Your latest literary creation, “In Her Place,” can you discuss more about it?
“In Her Place” narrates the journey of Ann, a woman battling the loss of her mother whilst struggling with her life in New York. Her life changes when she gets into a complex relationship with Justin, a rich man who, however, is a husband to another. Their relationship hits a roadblock when Justin’s sick wife, against all odds, recovers to full health. Ann then faces a challenging conundrum… who is the true second woman in this scenario?
Do you seek inspiration from your own experiences for your stories?
Rather than drawing from my personal life, I prefer imagining alternate realities. In creating fiction, I push at the boundaries of my reality, daring to plunge over the precipice to explore unknown territories – that’s typically where my novels emerge.
Your new book probes into issues of envy and desire. What made you delve into such topics?
Our world has become inherently voyeuristic, with constant comparisons of material possessions. I question how this might be influencing our feelings of satisfaction.
Both your books, “In Her Place” and your debut, “Breaking Point,” seem to explore themes of social class and privilege. Any particular reason for this repeated interest?
The concept of class and its role in shaping our lives is my obsession. The ease with which people fall into stereotypes, judging others on the basis of their accessories fascinates me. It rings of the infamous faux-aristocrat, Anna Delvey, for instance.
[Breaking Point: A hit that portrays sorrow eloquently]
Your works have been categorised under ‘dilemma literature’. Do you concur? What draws you to articulate such emotional conundrums?
I have a fondness for crafting tales around moral predicaments as they lend an innate drive propelling the narrative forward. I also enjoy observing people’s responses under stress.
Your narratives touch on societal expectations women confront related to beauty, relationships, profession, and motherhood. Why so?
The restrictions imposed on women’s freedoms in modern society are the cause of much of my frustration. I like to challenge these impositions through my writing.
Has your past work in arts journalism and book critique been of aid in your literary career?
Being a voracious reader has always been my nature, but reviewing books has exposed me to the unanticipated pleasures of various literary styles. Furthermore, working in journalism has instilled in me the rigour of producing work rapidly to meet deadlines.
What projects are currently engaging your attention?
Presently, I’m deeply involved in the third book I’m writing. It’s currently in a rather raw and embryonic stage, which I find to be the most exciting phase in the writing process; anything could potentially occur!
Have you ever visited any significance literary sites?
In truth, no. I don’t feel drawn to physically connect with the instruments of the authors I greatly respect. Instead, I find a deeper connection through immersing myself in their literature.
Could you share some valuable guidance you’ve obtained about writing?
The quote that sticks with me is, “All art is never truly finished, only abandoned”. It incites me to complete the task at hand and proceed to new ventures.
Whom do you hold in the highest regard?
Katriona O’Sullivan, a writer who’s memoir titled “Poor”, serves as a profound revelation of the potential every individual possesses, given the apt enabling conditions and opportunities.
If granted a day to rule, which law would you implement or revoke?
I’d enforce a universal and guaranteed income for all, coupled with provision for free childcare services. This would swiftly enhance opportunities and choices for individuals, relative to their life aspirations.
Can you recommend any current books, films or podcasts?
I’d strongly recommend “The Chain” by Chimene Suleyman, a memoir that gives a riveting interpretation of contemporary love, and the film, “Anatomy of a Fall”, which lingers in my mind.
Which historical event has had a profound impact on you?
The legalisation of same-sex marriage in Ireland during 2015 filled me with immense pride for my country. It was indeed a tearful and joyful moment for me.
Could you tell us about the most enchanting place you’ve been?
Without a doubt, Paris takes the crown. Its bewitching aura ceaselessly stirs my creativity.
What is your most valued personal item?
Not one with a penchant for material possessions, I nonetheless have a fond connection to my old notebooks. These relics of my past reveal different versions of myself over time and provide perspective during daunting periods, reminding me that all things pass in due time.
Which book in your possession do you consider the most aesthetically pleasing?
My cherished collection of “Winter Papers”, literary annual creations by Kevin Barry and Olivia Smith, is quite close to my heart.
Which writers, past or present, would you love to have dinner with?
My guest list would absolutely include Jackie Collins. I had the privilege of dining with her once and found her personal anecdotes even more captivating than her novels. Other invitees would include Hilary Mantel for her sharp wit, Martin Amis to spark a lively disagreement, Leila Slimani to ignite an intellectual French discourse and Elaine Feeney, a writer from Galway, who would assuredly make the evening a roaring success, thanks to her vibrant personality.
Could you share the best and worst attributes of your hometown?
Residing by the ocean in Galway is my preference and I thoroughly adore the refreshing sensation brought on by the Atlantic breeze every day. However, this residence presents a challenge as it’s a considerable distance from my friends and family based in Dublin.
When asked about my beloved quotes, two instantly come to mind: “Everything is Going to be all right” by Derek Mahon, which is also the title of his poem, and “listen I love you joy is coming” penned by Kim Addonizio in her poem titled To The Woman Crying Uncontrollably in the Next Stall. Both quotes provide resilience in trying times.
In regards to my favourite work of fiction, it’s difficult to pick just one character. Still, Lily Bart, a character from Edith Wharton’s The House Of Mirth claims a special spot in my heart. I only wish she had been a tad more strategic on her own behalf.
Looking for a book to induce chuckles? Heartburn, penned by Nora Ephron is my go-to recommendation. This exceptional book about dissolution of marriage caters aptly to an array of readers, be they heartbroken, freshly smitten, mourning, solitary, bored or preoccupied.
As for a book that has the potential to provoke tears, I’d suggest A Handful Of Dust penned by Evelyn Waugh. Originally, for the American readers, the ending had to be toned down as it was deemed too harsh, which indeed it is!
In Her Place, a novel by Sphere, is now out on the shelves.