in June 2024, is derived from Irish storytelling traditions. In addition to featuring authors and individuals from the publishing sector, we are going to host those who may have never penned down their extraordinary narratives. The platform is designed to encourage relaxed, genuine conversations, free from pretentiousness.
Among your invited guests are Jeanine Cummins, the globally celebrated author of American Dirt, and Siobhan MacGowan, the late, esteemed Pogues rocker Shane’s sister. They are bound to enliven the podcast with entertaining, intellectually stimulating conversations.
Jeanine Cummins, your first guest, has been charges with cultural appropriation after the publication of American Dirt. What is your viewpoint on this?
Aligning with the thought process of Sebastian Barry, one of the scarce writers who openly endorsed Jeanine, I concur that literature cannot thrive without granting writers the liberty to maintain their accountability for their pieces.
Could you share information on your forthcoming projects?
Presently, I am engaged in the composition of my third novel, which, breaking away from my regular Galway setting, transpires in North Cork.
What is the most impactful piece of writing advice you have received?
Renowned writer Neil Gaiman once advised, “Position oneself before the keyboard and commence writing, word after word, until completion. The process is simultaneously effortless and challenging.”
Who has been a significant figure in your life?
Kate Durrant, the resilient dynamo who was recognised as Ireland’s most influential personality in 2019, and someone radiating profound positivity, is truly admirable.
As a hypothetical ruler for a day, which law would you enforce or revoke?
My insistence would be on a law preventing child homelessness.
Finally, could you suggest a book, a film and a podcast worth indulging in?
The most impactful public incident for me was the 9/11 event, which came at a time when my mother was just diagnosed with terminal cancer. I am particularly fond of the Beara peninsula, which is by far the most extraordinary place I’ve ever visited.
One of my most valued possessions is a communion dress, now slightly discoloured but handmade by my mother. If given the chance, I would love to host a dinner party for writers like Maeve Binchy, Andrea Mara, Edel Coffey, Marian Keyes, and Liz Nugent, irrespective of whether they’re alive or not.
The best part about my neighbourhood is its proximity to all necessities – schools, shops and the city centre. However, what displeases me is that it’s nowhere like Galway. I’m fond of Thoreau’s saying, “Go confidently in the direction of your dreams! Live the life you imagined.”
I don’t have a single favourite fictional character as they all intrigue me in different ways. ‘Glitterballs’ by Michele Howarth Rashman, expected to self-publish later this year, is sure to tickle your funny bone. For a poignant read, Jeanine Cummins’ memoir, ‘A Rip in Heaven’ might stir up deep emotions. Finally, ‘Somebody Knows’ has been released under Hachette Books Ireland.