The secret behind Altan’s longevity, approaching their fourth decade as a musical group, lies within their abilities to adapt and innovate. While they continue to tour Ireland, it’s clear that the roots of their captivating harmony lie within the deep personal and musical relationship between Mairéad Ní Mhaonaigh, the band’s violinist, and Frankie Kennedy, their flutist, who began their gig journey at the Listowel Writers’ Week in 1985.
Altan’s journey was not without challenges, notably the tragic loss of Kennedy to cancer in 1994. Yet the group’s vibrant energy never diminished, but rather flourished due to their willingness to evolve. Their most recent work, a collection of musical compositions named ‘Donegal’, reflects the band’s adaptability and creative fluidity. The compilation includes a tune set extracted from a manuscript dating back to the 19th century, a relic belonging to James Tourish, a forebear of the group’s accordion player, Martin Tourish. Martin’s exceptional talent for intricate arrangements accentuates the strength, finesse and contribution of each band member, including their newest addition, Claire Friel, the violinist from Scots-Donegal.
The album also features guest artists such as Steve Cooney on bass, Jimmy Higgins on percussion and Graham Henderson on keyboards. Freshly returned from an American tour, Ní Mhaonaigh shows a spirited enthusiasm for the band’s current progression, stating, “It’s a new us.” She explains their latest album took longer to produce as they deliberated over every tune to offer something unique. In her words, “We’re not going to play that tune. Let’s find something else instead.’ We had the time to do that, and we wanted that, because we’re on the road now 40 years and we just wanted something that was outside the box, especially when we’re producing it ourselves.” Essentially, Altan’s story isn’t just about enduring, but about pushing their boundaries, refreshing their identity, and remaining innovative as they embrace their 40th year together.
Since releasing their prior album, The Gap of Dreams, six years have passed for the band, Altan. Ní Mhaonaigh, the band member, offered a simple explanation stating that they were unable to devote time due to the pressure of earning a livelihood that often keeps a band touring. They refused to hastily compile the next album, but remaining relevant with fresh work was pivotal for employment and other related aspects.
Altan thrives on live performance, which has been increasingly highlighted as album sales no longer promise substantial profits as it once did. Ní Mhaonaigh stated, “The only way for bands to cope with digital music platforms and continue thriving is by performing live.” Conversely, Spotify and other platforms have helped to tap into a younger demographic, albeit at a significant expense – an aspect no other profession has to address.
The title Donegal marks Altan’s unique approach to their recent work, encapsulating a sense of place and spirit of discovery. The first tune on the album, The Yellow Tinker, exemplifies their endeavour to reinvigorate the songs that have been a part of their repertory for several years, fostering a captivating blend of interchanging creativity within the band.
Ní Mhaonaigh, with an air of amusement, talked about the band’s democratic way of working where each member’s ideas are given due consideration. Though she selected most of the songs and tunes for this album, she mentioned how band member, Martin Tourish’s collection of unique old tunes added to the album. The opening track, The Yellow Tinker, was recorded previously and Ciaran Curran takes his own time to perform it during soundchecks, emphasizing a pleasing approach that also highlights the string instruments.
Altan have masterfully achieved a beautifully rich mix of local and international styles in their latest album, thanks to the production expertise of Manus Lunny at Stiúidió na Mara. Lunny had an immediate understanding of the band’s sound aspirations. The added musical genius from Garry West at the Nashville-based Compass Records caught the fresh rhythms the band were achieving. Nashville, the home of acoustic music, contributed a top-notch zest to the composition, giving the album a refreshing feel.
Altan’s steady rise in confidence in their music writing was evident in this album, which featured several original pieces that fused historical and contemporary styles effortlessly. Notably, a song, Scread na Bealtaine, was composed by band member Ní Mhaonaigh and her daughter, Nia.
Always scouting for unique rhythms yet to be recorded, Ní Mhaonaigh shared how the band dug deep in creating this album. She composed several pieces. Altan’s guitarist, Mark Kelly, also contributed with his compositions, adding an array of different colours to the album’s sound. Ní Mhaonaigh remains true to traditional sounds, while band member Martin Tourish brings more orchestral tones to the mix.
For Ní Mhaonaigh, music is a sanctuary and a beacon, guiding her both through the toughest and the most joyful moments of life. She believes that music is a form of expression beyond words, translating experiences not yet encountered or expressed in words. It, therefore, carries one to a loftier realm of existence. According to her, musicians are often peaceful and generous, rarely advocating for conflicts. She suggests that music can elevate individuals beyond divisions and encourages unity. She firmly believes in the ability of musicians to enhance the world.
Adaptation and transformation are integral to Altan’s essence. In the words of Ní Mhaonaigh, it’s crucial to embrace change and periodically alter the sound. For instance, the dual fiddle sound Ní Mhaonaigh and Claire produce differs significantly from the music created by Ciaran Tourish and Ní Mhaonaigh. This new style is not only distinct, but also fascinating and enjoyable. Ní Mhaonaigh acknowledges the stress relief that Claire provides when alternating between singing and playing. Above all, she affirms her affection for the double fiddle sound.
Altan is part of an innovative surge in the tradition nowadays, accompanied by increased experimentation. Ní Mhaonaigh remarks that this experimentation is conducted with better taste and a richer understanding of the music. Instead of merely merging with rock or jazz, current innovators are successfully creating a more refined fusion. She cites groups such as Moxie, Skipper’s Alley, and The Bonny Men as examples. Eoghan Ó Ceannabháin, in particular, has earned her praise for his astounding vocals, songwriting, and his proficiency in sean-nós singing. Others contributing to the diverse landscape include Séamus and Caoimhe Uí Fhlatharta, and Cormac McCarthy.
Upcoming Altan performances are scheduled at the Old Courthouse in Lifford, Co Donegal, on August 17th, followed by the Town Hall in Newry, Co Down, on August 25th. Future venues also include the Clifden Arts Festival, Co Galway, on September 24th, and the Féile Liam O’Flynn in Naas, Co Kildare, on October 6th.