British band The Libertines, known for more than just their music, recently performed at the 3Olympia in Dublin. Notorious band member Pete Doherty, who had found a common fixture in tabloids during the early 2000s due to his relationship with supermodel Kate Moss, his indulgences, and his rollercoaster friendship with Carl Barât, the band’s co-founder, has seemed to have turned a new leaf.
Although not everyone could bounce back from a jail stint subsequent to thieving from a fellow band member’s dwelling, the rapport between the victim, Barât, and the culprit, Doherty, seems resilient enough to come out unscathed in spite of several misdemeanours committed by the latter.
These days, Doherty seems pleased just to be present, echoing the sentiments of fellow rock survivor Keith Richards. Being sober for five years, the fans who attended the sold-out concert in Dublin were more interested in their music than their previous tumultuous history.
The audience that attended the show were contemporaries of the band, largely in their late 30s and early 40s. The babysitters in Dublin must’ve had a busy evening. Doherty’s style for the concert was reminiscent of a Christmas bookie with a three-quarter length overcoat and a trilby, whereas Barât effortlessly donned a Peaky Blinders cap and a sleeveless tee despite being middle-aged.
Despite releasing merely four albums over the course of 25 years, The Libertines have always believed in quality over quantity. Their most recent album, “All Quiet on the Eastern Esplanade,” has thrilled fans, featuring songs that measure up to their previous oeuvre.
“Run, Run, Run, the opener from the latest album, exemplifies the band’s intent to focus on their current music production rather than dwell on their past – a reasonable stance given the turbulent beginnings of the band. One notable piece from their album is the reflective and dazzling track – Night of the Hunter. This song features Barât showing his range by taking on piano duties alongside Irish singer-songwriter Lisa O’Neill, who joins Doherty in vocals.
The beauty of a Libertine’s live performance is epitomised in the intricate relationship between Doherty and Barât. The similarity of their voices and harmonies are apparent. Their guitar components are exceedingly distinctive yet retain a simplicity in Barât’s leading notes that is perfectly accompanies all their tracks.
Up the Bracket, Music When the Lights Go Out and What Katie Did, all relics from their golden age, served as the perfect crowd pleasers for a weekday performance. By the time the encore began, Doherty emerged in a snug Guinness tracksuit top. Interestingly, it was Barât seen sipping the Irish brew on stage. As the concert reached its finale, Time for Heroes and the climactic Don’t Look Back Into the Sun served as the perfect send-off.
Looking back at their own query, “What became of the likely lads, what became of the dreams we had?” The Libertines answer it by continuing to exist and flourish.”